How Wittgenstein sought a more effective way of reaching his audience by a poetic style of doing philosophy. Ludwig Wittgenstein once said, "Really one should write philosophy only as one writes poetry." In Wittgenstein's Artillery, James Klagge shows how, in search of ways to reach his audience, Wittgenstein tried a more poetic style of doing philosophy. Klagge argues that, deploying this new philosophical "artillery"--Klagge's term for Wittgenstein's methods of influencing his readers and students--Wittgenstein moved from an esoteric mode to an evangelical mode, aiming for an effect on his audience that was noncognitive, appealing to the temperament in addition to the intellect. Wittgenstein was an artillery spotter--directing artillery fire to targets--in the Austrian army during World War I, and Klagge argues that, years later, he became a philosophical spotter, struggling to find the right artillery to accomplish his philosophical purpose. Klagge shows how Wittgenstein's work with his students influenced his style of writing philosophy and motivated him to care about the effect of his ideas on his audience. To illustrate Wittgenstein's evolving approach, Klagge draws on not only Wittgenstein's best-known works but also such lesser-known material as notebooks, dictations, lectures, and recollections of students. Klagge then goes beyond Wittgenstein to present a range of literature--biblical parables and children's stories, Dostoevsky and Tolstoy, Kierkegaard and Nietzsche--as other examples of the poetic approach. He concludes by offering his own attempts at a poetic approach to addressing philosophical issues.

Reading Wittgenstein's Philosophical Investigations is designed as a traditional philosophical commentary that follows the Investigations step by step. It will help undergraduates read and understand Wittgenstein's text by elaborating and explaining key themes and relevant passages in simple everyday language and by providing the biographical and philosophical background necessary for understanding the issues with which Wittgenstein is dealing.

The central claim of this book is that, early and late, Wittgenstein modelled his approach to existential meaning on his account of linguistic meaning. A reading of Nietzsche's The Birth of Tragedy sets up Bearn's reading of the existential point of Wittgenstein's Tractatus. Bearn argues that both books try to resolve our anxiety about the meaning of life by appeal to the deep, unutterable essence of the world. Bearn argues that as Wittgenstein's and Nietzsche's thought matured, they both separately came to believe that the answer to our existential anxiety does not lie beneath the surfaces of our lives, but in our acceptance--Nietzsche's "Yes"--of the groundless details of those surfaces themselves: the wonder of the ordinary

A Reader's Guide to an immensely important text by the greatest philosopher of the 20th Century

On 25 October 1946, in a crowded room in Cambridge, Ludwig Wittgenstein and Karl Popper came face to face for the first and only time. The encounter lasted only ten minutes, and did not go well. Almost immediately, rumours started to spread around the world that the two philosophers had come to blows, armed with red-hot pokers . . .

These new studies of Wittgenstein's 'Tractatus' represent a significant step beyond recent polemical debate. They cover a wide range of themes, and show that close investigation into the composition of the work, and into the various influences on it, has much to yield in revealing the complexity and fertility of Wittgenstein's early thought.

Ludwig Wittgenstein’s brief Tractatus Logico-Philosophicus (1922) is one of the most important philosophical works of the twentieth century, yet it offers little orientation for the reader. The first-time reader is left wondering what it could be about, and the scholar is left with little guidance for interpretation. In Tractatus in Context, James C. Klagge presents the vital background necessary for appreciating Wittgenstein’s gnomic masterpiece. Tractatus in Context contains the early reactions to the Tractatus, including the initial reviews written in 1922-1924. And while we can’t talk with Wittgenstein, we can do the next best thing—hear what he had to say about the Tractatus. Klagge thus presents what Wittgenstein thought about germane issues leading up to his writing the book, in discussions and correspondence with others about his ideas, and what he had to say about the Tractatus after it was written—in letters, lectures and conversations. It offers, you might say, Wittgenstein’s own commentary on the book. Key Features: Illuminates what is at stake in the Tractatus, by providing the views of others that engaged Wittgenstein as he was writing it. Includes Wittgenstein’s earlier thoughts on ideas in the book as recorded in his notebooks, letters, and conversations as well as his later, retrospective comments on those ideas. Draws on new or little-known sources, such as Wittgenstein’s coded notebooks, Hermine’s notes, Frege’s letters, Hänsel’s diary, Ramsey’s notes, and Skinner’s dictations. Draws connections between the background context and specific passages in the Tractatus, using a proposition-by-proposition commentary.

Includes over 200 maps, plans, diagrams and uniform prints Lt.-Col. Theodore Ayrault Dodge was a soldier of long and bloody experience, having served with the Union Army of the Potomac during the American Civil War losing one of his legs during the battle of Gettysburg. After the end of the war he settled down in retirement to write, he produced a number of excellent works on the recently ended Civil War and his magnum opus “A History of the Art of War”, tracing the advances, changes and major engagements of Western Europe. His work was split into twelve volumes, richly illustrated with cuts of uniforms, portraits and maps, each focussing on periods of history headed by the most prominent military figure; Alexander, Hannibal, Caesar, Gustavus Adolphus, Frederick the Great and finally Napoleon. Napoleon and the period which he dominated received such care and attention that Dodge wrote four excellent, authoritative and detailed volumes on him. In Dodge’s concluding volume on Napoleon’s great career covers the battles that would lose Germany for the French cause for good; as his lieutenants are unable to follow through his plans, his tired ragged conscripts cannot match the quality and power of old and struggle blindly with the cavalry that was sacrificed on the steppes of Russia. The missed chances of Lützen and Bautzen and the crowning epic defeat at the Battle of the Emperors at Leipzig force Napoleon back to France, he conjures a brilliant campaign along the rivers of Northern France beating one opponent then another. However, the odds are too much even for Napoleon’s star, and he is forced to abdicate in 1814. Just over a year later he rolls the dice one last time during the Waterloo Campaign, filled with opportunities not taken and orders misplaced, Napoleon is forced in further exile at St. Helena, his military fame undimmed even after a hundred years. A well written, expansive and excellent classic.