The definitive Hubbard, combining her previously unpublished diary, a full biography, and new maps that break down her daring canoe trip day by day.

In 1905 Mina Benson Hubbard became the first white woman to cross Labrador, completing the expedition that had led to her husband's death. The Woman Who Mapped Labrador makes available for the first time the unguarded and personal diary that was the basis for her famous book, A Woman's Way Through Unknown Labrador. Three specialists have combined their expertise to enhance the richness of this original source. Roberta Buchanan's annotation of Hubbard's expedition diary makes it accessible to contemporary readers. Anne Hart's biography illuminates an Edwardian woman's transformation from teacher, nurse, and devoted wife to courageous explorer and social activist. Bryan Greene's discussion of Hubbard's navigational, cartographic, and topographical techniques shows her to have been a serious explorer. His nineteen newly drawn maps make it possible to follow her journey in detail. In her diary Hubbard's full enthusiasm for the Labrador wilderness shines through her descriptions of the great caribou migration, the Montagnais/Naskapi Indians (Innu), and life at a Hudson's Bay post. She also reveals in frank detail the difficulties of asserting her authority as a female expedition leader and her satisfaction at beating out her male rival, Dillon Wallace.

The Canadian province of Newfoundland and Labrador is a mythologized place that resonates with tragic adventure, polar expeditions and Grand Banks fishing; a real and imagined geography with an incredible artistic output that calls for critical discussion. This book examines the diversity of this province’s literature and culture, taking into consideration the expertise of scholars and writers who have first-hand knowledge of its unique context. Chapters on history, travel, fiction, autobiography, poetry, theatre, storytelling, filmmaking, and the visual arts provide an up-to-date survey across a broad range of artistic endeavours, as well as close readings of selected texts. The questions that fill the pages of Pathways of Creativity in Contemporary Newfoundland and Labrador arise from the awareness its contributors have of historically shared experiences, but also of shared delusions, and their essays provoke contemplation beyond the labels local/global, Newfoundlander/Come-From-Away. Aboriginal histories and writing come to the foreground in this panoramic view that balances descriptions of mainstream, vernacular and Indigenous cultural productions. The final chapter is organized as a multi-voiced interview which serves as a supplement to the academic essays. Here, themes are revisited and personalized as several writers express their feelings about what it means to be a Newfoundlander and an artist. As such, this book will encourage dialogue about Newfoundland and Labrador’s literary and artistic achievements within the international community of readers and researchers.

In 1905 Mina Benson Hubbard became the first white person to cross Labrador, documenting her travels in the classic A Woman's Way Through Unknown Labrador. This reissue, edited and fully annotated by Sherrill Grace, makes the complete work available for the first time since the original 1908 publication and features an introduction that situates Hubbard's writing in the context of her life and times, making clear how difficult it was for a woman of her day to undertake such an expedition and to give public lectures and write about her experiences.

Published to coincide with the sixtieth anniversary of Newfoundland and Labrador joining Canada, Sean T. Cadigan has written the book that will surely become the definitive history of one of North America's most distinct and beautiful regions. The site of the first European settlement by Vikings one thousand years ago, a former colony of England, and known at various times as Terra Nova and Newfoundland until its official name change to Newfoundland and Labrador in 2001, this easternmost point of the continent has had a fascinating history in part because of its long-held position as the gateway between North America and Europe. Examining the region from prehistoric times to the present, Newfoundland and Labrador is not only a comprehensive history of the province, but an illuminating portrait of the Atlantic world and European colonisation of the Americas. Cadigan comprehensively details everything from the first European settlements, the displacement and extinction of the indigenous Beothuk by European settlers, the conflicts between settlers and imperial governance, to the Royal Newfoundland Regiment's near annihilation at the Battle of the Somme, the rise of Newfoundland nationalism, Joey Smallwood's case for confederation, and the modernization and economic disappointments instigated by joining Canada. Paying particular attention to the ways in which Newfoundland and Labrador's history has been shaped by its environment, this study considers how natural resources such as the Grand Banks, the disappearance of cod, and off-shore oil have affected the region and its inhabitants. Richly detailed, compelling, and written in an engaging and accessible style, Newfoundland and Labrador brings the rich and vibrant history of this remarkably interesting region to life.

Women Rewriting Boundaries expands the work of gender and literary scholars by offering fresh insights on how to read travel writing by women. It analyzes the connections between class, gender, physicality, and sexuality as found in nineteenth-century literature. The authors discuss the myriad ways in which women writers reinforced and challenged Victorian social norms. Inspired by a special topics panel, “Women Writing Boundaries,” presented at the 2013 Rocky Mountain Modern Language Association’s annual convention, this edited collection will be a thought-provoking resource for college- level humanities and gender studies students and their instructors.

Map Worlds plots a journey of discovery through the world of women map-makers from the golden age of cartography in the sixteenth-century Low Countries to tactile maps in contemporary Brazil. Author Will C. van den Hoonaard examines the history of women in the profession, sets out the situation of women in technical fields and cartography-related organizations, and outlines the challenges they face in their careers. Map Worlds explores women as colourists in early times, describes the major houses of cartographic production, and delves into the economic function of intermarriages among cartographic houses and families. It relates how in later centuries, working from the margins, women produced maps to record painful tribal memories or sought to remedy social injustices. Much later, one woman so changed the way we think about continents that the shift has been likened to the Copernican revolution. Other women created order and wonder about the lunar landscape, and still others turned the art and science of making maps inside out, exposing the hidden, unconscious, and subliminal “text” of maps. Shared by all these map-makers are themes of social justice and making maps work for the betterment of humanity.

As well as providing vivid and sympathetic accounts of geography, peoples, and cultures, three women writers use their books to chart their own historical and social positions. In Maps of Difference Wendy Roy explores the ways in which Anna Jameson, Mina Hubbard, and Margaret Laurence were attuned to the cultural imperialism underlying their travel writing. Roy considers the connections Jameson makes between feminism and anti-racism in Winter Studies and Summer Rambles in Canada (1838), Hubbard's insights in A Woman's Way Through Unknown Labrador (1908) into her relationship with First Nations men who had both more and less power than she, and Laurence's awareness of colonial and patriarchical oppression in her African memoir, The Prophet's Camel Bell (1963). Roy also examines archival and First Nations accounts of these women's travels, and the sketches, photos, and maps that accompany their writing, to examine contradictions in and question the implied objectivity of travel narratives. She concludes by looking at the myth of "getting there first" and the ways in which new technologies of representation, including cameras, allow travellers and writers to claim new travel "firsts."

The Routledge Introduction to Auto/biography in Canada explores the exciting world of nonfiction writing about the self, designed to give teachers and students the tools they need to study both canonical and lesser-known works. The volume introduces important texts and contexts for interpreting life narratives, demonstrates the conceptual tools necessary to understand what life narratives are and how they work, and offers an historical overview of key moments in Canadian auto/biography. Not sure what life writing in Canada is, or how to study it? This critical introduction covers the tools and approaches you require in order to undertake your own interpretation of life writing texts. You will encounter nonfictional writing about individual lives and experiences—including biography, autobiography, letters, diaries, comics, poetry, plays, and memoirs. The volume includes case studies to provide examples of how to study and research life narratives and toolkits to help you apply what you learn. The Routledge Introduction to Auto/biography in Canada provides instructors and students with the contexts and the critical tools to discover the power of life writing, and the skills to study any kind of nonfiction, from Canada and around the world.

Canadian Women in Print, 1750—1918 is the first historical examination of women’s engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women’s published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women’s work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada’s cultural history than has heretofore been recognized.