Linda Williams Reese tells of political activist Kate Barnard, who became Oklahoma's Commissioner of Charities and Corrections but fell from political grace, of Alice Robertson, who in 1920 abandoned the acceptable female endeavors of teaching and charity work to become a representative to the U.S Congress, and of Isabel Crawford, missionary to the Kiowas, who confided to her journal, "There are different kinds of hardships and those of the heart and spirit are harder to bear.".

They came in land runs and on the Trail of Tears, sometimes with families, sometimes alone. But the women who first came to Oklahoma all had trials to face—and stories to tell. In this stirring collection, the women who settled what would become Oklahoma tell their own stories in their own words. From thousands of interviews conducted by the Work Projects Administration in 1936–37 and preserved in the Indian Pioneer Papers of Oklahoma, editors Terri M. Baker and Connie Oliver Henshaw have selected the words of women from a wide range of socioeconomic groups, ethnic backgrounds, and geographical locations to relate the pioneer experience as it was really lived. Elegantly written, skillfully edited, Women Who Pioneered Oklahoma reflects the everyday will and courage to survive of Oklahoma’s founding mothers. It conveys the violence of a frontier culture set in a landscape of stark beauty where death was always just a heartbeat away. A vital part of the state centennial, theirs is the story of real Oklahoma, writ large—and in a distinctly female hand.

The Black Prairie Archives: An Anthology recovers a new regional archive of “black prairie” literature, and includes writing that ranges from work by nineteenth-century black fur traders and pioneers, all of it published here for the first time, to contemporary writing of the twenty-first century. This anthology establishes a new black prairie literary tradition and transforms inherited understandings of what prairie literature looks and sounds like. It collects varied and unique work by writers who were both conscious and unconscious of themselves as black writers or as “prairie” people. Their letters, recipes, oral literature, autobiographies, rap, and poetry- provide vivid glimpses into the reality of their lived experiences and give meaning to them. The book includes introductory notes for each writer in non-specialist language, and notes to assist readers in their engagement with the literature. This archive and its supporting text offer new scholarly and pedagogical possibilities by expanding the nation’s and the region’s archives. They enrich our understanding of black Canada by bringing to light the prairies' black histories, cultures, and presences.

Since well before ratification of the Nineteenth Amendment in 1920 secured their right to vote, women in Oklahoma have sought to change and uplift their communities through political activism. This Land Is Herland brings together the stories of thirteen women activists and explores their varied experiences from the territorial period to the present. Organized chronologically, the essays discuss Progressive reformer Kate Barnard, educator and civil rights leader Clara Luper, and Comanche leader and activist LaDonna Harris, as well as lesser-known individuals such as Cherokee historian and educator Rachel Caroline Eaton, entrepreneur and NAACP organizer California M. Taylor, and Equal Rights Amendment (ERA) champion Wanda Jo Peltier Stapleton. Edited by Sarah Eppler Janda and Patricia Loughlin, the collection connects Oklahoma women’s individual and collective endeavors to the larger themes of intersectionality, suffrage, politics, motherhood, and civil rights in the American West and the United States. The historians explore how race, ethnicity, social class, gender, and political power shaped—and were shaped by—these women’s efforts to improve their local, state, and national communities. Underscoring the diversity of women’s experiences, the editors and contributors provide fresh and engaging perspectives on the western roots of gendered activism in Oklahoma. This volume expands and enhances our understanding of the complexities of western women’s history.

The stories of two women historians and one anthropologist of the 1930s and '40s and their work in Oklahoma and the Southwest.

Edna Ferber’s Hollywood reveals one of the most influential artistic relationships of the twentieth century—the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America’s most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era—among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood’s interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber’s Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood’s Ferber franchise. Smyth tracks Ferber’s working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant’s critique of Jim-Crow Texas. But Edna Ferber’s Hollywood is also the study of the historical vision of an American outsider—a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber’s work helped shape Hollywood’s attitude toward the American past.

Almost a century before their arrival in the English New World, Blacks appeared alongside the Spanish in what is now the American West. Through their families, communities, and institutions, these Western Blacks left behind a long history, which is just now beginning to receive systematic scholarly treatment. Comprehensively indexing a variety of research materials on Blacks in the North American West, Junne offers an invaluable navigational tool for students of American and African-American history. Entries are organized both geographically and topically, and cover a broad range of subjects including cross-cultural interaction, health, art, and law. Contains a complete compilation of African-American newspapers.

The Great Plains, known for grasslands that stretch to the horizon, is a difficult region to define. Some classify it as the region beginning in the east at the ninety-eighth or one-hundredth meridian. Others identify the eastern boundary with annual precipitation lines, soil composition, or length of the grass. In The Big Empty, leading historian R. Douglas Hurt defines this region using the towns and cities—Denver, Lincoln, and Fort Worth—that made a difference in the history of the environment, politics, and agriculture of the Great Plains. Using the voices of women homesteaders, agrarian socialists, Jewish farmers, Mexican meatpackers, New Dealers, and Native Americans, this book creates a sweeping survey of contested race relations, radical politics, and agricultural prosperity and decline during the twentieth century. This narrative shows that even though Great Plains history is fraught with personal and group tensions, violence, and distress, the twentieth century also brought about compelling social, economic, and political change. The only book of its kind, this account will be of interest to historians studying the region and to anyone inspired by the story of the men and women who found an opportunity for a better life in the Great Plains.

“How can women wear diamonds when babies cry for bread?” Kate Barnard demanded in one of the incendiary stump speeches for which she was well known. In A Life on Fire, Connie Cronley tells the story of Catherine Ann “Kate” Barnard (1875–1930), a fiery political reformer and the first woman elected to state office in Oklahoma, as commissioner of charities and corrections in 1907—almost fifteen years before women won the right to vote in the United States. Born to hardscrabble settlers on the Nebraska prairie, Barnard committed her energy, courage, and charismatic oratory to the cause of Progressive reform and became a political powerhouse and national celebrity. As a champion of the poor, workers, children, the imprisoned, and the mentally ill, Barnard advocated for compulsory education, prison reform, improved mental health treatment, and laws against child labor. Before statehood, she stumped across the Twin Territories to unite farmers and miners into a powerful political alliance. She also helped write Oklahoma’s Progressive constitution, creating what some heralded as “a new kind of state.” But then she took on the so-called “Indian Question.” Defending Native orphans against a conspiracy of graft that reached from Oklahoma to Washington, D.C., she uncovered corrupt authorities and legal guardians stealing oil, gas, and timber rights from Native Americans’ federal allotments. In retaliation, legislators and grafters closed ranks and defunded her state office. Broken in health and heart, she left public office and died a recluse. She remains, however, a riveting figure in Oklahoma history, a fearless activist on behalf of the weak and helpless.

Looking over the great prairie in the early 1880s, Nellie Buchanan said, ?I knew I would never be contented until I had a home of our own in the wonderful West.? Some were not so sanguine. Mary Cox described the prairie as ?the most barren, forsaken country that we had ever seen.? Like the others whose stories appear in this book, these women were describing their own thoughts and experiences traveling to and settling in what became Colorado. Sixty-seven of their original, first-person narratives, recounted to Civil Works Administration workers in 1933 and 1934, are gathered for the first time in this book. The First We Can Remember presents richly detailed, vivid, and widely varied accounts by women pioneers during the late nineteenth century. Narratives of white American-born, European, and Native American women contending with very different circumstances and geographical challenges tell what it was like to settle during the rise of the smelting and mining industries or the gold rush era; to farm or ranch for the first time; to struggle with unfamiliar neighbors, food and water shortages, crop failure, or simply the intransigent land and unpredictable weather. Together, these narratives?historically and geographically framed by Lee Schweninger?s detailed introduction?create a vibrant picture of women?s experiences in the pioneering of the American West.