Biographies of and a collection of writings by women who, for various reasons, found themselves living in New Mexico Territory, from the mid-nineteenth century to the beginning of World War I.

As settlements and civilization moved West to follow the lure of mineral wealth and the trade of the Santa Fe Trail, prostitution grew and flourished within the mining camps, small towns, and cities of the nineteenth-century Southwest. Whether escaping a bad home life, lured by false advertising, or seeking to subsidize their income, thousands of women chose or were forced to enter an industry where they faced segregation and persecution, fines and jailing, and battled the other hazards of their profession. Some dreamed of escape through marriage or retirement, and some became infamous and even successful, but more often found relief only in death. An integral part of western history, the stories of these women continue to fascinate readers and captivate the minds of historians today. Arizona and New Mexico each had their share of working girls and madams like Sara Bowman and Dona Tules who remain notorious celebrities in the annals of history, but Collins also includes the stories of lesser-known women whose roles in this illicit trade help shape our understanding of the American West.

A collection of essays which trace women's struggle for social and political independence in the United States.

These "New Westers", Johnson reveals, line-dance and two-step, listen to Garth Brooks and George Strait, drink beer from long-neck bottles, wear clothes ordered from Sheplers, watch rodeo on ESPN, play Wild West arcade games, eat fajitas and tacos in stuccoed Mexican cafes, collect Western art and Native American crafts, and vacation in and move to the West. "New Westers" rewrite the history and biography of the West. They reimagine the West in Cowboy sagas and poetry, Native American novels, Mexican-American drama, nature writing, revisionist films, eclectic visual artwork, and neo-traditional music. They flock to movies like Thelma and Louise, Unforgiven, and Dances with Wolves, watch mini-series like Lonesome Dove, and read bestsellers like The Crossing and All The Pretty Horses. "New Westers" are men and women who may or may not have ever hitched up a horse but who crave connection with the West. At the end of a century of urbanization, technological change, and cultural confusion, they seek a more natural home, a fuller and wider sense of place, and a deeper and more colorful personal identity. They also want to revive the dream of the mythic West - but on different terms. They overrun the Old West and yet strive to preserve it, raising troubling new concerns about the differences between the mythic and the real, between traditional and contemporary cultural influences.

A historical analysis of the conflicting ideas about race and national belonging held by Mexicans and Euro-Americans in southern New Mexico during the late nineteenth century and early twentieth.

Looking over the great prairie in the early 1880s, Nellie Buchanan said, ?I knew I would never be contented until I had a home of our own in the wonderful West.? Some were not so sanguine. Mary Cox described the prairie as ?the most barren, forsaken country that we had ever seen.? Like the others whose stories appear in this book, these women were describing their own thoughts and experiences traveling to and settling in what became Colorado. Sixty-seven of their original, first-person narratives, recounted to Civil Works Administration workers in 1933 and 1934, are gathered for the first time in this book. The First We Can Remember presents richly detailed, vivid, and widely varied accounts by women pioneers during the late nineteenth century. Narratives of white American-born, European, and Native American women contending with very different circumstances and geographical challenges tell what it was like to settle during the rise of the smelting and mining industries or the gold rush era; to farm or ranch for the first time; to struggle with unfamiliar neighbors, food and water shortages, crop failure, or simply the intransigent land and unpredictable weather. Together, these narratives?historically and geographically framed by Lee Schweninger?s detailed introduction?create a vibrant picture of women?s experiences in the pioneering of the American West.