First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Womens Worlds in England presents a unique collection of source materials on womens lives in sixteenth and seventeenth century England. The book introduces a wonderfully diverse group of women and a series of voices that have rarely been heard in history, from Deborah Brackley, a poor Devon servant, to Katharine Whitstone, Oliver Cromwells sister, and Queen Anne. Drawing on unpublished, archival materials, Womens Worlds explores the everyday lives of ordinary early modern women, including their: * experiences of work, sex, marriage and motherhood * beliefs and spirituality * political activities * relationships * mental worlds In a time when few women could write, this book reveals the multitude of ways in which their voices and experiences leave traces in the written record, and deepens and challenges our understanding of womens lives in the past.

Womens Worlds in England presents a unique collection of source materials on womens lives in sixteenth and seventeenth century England. The book introduces a wonderfully diverse group of women and a series of voices that have rarely been heard in history, Drawing on unpublished, archival materials, the book explores women's: * experiences of work, sex, marriage and motherhood * beliefs and spirituality * political activities * relationships * mental worlds. In a time when few women could write, this book reveals the multitude of ways in which their voices have left traces in the written record, and deepens our understanding of womens lives in the past.

This pioneering book explores for the first time how ordinary women of the early modern period in England understood and experienced their bodies. Using letters, popular literature, and detailed legal records from courts that were obsessively concerned with regulating morals, the book recaptures seventeenth-century popular understandings of sex and reproduction. This history of the female body is at once intimate and wide-ranging, with sometimes startling insights into how early modern women maintained, or forfeited, control over their own bodies. Laura Gowing explores the ways social and economic pressures of daily life shaped the lived experiences of bodies: the cost of having a child, the vulnerability of being a servant, the difficulty of prosecuting rape, the social ambiguities of widowhood. She explains how the female body was governed most of all by other women - wives and midwives. Gowing casts new light on beliefs and practices concerning women's bodies of the time and provides an original perspective on the history of women and gender. Laura Gowing is lecturer in history at King's College, London. She is the author of 'Domestic Dangers: Women, Words, and Sex in Early Modern London' (1996), and, with Patricia Crawford, 'Women's Worlds in Seventeenth-Century England' (1999). She is an editor of 'History Workshop Journal'.

What was the relationship between woman and politics in seventeenth-century England? Responding to this question, Conspiracy and Virtue argues that theoretical exclusion of women from the political sphere shaped their relation to it. Rather than producing silence, this exclusion generated rich, complex, and oblique political involvements which this study traces through the writings of both men and women. Pursuing this argument Conspiracy and Virtue engages the main writings on women's relationship to the political sphere including debates on the public sphere and on contract theory. Writers and figures discussed include Elizabeth Avery, Aphra Behn, Anne Bradstreet, Maragret Cavendish, Queen Christina of Sweden, Anne Halkett, Brilliana Harley, Lucy Hutchinson, John Milton, Elizabeth Poole, Sara Wight, and Henry Jessey.

In this vivid reconstruction of life in a seventeenth-century gentry household, the authors delve into the details of everyday life: how did a large, wealthy household in the English countryside acquire the goods and services it needed and wanted? Was household consumption an exclusively female sphere, or did men play an important role, too?

The renowned historian and biographer Lady Antonia Fraser, author of Marie Antoinette, investigates the lot of women in seventeenth-century England. Drawing on period diaries, letters, and other papers, Fraser sketches portraits of a variety of women, both highborn and humble, during the tumultuous century between the death of Elizabeth and Queen Anne’s assumption of the throne. More than a collection of female biographies, The Weaker Vessel offers fresh insight into its subjects’ attitudes and lives, with appearances by heiresses and dairy maids, holy women and prostitutes, criminals and educators, widows and witches, midwives and mothers, heroines, courtesans, prophetesses, businesswomen, ladies of the court, and that new breed, the actress. "An almost encyclopedic chronicle of women in 17th century England...wives, warriors, heiresses, preachers... alive with anecdote after anecdote." – The New York Times Book Review

This study examines women’s prophetic writings in seventeenth-century Britain as the literary outcome of a discourse of social transformation that integrates religious conscience, political participation, and gender identity. The following pages approach prophecy as a culture, a language, and a catalyst for collective change as the individual prophet conceptualized it. While the corpus of prophetic writing continues to grow as the result of archival research, this monograph complements our particular knowledge of women’s prophecy in the seventeenth century with a global assessment of what makes speech prophetic in the first place, and what are the differences and similarities between texts that fall into the prophetic mode. These disparities and commonalities stand out in the radical language of prophecy as well as in the way it creates an authorial centre. Examining how authorship is represented in several configurations of prophetic delivery, such as essays on prophecy, poetic prophecy, spiritual autobiography, and election narratives, the different chapters consider why prophecy peaked in the years of the civil wars and how it evolved towards the eighteenth century. The analyses extrapolate the peculiarities of each case study as being representative of a form of textually-based activism that enabled women to gain a deeper understanding of themselves as creators of independent meaning that empowered them as individuals, citizens, and believers.

By taking account of the ways in which early modern women made use of formal and generic structures to constitute themselves in writing, the essays collected here interrogate the discursive contours of gendered identity in sixteenth- and seventeenth-century England. The contributors explore how generic choice, mixture, and revision influence narrative constructions of the female self in early modern England. Collectively they situate women's life writings within the broader textual culture of early modern England while maintaining a focus on the particular rhetorical devices and narrative structures that comprise individual texts. Reconsidering women's life writing in light of recent critical trends-most notably historical formalism-this volume produces both new readings of early modern texts (such as Margaret Cavendish's autobiography and the diary of Anne Clifford) and a new understanding of the complex relationships between literary forms and early modern women's 'selves'. This volume engages with new critical methods to make innovative connections between canonical and non-canonical writing; in so doing, it helps to shape the future of scholarship on early modern women.