Explores discourses on gender and representations of women in modern Iraqi fiction. By exploring discourses on gender in both propaganda and high art fictional writings by Iraqis, this book offers an alternative narrative of the literary and cultural history of Iraq.

The 2003 Iraq invasion provoked an unprecedented phenomenon in the Iraqi literary scene: fiction exceeds poetry in production, critical reception, and market figures. New narrative genres, concerned with stories of wars and trauma, depict corporality and sexuality in their most material sense. Writing Through the Body argues that interest in the physical indicates a new perception of corporeality and, to show this, it traces a genealogy of the Iraqi body to uncover the complexity of its historical and socio-political discourses. Considering religious, social, and political factors, the body is examined in three semiospheres: Iraqi society and culture before 2003, the discourse of the war on terror as a semiotic interference, and contemporary Iraqi fiction as the result of the encounter between the two. This structure shows how corporeality was interrupted by and instrumentalised in war propaganda, and how new representations in fiction respond to the two spheres in conflict.

From the Pulitzer Prize winner and bestselling author of Ghost Wars, the inside story of America's long and ruinous relationship with Saddam Hussein The Achilles Trap masterfully untangles the people, ploys of power and geopolitics that led to America's disastrous war with Iraq and, for the first time, details America's fundamental miscalculations during its ruinous, decades-long relationship with Saddam Hussein. Beginning with Saddam's rise to power in 1979 and the birth of Iraq's secret nuclear weapons programme, Steve Coll traces Saddam's motives through understanding his inner circle. He brings to life the diplomats, scientists, family members and generals who had no choice but to defer to their leader - a leader directly responsible for the deaths of hundreds of thousands of Iraqis, as well as the torture or imprisonment of many more. This was a man whose reasoning was impossible to reduce to a simple explanation, and the CIA and successive presidential administrations failed to grasp critical nuances in his paranoia, resentments and inconsistencies - even when the stakes were incredibly high. Using unpublished and underreported sources, interviews with surviving participants, and Saddam's own transcripts and audio files, The Achilles Trap is a remarkable picture of a dictator who was convinced the world was out to get him and acted accordingly. A work of great historical significance, it is the definitive account of how corruptions of power, lies of diplomacy and vanity - on both sides - led to avoidable errors of statecraft: ones that would enact immeasurable human suffering and forever change our political landscape.

This monograph explores and investigates narratives of physical, psychological, and emotional dislocation that take place within the Arab world, approaching them as manifestations of the Arabic word ghurba, or estrangement, as a feeling and state of being. Distancing itself from the centrality of the "West" in postcolonial and Arabic literary studies, the book explores experiences of migration, displacement and cosmopolitanism that do not directly ensue from the encounter with Europe or the European other. Covering texts from the Levant, Egypt, the Arabian Peninsula and beyond from the 19th, 20th and 21st centuries, the book grounds narratives of dislocation in the political, social and cultural structures that affect the everyday lived experiences of individuals and communities. An analysis of Arabic, Turkish and English texts – encompassing fiction, memoirs and translations – highlights less visible narratives of ghurba, specifically amongst ethnic minorities and religious communities. Ultimately, the chapters contribute to a picture of the Arab world as a place of ghurba where mobile and immobile subjects, foreigners and local inhabitants alike, encounter alienation. Bringing together a diverse range of academic perspectives, the book will be of interest to students and scholars in postcolonial and comparative literary studies, history, and Arabic and Middle East studies.

By exploring how translation has shaped the literary contexts of six Iraqi woman writers, this book offers new insights into their translation pathways as part of their stories’ politics of meaning-making. The writers in focus are Samira Al-Mana, Daizy Al-Amir, Inaam Kachachi, Betool Khedairi, Alia Mamdouh and Hadiya Hussein, whose novels include themes of exile, war, occupation, class, rurality and storytelling as cultural survival. Using perspectives of feminist translation to examine how Iraqi women’s story-making has been mediated in English translation across differing times and locations, this book is the first to explore how Iraqi women’s literature calls for new theoretical engagements and why this literature often interrogates and diversifies many literary theories’ geopolitical scope. This book will be of great interest for researchers in Arabic literature, women’s literature, translation studies and women and gender studies.

The Routledge Handbook of Translation, Feminism and Gender provides a comprehensive, state-of-the-art overview of feminism and gender awareness in translation and translation studies today. Bringing together work from more than 20 different countries – from Russia to Chile, Yemen, Turkey, China, India, Egypt and the Maghreb as well as the UK, Canada, the USA and Europe – this Handbook represents a transnational approach to this topic, which is in development in many parts of the world. With 41 chapters, this book presents, discusses, and critically examines many different aspects of gender in translation and its effects, both local and transnational. Providing overviews of key questions and case studies of work currently in progress, this Handbook is the essential reference and resource for students and researchers of translation, feminism, and gender.

This book is the first work comparing Margaret Drabble with key Iraqi novelists. It analyses physical and soft violence in Drabble’s novels and the works of four Iraqi contemporary novelists, including Ahmed Saadawi’s Frankenstein in Baghdad (2013). The book argues that physical and soft violence are interwoven and interconnected, meaning that, where there is physical violence, there is nearly always soft violence and, though to a lesser extent, vice versa. Thus, soft violence can cause just as much damage, psychologically or literally, as hard violence.

The essays selected for this volume provide an overview of the range of issues confronting scholars interested in the complex and multiple relationships between war and criminality, and map the many connections between war, security, governmentality, punishment, gender and crime. The collection draws on the recent theoretical advances made by both criminologists and scholars from cognate disciplines such as law, politics, anthropology and gender studies, in order to open out criminological thinking about what war is, how it is related to crime and how these war/crime relationships reach into peace. The volume features contributions from key thinkers in the field and serves as a valuable resource for academics and students with an interest in the criminology of war.The essays selected for this volume provide an overview of the range of issues confronting scholars interested in the complex and multiple relationships between war and criminality, and map the many connections between war, security, governmentality, punishment, gender and crime. The collection draws on the recent theoretical advances made by both criminologists and scholars from cognate disciplines such as law, politics, anthropology and gender studies, in order to open out criminological thinking about what war is, how it is related to crime and how these war/crime relationships reach into peace. The volume features contributions from key thinkers in the field and serves as a valuable resource for academics and students with an interest in the criminology of war.

This book examines the issue of gender and violence in the Middle East and North Africa. Drawing on case studies across the region, the authors examine the historical, cultural, religious, social, legal and political factors affecting the issue.

Modern Chaldeans are an Aramaic speaking Catholic Syriac community from northern Iraq, not to be confused with the ancient Mesopotamian civilization of the same name. First identified as 'Chaldean' by the Catholic Church in the sixteenth century, this misnomer persisted, developing into a distinctive and unique identity. In modern times, the demands of assimilation in the US, together with increased hostility and sectarian violence in Iraq, gave rise to a complex and transnational identity. Faced with Islamophobia in the US, Chaldeans were at pains to emphasize a Christian identity, and appropriated the ancient, pre-Islamic history of their namesake as a means of distinction between them and other immigrants from Arab lands. In this, the first ethnographic history of the modern Chaldeans, Yasmeen Hanoosh explores these ancient-modern inflections in contemporary Chaldean identity discourses, the use of history as a collective commodity for developing and sustaining a positive community image in the present, and the use of language revival and monumental symbolism to reclaim association with Christian and pre-Christian traditions.