Peter Kropotkin remains one of the best-known anarchist thinkers, and Words of a Rebel was his first libertarian book. Published in 1885 while he was in a French jail for anarchist activism, this collection of articles from the newspaper Le Revolté sees Kropotkin criticise the failings of capitalism and those who seek to end it by means of its main support, the state. Instead, he urged the creation of a mass movement from below that would expropriate property and destroy the state, replacing their centralised hierarchies with federations of self-governing communities and workplaces. Kropotkin’s instant classic included discussions themes and ideas he returned to repeatedly during his five decades in the anarchist movement. Unsurprisingly, Words of a Rebel was soon translated into numerous languages—including Italian, Spanish, Bulgarian, Russian, and Chinese—and reprinted time and time again. But despite its influence as Kropotkin’s first anarchist work, it was the last to be completely translated into English. This is a new translation from the French original by Iain McKay except for a few chapters previously translated by Nicolas Walter. Both anarchist activists and writers, they are well placed to understand the assumptions within and influences on Kropotkin’s revolutionary journalism. It includes all the original 1885 text along with the preface to the 1904 Italian as well as the preface and afterward to the 1919 Russian editions. In addition, it includes many articles on the labour movement written by Kropotkin for Le Revolté which show how he envisioned getting from criticism to a social revolution. Along with a comprehensive glossary and an introduction by Iain McKay placing this work within the history of anarchism as well as indicating its relevance to radicals and revolutionaries today, this is the definitive edition of an anarchist classic.

Translated, with introduction, by George WoodcockFirst published in 1885 in Paris, this collection of articles constitutes Kropotkin's first book. Originally titled Paroles d'un Revolt it includes his earliest works from period 1879 to 1882. In the succeeding years it was translated into Italian, Spanish, Bulgarian, Russian, and Chinese. Long-awaited in English, Words of a Rebel is the first complete translation.A different work from the more familiar books of the older Kropotkin, it is a product of an anarchist agitator and it derives its interest as much from what it reveals about an important transitional phase in the development of anarchism as it does for what it shows us of Kropotkin himself.Seeing revolution as a popular insurrection, in the broadest terms, Kropotkin believed that public wealth should belong to its producers and consumers and not to the State or the rich.This volume of Kropotkin's articles was translated from the French by George Woodcock. A celebrated author, Woodcock is also an authority on the life and works of Peter Kropotkin and as a result, Words of a Rebel is not just a translation, but a scholarly work as well.Table of Contents:Introduction by George WoodcockIntroduction to the First French Edition by Elise ReclusI. The Situation TodayII. The Breakdown of the StateIII. The Inevitability of RevolutionIV. The Coming RevolutionV. Political RightsVI. To the YoungVII. WarVIII. Revolutionary MinoritiesIX. OrderX. The CommuneXI. The Paris CommuneXII. The Agrarian QuestionXIII. Representative GovernmentXIV. Law and AuthorityXV. Revolutionary GovernmentXVI. All of Us Socialists!XVII. The Spirit of RevoltXVIII. Theory and PracticeXIX. ExpropriationNotes1992: 229 pages

This, the first ever biography of John Hewitt, is based on archival material, both personal and literary. In many ways it is also a biography of his wife, Roberta (nee Black), whose manuscript journal is also in the public domain. To establish Hewitt's late arrival as a poet, the book opens with a chapter recounting his negotiations with a London publisher over a long period and the eventual appearance of No Rebel Word (1949). Successive chapters trace his education, courtship, literary apprenticeship, first employment as a junior gallery curator in Belfast, the political conflicts of the 1930s and then the War Years, his rejection for the post of director in Belfast's Civic Museum and Gallery, and his utopian commitment to regionalism. Appointment to the Herbert Gallery in Coventry in 1956 brought recognition and confidence. His leanings towards socialist realism came to accommodate abstract art, and he defended the sculptor Barbara Hepworth against the penny-pinching ratepayers. Throughout this two-part career, Hewitt maintained his output as poet, culminating in the Collected Poems (1968). His Irish political commitments never wavered, though he became cautious about forms of nationalism which proclaimed themselves left-wing. Roberta Hewitt's work for the Coventry Labor Party provided an outlet for her energies and her domestic frustrations. Throughout these forty years, the poetry is kept constantly in view, sometime by reference to individual pieces and their origins, and some by means of longer "breaks for text" where more detailed criticism is practised. In 1972, the Hewitts returned to Belfast when the Troubles reached an ugly peak. Committed to anti-sectarianism, Hewitt withheld support from all parties, though he took an interest in trade union activity. Publishing (perhaps too much) poetry in his last decade-and-a-half, he died very much in harness.

She’s never done what was expected of her… Laila Sood has always resisted tradition and her parents’ wishes, from leaving her small town in India and moving to Seattle to start a rock band, to rejecting the groom her parents chose for her arranged marriage. Now twenty-nine, Laila’s band has critical acclaim on the indie scene, but she hasn’t attained her goal that will cement her rock star status—signing with a major L.A. label. Marriage is the last thing on Laila’s mind when she meets Hari Singh. He’s an Indian mama’s dream—a handsome pediatrician from a rich, well-connected Indian family—and everything Laila’s rejected her entire life. Even worse, sparks fly between them like Diwali fireworks, and though Laila’s aunt is hoping to match Hari with her daughter, Hari is fascinated by Laila. She thinks a few dates will prove that he’s too boring and traditional for her, except Laila only falls harder. Does Laila still chase her rock star dream, or has Hari shown her a new way to fly her rebel flag that just might be anchored in tradition?

In Classical Greek Syntax: Wackernagel's Law in Herodotus, David Goldstein offers the first theoretically-informed study of second-position clitics in Ancient Greek and challenges the long-standing belief that Greek word order is ‟free” or beyond the reach of systematic analysis. On the basis of Herodotus’ Histories, he demonstrates that there are in fact systematic correspondences between clause structure and meaning. Crucial to this new model of the Greek clause is Wackernagel’s Law, the generalization that enclitics and postpositives occur in ‟second position,” as these classes of words provide a stable anchor for analyzing sentence structure. The results of this work not only restore word order as an interpretive dimension of Greek texts, but also provide a framework for the investigation of other areas of syntax in Greek, as well as archaic Indo-European more broadly.

1188 sermon suggestions -- One from every chapter in the Bible. Morgan's expositions sparkle as they enhance Bible texts from every chapter in the Bible. Concise and delightfully free of redundancy, these selections reveal the master expositor's keen, analytical insight into God's Word. To encourage preachers and Bible teachers to develop their own sermon and lesson themes creatively, the author mentions that these are sermon suggestions -- not sermons or sermon outlines. He intentionally left the notes untitled, "preferring to let the text of Scripture be their only caption." These penetrating truths, firmly anchored in Scripture, are best described by G. Campbell Morgan himself: On every page of...the "God-breathed Writings" there are many thoughts which stretch out like long, clear arms of light across the darkness, discovering things which otherwise were hidden, and often illuminating wider areas than those of the immediate context. They are searchlights. From the multitude of these, I have selected one in each chapter of the Bible. Perhaps the work will also serve to illustrate a method of showing how focal points of radiating light gather their radiance from the context.

This book explores the birth, life and afterlife of the story of Romeo and Juliet, by looking at Italian translations/rewritings for page, stage and screen. Through its analysis of published translations, theatre performances and film adaptations, the volume offers a thorough investigation of the ways in which Romeo and Juliet is handled by translators, as well as theatre and cinema practitioners. By tracing the journey of the “star-crossed lovers” from the Italian novelle to Shakespeare and back to Italy, the book provides a fascinating account of the transformations of the tale through time, cultures, languages and media, enabling a deeper understanding of the ongoing fortune of the play and exploring the role and meaning of translation. Due to its interdisciplinarity, the book will appeal to anyone interested in translation studies, theatre studies, adaptation studies, Shakespeare films and Shakespeare in performance. Moreover, it will be a useful resource for both lecturers and students.