In 2020, the lives of Australian women changed irrevocably. With insight, intelligence and empathy, Jane Gilmore, Santilla Chingaipe and Emily J. Brooks explore this through the lenses of work, love and body, and ask: Will the Australia of tomorrow be more equal than the one we were born into? Or will women and girls remain left behind? While our country was shrouded in smoke in the early months of 2020, Australian women went about their daily business. They worked, studied, cleaned, did school runs, made meals. And they postponed looking after themselves because life got in the way. Then, in March, Australians were told to lock down. For all the talk of equality, it was primarily women who held the health of our communities in their hands as they took on the essential jobs to care, to nurse and to teach, despite an invisible danger. One year later, women across the country would march on behalf of those who were not safe in workplaces and their own homes. Never before has change been thrust so abruptly on modern Australian women - 2020 impacted our working lives, relationships and our health and wellbeing. And as a growing number of women agitate for change, it is time to demand what women want. So where do we go from here? One thing is very clear: the future is now, and it is female.

The information in this book can give you insight into what effective communication is and how to be an active participant in it. What this book CAN do… Understanding how to read and give non-verbal cues is an important part of communication. We do it automatically without even knowing that we are so understanding is the key word. Still, if you want to master body language in order to manipulate others, you will likely be unsuccessful in the least, and mistrusted in the end. This book will highlight the benefits of giving, receiving, and perceiving non-verbal cues in personal, business, and casual situations. With this guide, you'll learn valuable nonverbal nuances, including how to: · Project professional body language at work · Detect a liar at home, school, or in a relationship · Tell if your date is into you--or planning to leave you · Recognize and control hostile body language you may project · Decipher digital and online body language Body language helps us much better to understand others, even to understand what is not said. To do this, you need to prepare yourself to pay more attention to this type of language. With this book, you have the opportunity to learn reading body language. The many practical tricks and exercises contained here will help you become a better person.

They will tell you this book has to be categorized under 'memoir' and they may be right but for me it's a working journal that straddles the end of the 20th century and shows how to create something from nothing how to turn a dream into a reality and how to make simple live theatre that challenges and inspires. It takes in my humble beginnings when I was on the dole back in Nowheresville in the early 80's and looking for a direction and so fell into writing theatre plays and performance poetry and then (eventually) getting into drama school in London and then spending the next ten years after that trying to reconcile what I felt was expected of me with what my heart truly wanted to do. The last third of the book is the result of that epic struggle.

These days it's increasingly rare to have a stable career in any field. More and more of us are blending big company jobs, startup gigs, freelance work, and volunteer side projects. We take chances to expand our knowledge, capabilities, and experience. But how do we make sense of that kind of career - and explain it? Pamela Slim, the acclaimed author of Escape from Cubicle Nation, gives us the tools to have meaningful careers in this new world of work. She shows how to find the connections among diverse accomplishments, sell your story, and continually reinvent and relaunch your brand.

Integrative Body-Mind-Spirit Social Work strongly connects Western therapeutic techniques with Eastern philosophy and practices, while also providing a comprehensive and pragmatic agenda for social work, and mental health professionals. The second edition represents a major revision from the original book, featuring numerous case studies and a robust companion website including demonstration videos and reproducible client handouts.

This unique volume offers a rare glimpse at the development of the first Rivers of London graphic novel, Body Work, showcasing the script by Ben Aaronovitch and Andrew Cartmel in a side-by-side comparison with the artwork by Lee Sullivan and colorist Luis Guerrero. Universally acclaimed by critics and fans alike on its release in 2016, Ben Aaronovitch’s Rivers of London graphic novel series has gone on to spawn eight further adventures, featuring Metropolitan police officer and part-time wizard Peter Grant as he examines unusual crimes that involve magic or the supernatural in the dark belly of London’s underworld. Body Work sees Peter Grant investigate a mysterious suicide that soon leads him on a chase through the streets of London after a possessed car on a homicidal killing spree. But what links it to a Bosnian refugee, the Most Haunted Car in the England, a bunch of teenagers loaded on Ketamine and a seemingly harmless wooden bench with the darkest of pasts?

The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body, the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge"--the desire to know-guides fictional plots and our reading of them. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself-which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force. This major book entertains and teaches: Brooks presumes no special knowledge on the part of his readers. His account proceeds chronologically from Rousseau in the eighteenth century forward to contemporary artists and writers. Body Work gives us a set of analytical tools and ideas-primarily from psychoanalysis, narrative and film studies, and feminist theory-that enable us to read modern narrative afresh.

Using Expressive Arts to Work with Mind, Body and Emotions combines theory, research and activities to produce practical suggestions for enhancing client participation in the therapy process. It surveys the literature on art therapy; somatic approaches; emotion-activating models; use of music, writing and dreamwork; and the implications of the new findings in neuroscience. The book includes step-by-step instructions for implementing expressive therapies techniques, and contains a wide range of experiential activities that integrate playful yet powerful tools that work in harmony with the client's innate ability for self-healing. The authors discuss transpersonal influences along with the practical implications of both emotion-focused and attachment theories. Using Expressive Arts to Work with Mind, Body and Emotions is an essential guide to integrating creative arts-based activities into counselling and psychotherapy and will be a useful manual for practitioners, academics and student counsellors, psychologists, psychotherapists, social workers and creative arts therapists.

'Doctors take days off - why not PIs?' V.I. Warshawski demands. But when the hardest-working of private eyes goes out one night, a stranger is shot and dies in her arms. V.I. has been visiting Club Gouge, Chicago's edgiest night spot, where a woman known as the Body Artist turns her naked body into a canvas for the audience to paint on. The show attracts all kinds of people, from a menacing off-duty cop to Ukrainian mobsters and Iraq war veterans - and V.I.'s impetuous cousin, Petra. A tormented young painter shows up too, and the intricate designs she creates on the Body Artist drive one of the soldiers into a violent rage. When the painter is shot, the police think it's a clear-cut case: a shell-shocked war veteran goes off the rails. But the soldier's family hires V.I. to clear his name, and the detective uncovers a chain of ugly truths that stretches all the way from Iraq to Chicago's South Side. THE 14TH BOOK IN THE THRILLING V.I. WARSHAWSKI SERIES.