The Pulitzer awards in music have been representative of America's best composers since 1917. Prize winners have written compositions for viola solo, viola with keyboard, and for viola with orchestra. This annotated bibliography catalogues each Pulitzer award winner's compositions for these instrumentations. Only compositions originally designed for viola solo, viola with keyboard, and for viola with orchestra are included.

Includes the winners from 1943-2009. Includes reports from years in which no prize was awarded in music.

"CAD (Creative Ability Development) is a methods for developing uninhibited creativity. Unlike methods which set up elaborate rules, CAD strives to give the students only the most necessary or general framework or structure within which to freely improvise and express themselves, always keeping in mind the one most important rule: 'There is no such thing as a mistake.'"--Back cover

The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.

The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.

Presents previously unpublished memoirs (1933-77), lectures, and essays by the eminent harpsichordist and scholar Ralph Kirkpatrick.

Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.

Jennifer Higdon is an esteemed American composer known internationally, and the recipient of many awards in various musical genres. Though best known for her instrumental works and operas, she is a prolific writer of choral music that is fascinating, varied in style, profound, and meaningful, and speaks directly to a contemporary audience through the carefully selected texts. This book explores a number of Higdon’s choral works, both extended and short works, citing the extensive relationship of the music to the texts, which are set a cappella, with full orchestra or with chamber instruments. Also presented are composition characteristics, analytical analysis, and insights directly from the composer.