Using a wealth of contemporary sources, this book tells the story of the way in which the turbulent, hedonistic world of mid-nineteenth-century Paris touched the careers and work of a host of Victorian writers, major and minor. It attends both to the way writers actually experienced life in a capital city markedly different from London, and to how they retailed this to a swiftly-growing British readership. En route, it reveals the cosmopolitan world of the salonsand the social life of the British Embassy; demonstrates the risky competitive world of the freelance journalist; traces the developing role of the foreign correspondent, and examines the, sometimescontradictory, prejudices about Paris and the Parisians contained in contemporary fiction.Casting a wide literary net, the first part of this book explores these writers' reaction to the swiftly changing politics and topography of Paris, before considering the nature of their social interactions with the Parisians, through networks provided by institutions such as the British Embassy and the salons. The second part of the book examines the significance of Parisfor mid-nineteenth-century Anglophone journalists, paying particular attention to the ways in which the young Thackeray's exposure to Parisian print culture shaped him as both writer and artist. Thefinal part focuses on fictional representations of Paris, revealing the frequency with which they relied upon previous literary sources, and how the surprisingly narrow palette of subgenres, structures and characters they employed contributed to the characteristic, and sometimes contradictory, prejudices of a swiftly-growing British readership.

In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

While living in Paris at the beginning of the twentieth century, expatriate American writers Edith Wharton (1862-1937) and Gertrude Stein (1874-1946) never crossed paths. Even so, they did rub shoulders in print, in autobiographical essays published by The Atlantic Monthly in 1933. Noel Sloboda shows that the authors pursued many of the same professional goals in these essays and in the book-length life writings that grew out of them, A Backward Glance (1934) and The Autobiography of Alice B. Toklas (1933). By analyzing the personal and cultural contexts in which these works were produced, as well as subjects common to both of them, Sloboda illuminates a previously unrecognized solidarity between Wharton and Stein. The relationship between the authors is built upon careful analysis of A Backward Glance and The Autobiography of Alice B. Toklas, and it is framed by a consideration of the markets into which their life writings were first released. The alignment of Wharton and Stein as life writers will be of interest to those studying autobiography, modern literature, and American women writers.

The young Thomas Eakins's most revealing letters—published here for the first time The most revealing and interesting writings of American artist Thomas Eakins are the letters he sent to family and friends while he was a student in Paris between 1866 and 1870. This book presents all these letters in their entirety for the first time; in fact, this is the first edition of Eakins's correspondence from the period. Edited and annotated by Eakins authority William Innes Homer, this book provides a treasure trove of new information, revealing previously hidden facets of Eakins's personality, providing a much richer picture of his artistic development, and casting fresh light on his debated psychosexual makeup. The book is illustrated with the small, gemlike drawings Eakins included in his correspondence, as well as photographs and paintings. In these letters, Eakins speaks openly and frankly about human relationships, male companionship, marriage, and women. In vivid, charming, and sometimes comic detail, he describes his impressions of Paris--from the training he received in the studio of Jean-Léon Gérôme to the museums, concerts, and popular entertainments that captured his imagination. And he discusses with great insight contemporary aesthetic and scientific theories, as well as such unexpected subjects as language structure, musical composition, and ice-skating technique. Also published here for the first time are the letters and notebook Eakins wrote in Spain following his Paris sojourn. This long-overdue volume provides an indispensable portrait of a great American artist as a young man.

Consider this edition your personal Parisian address directory for the renowned that have historically shaped France and the world. This illustrated guide transports you geographically and photographically to famous residences formerly occupied by historical leaders, noteworthy figures, revolutionaries, famous writers, performers, composers and visual artists. It is your map of the stars within Paris with profiles framing the unique impact and background of the occupants. Known and unknown history, hidden delights and fascinating stories pervade the history of Paris. This kaleidoscope of discovery, personalities, egos, scandals, conflict framed by sheer beauty creates a vivid tapestry defining over two millenniums. You may imagine that you already know Paris, but that view is solely a prism of the whole. Many of the narratives defy believability, yet they are true. This Famous Historic Guide is your alternative to conventional travel. It accommodates the restless visitor, tourist and resident seeking a unique and different perspective to traditional tourism. Paris remains one of the most beguiling, seductive and enchanting cities of the world. Its famed personalities are as statuesque and substantial as its iconic monuments. HISTORICAL FIGURES: Joan of Ark, Nicholas Flamel, Diane de Poitiers, Queen Margot of Navarre, Cardinal Richelieu, Marquises of Montespan and Maintenon, Madame du Barry, Benjamin Franklin, Marquis de Lafayette, Thomas Jefferson, Jacques Necker, Marie Le Normand, Eugene Vidocoq, Duke de Praslin, Napoleon III, La Paiva, Otto von Bismarck, Madame Claude, George Boulanger, Coco Chanel, Francois Mitterrand, Charles Parnell, Jacques Verges. John Adams, Karl Lagerfeld and Samuel de Champlain. BONAPARTE ERA: Napoleon Bonaparte, Desiree Clary, Empress Josephine, Charles Maurice de Talleyrand, James Monroe, Pauline Bonaparte, Louis Bonaparte and the Duke of Wellington. THINKERS/PHILOSOPHERS/WRITERS: Rene Descartes, Jean-Jacques Rousseau, Voltaire, Marquis de Sade, Thomas Paine, Andre Chenier, Honore de Balzac, Victor Hugo, Emile Zola, Oscar Wilde, Colette, Sylvia Beach, Simone de Beauvoir, Albert Camus, Jean-Paul Sartre, Alexandre Dumas, Alexis de Tocqueville, Alfred de Musset, Alphonse Daudet, Andre Breton, Andre Malraux, Guillaume Apollinaire, Arthur Rambeau, Blaise Pascal, Charles Baudelaire, Theophile Gautier, Duke of Saint Simon, Ernest Hemingway, Vicomte de Chateaubriand, Ezra Pound, Francoise Sagan, F. Scott Fitzgerald, George Sand, Gertrude Stein, Gustave Flaubert, Heinrich Heine, Ivan Turguenev, James Baldwin, James Joyce, Jean Cocteau, Leo Tolstoy, Jules Verne, Marcel Proust, Stendhal and PERFORMANCE ARTS: Moliere, Pierre Beaumarchais, Gioachino Rossini, Frederick Chopin, Franz Liszt, Richard Wagner, Hector Berlioz, Jacques Offenbach, Sarah Bernhardt, George Bizet, Jean Sibelius, Isadora Duncan, Josephine Baker, Edith Piaf, Jacques Tati, Brigitte Bardot, Francois Truffaut, Jeanne Moreau, Serge Gainsbourg, George Moustaki, Dalida, Alain Delon and Jim Morrison, VISUAL ARTS: Jacques-Louis David, Auguste Rodin, Theo van Gough, Henri Toulouse-Lautrec, Pablo Picasso, Alberto Giacometti, Alfonse Mucha, Amedeo Modigliani, Andre Masson, Constantin Brancusi, Camille Claudel, Edgar Degas, Eugene Delacroix, Jean-Baptiste Corot, Claude Monet, Francis Bacon, Gustave Dore, Gustave Moreau, Henri Matisse, Honore Daumier, Jean Renoir, Joan Miro, Kiki de Montparnasse, Man Ray, Yves Klein, Marc Chagall, Marcel Duchamp and Paul Gauguin, REVOLUTIONARIES: Count Mirabeau, Georges Danton, Camille Desmoulins, Maximilien Robespierre, Pierre-Joseph Proudhon, Karl Marx, Friedrich Engels, Vladimir Lenin, Leon Trotsky, Ho Chi Minh and Jean-Paul Marat.

A dazzling portrait of Paris’s forgotten artist and cabaret star, whose incandescent life asks us to see the history of modern art in new ways. In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir—featuring an introduction by Ernest Hemingway—made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray’s legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray’s reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d’Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki’s seminal influence not only on Man Ray’s art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses—and the lines separating the two.

The reports of a conference of 11 scholars who began the task of examing together primary sources that might shed som elight on exactly how and in what fomrs mathematical problems, concepts, and techniques may have been transmitted between various civilizations, from antiquity down to the European Renaissance following more or less the legendary silk routes between China and Western Europe.

Over eight visits to Paris, Deirdre Kelly has found herself -- first as a 19-year-old and then later as a budding writer, a dance critic, and a fashion reporter. Subsequent visits -- with her mother, her future husband, and later as a mother herself -- have shown her that while some parts of Paris remain constant, her life is always evolving. More than just a beautiful and romantic backdrop for her self-discovery, Paris itself contributes to that discovery, emerging as a principal character in Kelly's life, an influence that inspires, guides, and teaches as she ages. A terrific gift for budding travelers, Francophiles, and women on their own path toward growth, this book reminds readers of their own favorite place.

The controversial British writer Ford Madox Ford (1873–1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme, issue, or work; and relates aspects of Ford’s writing, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which was adapted by Tom Stoppard for the acclaimed 2012 BBC/HBO television series, starring Benedict Cumberbatch and Rebecca Hall. The twelve essays in this volume, Ford Madox Ford’s Cosmopolis, focus directly on the internationalism so important to Ford, and bring out three main ideas. First, his lifelong commitment to an international vision of literature and culture. Second, ‘Cosmopolis’ also refers to Ford’s experiences of the particular cosmopolitan cities he lived in: London, Paris, New York. Third, the idea that his lifelong experience of Paris in particular informed and shaped his writing. Ford’s Cosmopolis is thus not only an ideal city or state open to such cosmopolitan exchange. It is also a mode of writing which invents forms and styles to render the experience of such hybridity, diversity, fluidity, and tolerance. Contributors are: Alexandra Becquet, Helen Chambers, Martina Ciceri, Laurence Davies, Claire Davison, Annalisa Federici, Georges Létissier, Caroline Patey, Andrea Rummel, Max Saunders, Rob Spence, Martin Stannard, George Wickes, Joseph Wiesenfarth.