Scholars, journalists, writers, and pundits have long regarded the South as the nation's most politically distinctive region. Its culture, history, and social and economic institutions have fostered unique political ideas that intrigue observers and have had profound political consequences for the nation's citizens, politicians, and policymakers. Writing Southern Politics is the most comprehensive review of the large body of post–World War II literature on southern politics. Since the publication of V.O. Key Jr.'s landmark work, Southern Politics in State and Nation (1949), scholars have produced an astounding number of books, monographs, professional journal articles, and research papers addressing elements of continuity and change in southern politics. The contributors to this book sort through the literature, identifying major themes, examining areas of scholarly disagreement, and making the key dimensions and contours of the region's politics understandable. Individually, the essays in this volume identify and clarify the key writing and research in selected subfields of southern politics, including religion, race, women, and political parties. Collectively, the essays identify and discuss the major components of and trends in southern politics over the past half century. The contributors, some of the foremost scholars in the field, have been heavily involved in researching and writing about southern politics during the past three decades and have observed the development of many of the research projects that form the foundation of southern political literature. In many instances, their own writings are included in the body of literature they discuss, bringing unique skills, research, and perspectives to their original essays. In addition to reviewing existing literature, Writing Southern Politics also includes suggestions for a future research agenda. Not all aspects of the region's dramatic fifty-year transformation have been fully explored, and the continuation of this development ensures new avenues to examine. The discussion of past research and writing is an invaluable tool for understanding the trends in southern politics over the past half century. By examining these trends and developing an agenda for future research, the authors provide a roadmap for identifying the changes that will likely shape the region over the next half century.

The Future Ain’t What It Used to Be details how the 2016 presidential election developed in the eleven states that make up the South. Preeminent scholars of Southern politics analyze this momentous election, including the issues that drove southern voters, the nomination process in early 2016, and where the region may be headed politically in the Trump era. In addition, each state chapter includes analysis on notable congressional races and important patterns within the states. This new edited volume will be an important tool for scholars, and also journalists and political enthusiasts seeking a deeper understanding of contemporary southern electoral politics.

The South Carolina Encyclopedia Guide to South Carolina Writers expands the range of writers included in the landmark South Carolina Encyclopedia. This guide updates the entries on writers featured in the original encyclopedia and augments that list substantially with dozens of new essays on additional authors from the late eighteenth century to the present who have contributed to the Palmetto State's distinctive literary heritage. Each profile in this concise reference includes essential biographical facts and critical assessments to place the featured writers in the larger context of South Carolina's literary tradition. The guide comprises 128 entries written by more than sixty-nine literary scholars, and it also highlights the sixty-nine writers inducted thus far into the South Carolina Academy of Authors, which serves as the state's literary hall of fame. Rich in natural beauty and historic complexity, South Carolina has long been a source of inspiration for writers. The talented novelists, essayists, poets, playwrights, journalists, historians, and other writers featured here represent the countless individuals who have shared tales and lore of South Carolina. The guide includes a foreword by George Singleton, author of two novels, four short story collections and one nonfiction book, and a 2010 inductee of the South Carolina Academy of Authors.

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.

One of the most important of the Southern magazines in the 1920s was The Fugitive, a magazine of verse and brief commentaries on literature in general. Among its contributors were John Crowe Ransom, Allen Tate, Robert Penn Warren, Donald Davidson, and Merrill Moore. Publication began in April 1922 and ended in December 1925. Soon thereafter, the “Fugitive” writers and some others became profoundly concerned with the materialism of American life and its effect upon the South. The group became known as “Agrarians.” Their thinking and discussion culminated in a symposium, I'll Take My Stand, published in 1930. In his first two lectures Davidson describes the underlying nature and aims of the Fugitive and Agrarian movements. He brings to the discussion his intimate and thorough knowledge of Southern life and letters. The third lecture deals with the place of the writer in the modern university, posing the questions of whether the writer needs the university and whether the university needs or wants the writer.

In The Southern Writer in the Postmodern World Fred Hobson offers a witty and engaging 'preliminary estimate' of some of the most prominent new figures in southern fiction. Although he discouvers no shortage of talent, he does find 'various and conflicting attitudes toward the southe and the contemporary world.' Especially concermed with the relationship of these new writers to their literary predecessors, he traces the continuity--or lack of continuity--or lack of continuity--of certain attitudes, fictional approaches, and even values that informed southern writing during its earlier flowering in the 1920s, 1930s, and 1940s.

Centrat en les obres de Kate Chopin, Elizabeth Madox Roberts, Zora Neale Hurston, Lillian Smith, Eudora Welty, Alice Walker, Llegix Smith, Jill McCorkle i Bobbie Ann Mason, aquest llibre analitza el retrat ambivalent de l'espai domèstic descrit per les escriptores del sud. Les qüestions més profundes de gènere, raça i classe en una societat tradicional com la del sud americà es manifesten precisament dins l'esfera domèstica, on l'espai és sovint un mitjà crucial de dominació. Les escriptores contemporànies del sud sovint han utilitzat la transformació de la llar i els seus significats com una nova font per a la ficció. Han estat explorant formes noves i antigues d'imaginar el que podria ser una llar i la seva narrativa diu molt de la manera en la qual el treball, els llocs i la família contribueixen a la creació d'un altre en el sud contemporani.

Historians of the American Civil War have debated a wide range of questions raised by the war and its outcome. None have been more vigorously argued as those surrounding its outcome. One of the leading explanations for Confederate defeat has been the argument that the Civil War South lacked a national identity. Related to and supporting this argument is the contention that the Civil War South failed to produce a distinct and vibrant literary culture. These contentions have been challenged by a growing body of literature which argues that the Civil War South did produce a sense of cultural and national identity. This book adds to this counter current through an examination of the Civil War experiences and writings of the Antebellum South's leading literary figure. Surprisingly, given William Gilmore Simms' well-known status prior to the war, his life and work during the course of the war itself has been understudied. This examination reveals the depth and extent to which Simms not only supported the Confederate war effort but how Simms conceptualized and articulated a vision of Confederate nationalism.

The first study to focus on white and black women journalists and writers both before and after the Civil War, this book offers fresh insight into Southern intellectual life, the fight for women's rights and gender ideology. Based on new research into Southern magazines and newspapers, this book seeks to shift scholarly attention away from novelists and toward the rich and diverse periodical culture of the South between 1820 and 1900. Magazines were of central importance to the literary culture of the South because the region lacked the publishing centers that could produce large numbers of books. As editors, contributors, correspondents and reporters in the nineteenth century, Southern women entered traditionally male bastions when they embarked on careers in journalism. In so doing, they opened the door to calls for greater political and social equality at the turn of the twentieth century.