Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism. Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"—insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.

What is Para-Consciousness: The Potential Beyond What We Know shakes the very foundations of the modern knowledge-based theories and economic models. Have you ever realized that the present reality zeros the value of experience-derived consciousness? Unless you wish to reproduce and relive your or somebody else's past, it makes no sense to use that experience. If we exclude you, the person making a decision when to use or not use the experience, then the ideal you use to create the consciousness of what you should do in the present, akin to religious fervor, is quantum gravity. It overshadows your potential to be spontaneous, joyful, and divine. A self-luminous element guides your ability to decide when to activate experience instead of improvising based on the situation's needs. A self-luminous element is like an astrological element; it has an innate power to predict the future of everything since it mirrors the present of everybody. The present astrological chart shows your correlation as a person with each of the planetary bodies. Each planetary body signifies a unique group of entities in your life, such as the self, the spouse, the siblings, the father, the mother, the ancestors, the kin, the kith, the foe, the leaders, the followers, and the material wealth. Your network of relationships at present shapes your workforce in the future. It also shapes the exchange of your experience with the future mood spontaneity, joyful destiny, and behavioral divinity. Stronger the network entanglement, the weaker your self-luminosity. Dependence on the borrowed consciousness limits your potential to live a fresh life, free of the limits of everybody's experiences.

Whom the gods would destroy, they first drive mad. It's 1934, and the assassination of Sergei Kirov, Leningrad's Communist Party chief, has rocked the Soviet Union. When an up and coming young Party official is assigned to investigate, it looks like an open and shut case. The further Nikolai Yezhov looks into the case, the stranger things become. Mysterious entities lie beneath the swamps upon which Leningrad was founded. Because he has stumbled upon these secrets older than humanity itself, Yezhov must be eliminated. But first he must be led to commit acts that will ensure that history will forever remember him as a vicious criminal.

Lore, music, narratives, dozens of drawings survey the native culture among Plains, Southwestern, Lake, and Pueblo Indians. Standard work in popular ethnomusicology. Features 149 songs in full notation, 23 drawings, and 23 photos.