"Knowledge is of two kinds," said Samuel Johnson in 1775. "We know a subject ourselves, or we know where we can find information upon it." Today we think of Wikipedia as the source of all information, the ultimate reference. Yet it is just the latest in a long line of aggregated knowledge--reference works that have shaped the way we've seen the world for centuries. You Could Look It Up chronicles the captivating stories behind these great works and their contents, and the way they have influenced each other. From The Code of Hammurabi, the earliest known compendium of laws in ancient Babylon almost two millennia before Christ to Pliny's Natural History; from the 11th-century Domesday Book recording land holdings in England to Abraham Ortelius's first atlas of the world; from Samuel Johnson's A Dictionary of the English Language to The Whole Earth Catalog to Google, Jack Lynch illuminates the human stories and accomplishment behind each, as well as its enduring impact on civilization. In the process, he offers new insight into the value of knowledge.

Our language is full of hundreds of quotations that are often cited but seldom confirmed. Ralph Keyes's The Quote Verifier considers not only classic misquotes such as "Nice guys finish last," and "Play it again, Sam," but more surprising ones such as "Ain't I a woman?" and "Golf is a good walk spoiled," as well as the origins of popular sayings such as "The opera ain't over till the fat lady sings," "No one washes a rented car," and "Make my day." Keyes's in-depth research routinely confounds widespread assumptions about who said what, where, and when. Organized in easy-to-access dictionary form, The Quote Verifier also contains special sections highlighting commonly misquoted people and genres, such as Yogi Berra and Oscar Wilde, famous last words, and misremembered movie lines. An invaluable resource for not just those with a professional need to quote accurately, but anyone at all who is interested in the roots of words and phrases, The Quote Verifier is not only a fascinating piece of literary sleuthing, but also a great read.

The globally averaged surface temperature of the Earth has increased during the past century by about 0.7°C. Most of the increase can be attributed to the greenhouse effect, the increase in the atmospheric concentration of carbon dioxide that is emitted when fossil fuels are burned to produce energy.The book begins with the important distinction between weather and climate, followed by data showing how carbon dioxide has increased and the incontrovertible evidence that it is caused by burning fossil fuels (i.e., coal, oil, and natural gas). I also address the inevitable skepticism that global warming arouses and offer a number of responses to the global warming skeptics. After dealing with the skeptics, I analyze both the current and future effects of global warming. These future effects are based on scenarios or "storylines" put forth by the International Institute for Applied Systems Analysis. In closing, I address the controversial (and grim) suggestion that we have already passed the "tipping point," which is the time after which, regardless of our future actions, global warming will cause considerable hardship on human society. I intend this book to be approachable for all concerned citizens, but especially students of the sciences and engineering who will soon be in a position to make a difference in the areas of energy and the environment. I have tried to frame the debate in terms of what the engineering community must do to help combat global warming. We have no choice but to think in terms of global environmental constraints as we design new power plants, factories, automobiles, buildings, and homes. The best thing for scientists to do is to present what we know, clearly separating what is known from what is suspected, in a non-apocalyptic manner. If matters are clearly and passionately presented to the public, we must be prepared to accept the will of the people. This presents the scientific community with an enormous responsibility, perhaps unlike any we have had in the past.

Just weeks after Jackie Robinson joined the Brooklyn Dodgers, Larry Doby joined Robinson in breaking the color barrier in the major leagues when he became the first black player to integrate the American League, signing with the Cleveland Indians in July 1947. Doby went on to be a seven-time All-Star center fielder who led the Indians to two pennants. In many respects Robinson and Doby were equals in their baseball talent and experiences and had remarkably similar playing careers: both were well-educated, well-spoken World War II veterans and both had played spectacularly, albeit briefly, in the Negro Leagues. Like Robinson, Doby suffered brickbats, knock-down pitches, spit in his face, and other forms of abuse and discrimination. Doby was also a pioneering manager, becoming the second black manager after Frank Robinson. Well into the 1950s Doby was the only African American All-Star in the American League during a period in which fifteen black players became National League All-Stars. Why is Doby largely forgotten as a central figure in baseball’s integration? Why has he not been accorded his rightful place in baseball history? Greatness in the Shadows attempts to answer these questions, bringing Doby’s story to life and sharing his achievements and firsts with a new generation.

As the anchor titles in a new “Time Machine” Lyons Press baseball series, The Ultimate Cleveland Indians Time Machine presents a timeline format that not only includes the Indians’ greatest moments—including World Series appearances and individual achievements—but would focus also on some very unusual seasons and events, such as the team’s 20-134 season of 1899 (the absolute worst in baseball history), the "Crybabies" of 1940 (who received this nickname after complaining about their manager to such as extent that fans even turned on them), or the infamous “Ten Cent Beer Night of 1974” (when thousands of drunken fans stormed the field and forced the team to forfeit). Of course there are other events to recall, like 17-year-old Bob Feller making his debut and striking out 17 batters in 1936, or Albert Belle famously pointing at his muscle after a playoff opponent claimed (rightly) that he had corked his bat and one of his teammates sneaked into the umpire's room to steal it back so the umps could not find out that it was corked. There are dozens of impressive, wild, wacky and wonderful stories over the years regarding Indians history and Gitlin is the perfect person to write it with his trademark humor and thorough knowledge of Indians lore.

As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the ‘80’s, and ‘90’s are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time. David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean’s 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award® for best Sound Effects Editing, for his supervising work on Bram Stoker’s Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.

Alfonso Ramon Lopez spent 36 years in the big leagues as a catcher and manager. He had a .261 lifetime batting average, compiled 1,547 hits and caught a then-record 1,918 games in a 19-year playing career. The teams he managed--the Cleveland Indians and the Chicago White Sox--won two pennants and finished runner-up 10 times in 17 seasons. He was the only manager to interrupt the Yankees' 15 year pennant dynasty from 1949, piloting the Indians in 1954 with an A.L. record 111 wins and guiding the White Sox in 1959. He was elected to the Hall of Fame in 1977. Al Lopez of Tampa opened up baseball to individuals of Spanish, Cuban and Italian ancestry at a time when social barriers had just begun to recede. He symbolized for many Latins the path to success. This book is his first-ever biography. It is based, first, on the recollections of the man himself, and former players, family, and fans, and also on newspaper and periodical accounts, and archival resources.

Alec Duncan, King of Swing, it says on the billboard outside Tony's. a black man playing a white piano; just what you need to tart up a dodgy Liverpool nightspot. Forty quid a session, plus tips - about all a black Scots ex-copper with nimble fingers and a record of violence on the job can hope for. But now, with Trevor Bladon, his girlfriend's killer, safely banged up for the rest of his natural, it's time for Alex to put it all behind him. Get on with his life. But first he needs to go and sort out a couple of things with Trevor in his cell. He's not sure exactly why, but he goes anyway. And it's not a good idea - he ends up prime suspect in another murder . . .