"Beautifully written, eloquently reasoned…Mr. Buonomano takes us off and running on an edifying scientific journey." —Carol Tavris, Wall Street Journal In Your Brain Is a Time Machine, leading neuroscientist Dean Buonomano embarks on an "immensely engaging" exploration of how time works inside the brain (Barbara Kiser, Nature). The human brain, he argues, is a complex system that not only tells time, but creates it; it constructs our sense of chronological movement and enables "mental time travel"—simulations of future and past events. These functions are essential not only to our daily lives but to the evolution of the human race: without the ability to anticipate the future, mankind would never have crafted tools or invented agriculture. This virtuosic work of popular science will lead you to a revelation as strange as it is true: your brain is, at its core, a time machine.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The five most common nouns in the English language are time, money, love, death, and work. We speak of saving time, killing time, serving time, keeping time, not having time, tracking time, bedtime, timeouts, buying time, good times, and time travel. #2 Time is the most common noun, but there is no consensus on how to define it. We will explore questions of time and try to answer them. But we must first acknowledge that our ability to understand time is constrained by the nature of the organ asking the questions. #3 Time is more complicated than space. We can navigate through space, and animals can see, hear, and touch their surroundings in space. But we cannot navigate through time, and we cannot see, hear, or touch time itself. #4 Time is more complicated than space for scientists as well. Fields of science, like humans, go through developmental stages. And in many fields, one signature of this maturation process is the progressive embrace of time.

Making Time grapples with a range of issues that have crystallized in the wake of 15 years of discussion on time in archaeology, since the author's seminal volume The Archaeology of Time, synthesizing them for a new generation of scholars. The general understanding of time held by both archaeologists and non-archaeologists is often very simple: a linear notion where time flows along a single path from the past into the future. This book sets out to complicate this image, to draw out the key problems and issues with time that impact archaeological interpretation. Using concrete examples drawn from different periods and places, the book challenges the reader to think again. Ultimately, the book will suggest that if we want to understand what archaeological time is, then we need to accept that things do not exist in time, they make time. The crucial question then becomes: what kinds of time do archaeological materialities produce? Written for upper level undergraduates and researchers in archaeology, the book is also accessible to non-academics with an interest in the topic. The book is relevant for cognate disciplines, especially history, heritage studies and philosophy.

Caring for the Whole Musician brings together insights from two expert musicians and educators to consider the relationship between mental and physical health and artistic practice for musicians. Offering a holistic perspective that encompasses the whole being – body, mind, and heart – this book provides emerging musicians with tools, practices, and mindsets to address key challenges throughout their journey. The first part, Awareness, addresses wellness and embodiment in music, exploring how our bodies are constructed and how the use of our bodies as instruments affects function. Using approaches including Body Mapping and the Alexander Technique, this part helps readers discover adverse habits that interfere with natural movement, and nurture awareness of the body. The second part, Mindfulness, explores how meditative practice can be incorporated into every stage of concert preparation and embedded within the daily life of the musician. Offering mindfulness exercises related to each stage of the music-making process, these chapters provide strategies for readers to enhance their well-being and focus. Centered in the understanding of the musician as a whole being, this book provides an essential guide to how practices of awareness and mindfulness can allow musicians to better care for themselves and flourish in their artistic careers.

Prominent scientists and philosophers of science address contemporary debates on the nature of Time. Their contributions freely discuss its unity and reality, its compatibility with the orders of classical philosophy (present, past and future) and with the disputed idea of free will (Volume 1). They also present a detailed and updated state of the role of Time in the so-called exact sciences: biology — or more precisely genetics, evolution, neurosciences, natural and artificial intelligence (Volume 2) , and physics — relativity, quantum mechanics and quantum gravity, and cosmology (Volume 3).

Life and Time are very closely linked, because life needs the patience of eons to emerge and evolve, and also due to the precision timing of neural networks in the perception of the world, encoding information, and performing actions. A dozen renowned biologists and neuroscientists collaborate in this volume to explore the various facets of timing in the living world. The temporal programming of the activity of the genetic code controls the essential mechanisms of individual development from zygote to adult, while evolution uses the succession of generations to accomplish its work. For its part, the brain accomplishes the miracle of justifying presentism and reconstructing the continuity of present time from the fragmented data accessible to the senses, as well as measuring durations and dating events. To this end, the brain uses a multilevel temporal coding to transport and decode sensory information and prepare motor responses. It is only gradually that we have discovered the temporal precision of the mechanisms involved, of the order of a few milliseconds or less, for the adjustment of neural networks, or the synaptic plasticity used for memory formation. Today, the perfection of natural neural networks, the energy saving use of spikes of electrical impulses to categorize the sensory environment and to guess its probable future is an example to the modelers and engineers of artificial intelligence.

730 million people—almost 10% of the world’s population—inhabit islands. One quarter of the states represented at the United Nations are islands. Islands constitute almost twenty percent of the total land area of Greece, and exhibit more significant aspects of biodiversity than other global contexts. They are both occasions of triumph and occurrences of catastrophe. Islands are both open and enclosed communities, points of arrival and departure. Islands exert a fascination for the visitor and generate, in the islander, both positive and negative mindsets. The romantic fallacies about self-sufficiency and insularity of islands are constantly challenged. This collection of essays by scholars from some of the world’s most compelling islands—Jersey, Ireland, Tasmania, Corfu, Ereikousa, Prince Edward Island, Malta—explores the psychology of islands, islanders and their visitors, the literatures they stimulate, and the scientific, ethical and biogeographical issues they present in an increasingly globalised world. Corfu, the home of Lawrence and Gerald Durrell in the 1930s, and host to literary and scientific enquiry, is the place where this collection was conceived, and occupies a central place in its discussions.

You are a reality inventor. People simply don't give you enough credit; in fact, you don't appreciate your own creative ability. What does it mean to be a reality inventor? Isn't reality simply stuff that's out there? We see,hear, taste, feel, and smell it; but we certainly don't invent it. This book claims that you do. Humans are animals who create stories. We are unable to not story--we speak and think in stories called sentences. INVENTING REALITY explores the psychology of story making and confabulation. We confabulate when we create stories without an awareness of our authorship. These confabulations are not perceived as invented stories; instead they become our personal reality.

There is a gap between the concept of time in physics and that in neuroscience. Human time is dynamic and involves a dynamic ‘flow,’ whereas physical time is said to be “frozen" as in Einstein’s Block Universe. The result has been a fierce debate as to which time is ‘real’. Our recently accepted paper by Frontiers provides a compromise, dualistic view. The claim is that within the cranium there already exists an overlooked, complete, and independent physical system of time, that is compatible with the essence of modern spacetime cosmology. However, the brain through a process of evolution developed a complementary illusory system that provides a supplementary, more satisfying experience of temporal experiences that leads to better adaptive behavior. The Dualistic Mind View provides evidence that both systems of time exist and are not competitive. Neither need be denigrated.

How aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement. These essays make the case for a reignited understanding of aesthetics—one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the “critical” stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer insights into our relationships not only with objects, spaces, environments, and ecologies, but also with each other and the political structures in which we are all enmeshed. The contributors—philosophers, media theorists, artists, curators, writers and architects including such notable figures as Jacques Rancière, Graham Harman, and Elaine Scarry—build a compelling framework for a new aesthetic discourse. The book opens with a conversation in which Rancière tells the volume's editor, Mark Foster Gage, that the aesthetic is “about the experience of a common world.” The essays following discuss such topics as the perception of reality; abstraction in ethics, epistemology, and aesthetics as the “first philosophy”; Afrofuturism; Xenofeminism; philosophical realism; the productive force of alienation; and the unbearable lightness of current creative discourse. Contributors Mark Foster Gage, Jacques Rancière, Elaine Scarry, Graham Harman, Timothy Morton, Ferda Kolatan, Adam Fure, Michael Young, Nettrice R. Gaskins, Roger Rothman, Diann Bauer, Matt Shaw, Albena Yaneva, Brett Mommersteeg, Lydia Kallipoliti, Ariane Lourie Harrison, Rhett Russo, Peggy Deamer, Caroline Picard Matt Shaw, Managing Editor