Most of what has been written about the recent history of Yugoslavia and the fierce wars that have plagued that country has been produced by journalists, political analysts, diplomats, human rights organization, the United Nations, and other government and intergovernmental organizations. Professional historians of Yugoslavia, however, have been strangely silent about the wars and the breakup of the country. This book is an effort to end that silence. The goal of this volume is to bring together insights from a distinguished group of American and European scholars of Yugoslavia to add depth to our historical understanding of that country’s recent struggles. The first part of the volume examines the ways in which images of the Yugoslav past have shaped current understandings of the region. The second part deals more directly with the events of the recent past and also looks forward to some of the problems and future prospects for Yugoslavia’s successor states.

An authoritative history of Yugoslavia, published in 2000, with a new chapter on the ethnic wars in Croatia and Bosnia, and Kosovo.

This book provides a survey of the history of the South Slav peoples who came together at the end of the First World War to form the first Yugoslav kingdom.

Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Theoretically ambitious and innovative, this book is a new account of popular music that has been at the centre of national, political and cultural debates for over two decades. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk: described as ’backward’ music, whose misogynist and Serb nationalist iconography represents a threat to cosmopolitanism, turbo-folk’s iconography is also perceived as a ’genuinely Balkan’ form of resistance to the threat of neo-liberalism. Taking as its starting point turbo-folk’s popularity across national borders, Čvoro analyses key songs and performers in Serbia, Slovenia and Croatia. The book also examines the effects of turbo on the broader cultural sphere - including art, film, sculpture and architecture - twenty years after its inception and popularization. What is proposed is a new way of reading the relationship of contemporary popular music to processes of cultural, political and social change - and a new understanding of how fundamental turbo-folk is to the recent history of former Yugoslavia and its successor states.

​“This book is very timely: the instrumentalization of history for political goals has become a pressing issue and worrisome feature of many polities, to the point of challenging even the most consolidated democracies. Focusing on Yugoslavia’s fragile successor states, the authors explore plurifold analytical levels, including local, regional, transnational, European and global perspectives. The authors comprehensively demonstrate how politicizing history, in the postwar and postcommunist societies of what was once Yugoslavia, has prevented both reconciliation and democratization.” —Sabine Rutar, Leibniz Institute for East and Southeast European Studies, Germany “Ognjenovic and Jozelic focus here on the former Yugoslavia before and after its fragmentation to explore and evaluate the various uses of histories by nationalists, both those who promoted ‘federal nationalism’ and those who peddle specific local nationalisms in successor states. The book deals specifically with the Western Balkans, but these developments have their parallels in many other parts of the world, and the book will be useful well beyond the region on which the study is based.” —Paul Mojzes, Professor Emeritus, Rosemont College, USA “The former Yugoslavia has become a battlefield for the ‘Memory Wars’, in spite of the wealth of judicially established facts and available evidences gathered about the atrocities in the region, and various initiatives aimed at dealing with the past and efforts at transitional justice. Focusing on three periods of Yugoslav history – the Second World War, socialist Yugoslavia and the Yugoslav wars of 1991–2001 – the contributors show that despite these efforts to deal with the past, sustainable peace and reconciliation across ethnic and religious groups remain a distant aim.” —Marijana Toma, Center for Cultural Decontamination, Serbia This book analyzes how nationalists in the former Yugoslavia have politicized history to further their political agendas, retaining and prolonging conflict among different cultural and religious groups, and impeding the process of lasting reconciliation. It explores how narratives have been (mis)used, drawing on examples from all of the former Yugoslav republics. With contributors from a range of disciplinary backgrounds, it provides a vital assessment of how nationalists have attempted to (re)shape public collective memory and relativize facts.

With the outbreak of war in the former Yugoslavia in 1991, interest in Balkan history has increased and become emotionally charged. This balanced and engagingly written history of Serbia will help readers to understand the complex web of Serbian history, politics, society, and culture and how the Serbs have dealt with the many political, military, and socioeconomic challenges in their history. It attempts to remove the veil of stereotypes and myths obscuring the significant details and developmental processes in the history of Serbia and in its relations with its neighbors. In addition to examining the political history of Serbia in the context of Central Europe, the author, a specialist in Balkan history, shows how societal and cultural developments affected Serbian history and reflected political and economic events. A timeline of significant events in the history of Serbia and an introductory chapter on Serbia today are followed by 12 chronologically organized narrative chapters that tell the story of this land from the splendor of medieval Serbia to a new beginning after the downfall of Slobodan Milosevic. Four historical maps, brief biographies of key figures in Serbian history, a glossary of terms, and a bibliographic essay provide valuable resource material for readers. Every library should update its collection of materials on Serbia with this current history.

No detailed description available for "The Yugoslav community of nations".

Workers' self-management was one of the unique features of communist Yugoslavia. Goran Musić has investigated the changing ways in which blue-collar workers perceived the recurring crises of the regime. Two self-managed metal enterprises, one in Serbia another in Slovenia, provide the frame of the analysis in the time span between 1945 and 1989. These two factories became famous for strikes in 1988 that evoked echoes in popular discourses in former Yugoslavia. Drawing on interviews, factory publications and other media, local archives, and secondary literature, Musić analyzes the two cases, going beyond the clichés of political manipulation from the top and workers' intrinsic attraction to nationalism. The author explains how, in the later phase of communist Yugoslavia, growing social inequalities among the workers and undemocratic practices inside the self-managed enterprises facilitated the spread of a nationalist and pro-market ideology on the shop floors. Restoring the voice of the working class in history, Musić presents Yugoslavia's workers actors in their own right, rather than as a mass easily manipulated by nationalist or populist politicians. The book thus seeks to open a debate on the social processes leading up to the dissolution of Yugoslavia.

A chronological scholarly survey of the history of historical writing in five volumes. Each volume covers a particular period of time, from the beginning of writing to the present day, and from all over the world.

The fifth volume of The Oxford History of Historical Writing offers essays by leading scholars on the writing of history globally since 1945. Divided into two parts, part one selects and surveys theoretical and interdisciplinary approaches to history, and part two examines select national and regional historiographies throughout the world. It aims at once to provide an authoritative survey of the field and to provoke cross-cultural comparisons. This is chronologically the last of five volumes in a series that explores representations of the past across the globe from the beginning of writing to the present day.