"Verzeichnis der Mitarbeiter an Band i-x" : v. 10, p. [622]-625.

Prosodies, in the broad Firthian sense, covers phenomena that extend over stretches of segmental and featural units that must be examined with respect to their interaction with other features to fully appreciate their role in the phonetics and phonology of a given language. The papers deal with a wide range of subjects, from intonational prominence and prosodic phrasing to the acoustic properties of segments and features. Prosodies significantly broadens our knowledge of languages and dialect varieties that as yet have not been carefully investigated such as Cairene and Lebanese Arabic, Catalan including Central Catalan and the insular dialects of Majorcan, Minorcan and Alguer Catalan, Galician, Italian, various dialects of Portuguese (Standard European, Northern European, and Brazilian Portuguese), and different varieties of Argentine Spanish as well as Peninsular Spanish. However, well-known West Germanic languages, English, Dutch and German, have not been neglected. Many of the contributions are the first account of the phenomena addressed in the language(s) under consideration thus bringing new data to light. Moreover, most papers take a cross-linguistic or cross-dialectal view favouring a better understanding of language similarities and differences, as well as of language variation and change. This approach is crucial in the case of neighbouring languages/varieties and is an important contribution to the development of language typologies. And as is characteristic of the series, the research presented in Prosodies cover laboratory approaches as well as theoretical investigations.

This volume presents a wide range of contributions that analyse the cultural, sociological and communicative significance of tears and crying in Graeco-Roman antiquity. The papers cover the time from the eighth century BCE until late antiquity and take into account a broad variety of literary genres such as epic, tragedy, historiography, elegy, philosophical texts, epigram and the novel. The collection also contains two papers from modern socio-psychology.

Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, this collection focuses on discussion of literature written in English, French, Latin, and German. Its 16 essays, four published here for the first time, deal with such matters as the search for the historical Arthur; the depiction of Arthur in the romances Erec and Iwein of Hartmann von Aue; the way Arthur is depicted in 19th-century art and the Victorian view of manhood; and conceptions of King Arthur in 20th-century literature. Six of the essays, originally published in French and German, are translated into English especially for this book. Two essays have been substantially revised. An introduction offers a general discussion of the development of the legends in the countries of Europe. Works discussed include medieval and Renaissance chronicles (Geoffrey of Monmouth's Historia Regum Britanniae, Wace's Roman de Brut, Polydore Vergil's Anglica Historia, Scottish vernacular and Latin chronicles), medieval romances (the Lancelot en prose, the Mort Artu, the Post-Vulgate Roman du Graal, and works of Chrétien de Troyes, Hartmann von Aue, and Sir Thomas Malory), Spenser's Faerie Queene, Tennyson's Idylls of the King, and T.H. White's Once and Future King. A bibliography lists selected major secondary studies of King Arthur as well as major reference works.