Research Paper (undergraduate) in the subject Didactics for the subject English - Literature, Works, grade: 2022, , language: English, abstract: The purpose of this research is to explore and analyse Samuel Beckett's ludicrous drama, Endgame, in the context of Pragmatics in general and violations of Conversational Principles in particular, as well as in the context of Pragmatics. Using Grice's idea of Conversational Principles, the study seeks to evaluate the selected conversational interactions in a formalised manner. Conversational theatre is characterised by the skillful use of language as a potent tool for communication; nevertheless, in Beckett's play, characters are concerned with various elements of language and its usage. The dialogues utilised in an absurd play are nonsensical exchanges in which there is no sense of cohesion between the characters. It opens up a wide range of possibilities for the study of many elements of language. It appears silly, yet it serves as a means of communication between the characters. The characters in this story frequently utilise broken words, make nonsensical comments, repeat themselves, and hesitate for no apparent reason, which is typical of the genre. His adept use of informal language and fragmented sentences exemplifies how language should be used in a natural setting.

Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-

A Study Guide for Samuel Beckett's "Endgame," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by Samuel Beckett, Nobel Prize Winner for Literature in 1969. Titles in this study guide include All That Fall, Endgame, Krapp’s Last Tape, Molloy, Malone Dies, The Unnamable, and Waiting for Godot. As an unconventional but modernist author of the war ravaged twentieth-century, Beckett focused on essential elements of the human condition in dark, humorous ways. Moreover, Beckett was often associated with the “Theatre of the Absurd,” where his work displayed conventional plot and structure and utilized laughter as a prominent tool against despair. This Bright Notes Study Guide explores the context and history of Beckett’s classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, language: English, abstract: This peace of work deals with the question, whether Beckett’s "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.

Originally written in French and translated into English by Beckett, Endgame was given its first London performance at the Royal Court Theatre in 1957. HAMM: Clov! CLOV: Yes. HAMM: Nature has forgotten us. CLOV: There's no more nature. HAMM: No more nature! You exaggerate. CLOV: In the vicinity. HAMM: But we breathe, we change! We lose our hair our teeth! Our bloom! Our ideals! CLOV: Then she hasn't forgotten us.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, 10 entries in the bibliography, language: English, abstract: This peace of work deals with the question, whether Beckett's "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.