This is the story of faith. Education, background and statusof this man had no power over his faith. His teachings werebased on love and this love is the Lord Himself. The journeyof this man was lead and guided by God's "Word" and every stepof it whether easy nor diffi cult. His journey of life included his was purposeful. Only this purpose was realized when he was gone. Hislegacy lived and continues to live. His relationship with God was abstract and could not be understood easily by earthly human beings. Fame, popularity, riches did not guide his life but to him evangelism was all what love and life is about. Sharing the "Word" of God with the people. To him being God's child was everything.

From 1914 to 1920, thousands of men who had immigrated to Canada from the Austro-Hungarian Empire, Germany, and the Ottoman Empire were unjustly imprisoned as “enemy aliens,” some with their families. Many communities in Canada where internees originated do not know these stories of Ukrainians, Germans, Bulgarians, Croatians, Czechs, Hungarians, Italians, Jews, Alevi Kurds, Armenians, Ottoman Turks, Poles, Romanians, Russians, Serbians, Slovaks, and Slovenes, amongst others. While most internees were Ukrainians, almost all were civilians. The Stories Were Not Told presents this largely unrecognized event through photography, cultural theory, and personal testimony, including stories told at last by internees and their descendants. Semchuk describes how lives and society have been shaped by acts of legislated discrimination and how to move toward greater reconciliation, remembrance, and healing. This is necessary reading for anyone seeking to understand the cross-cultural and intergenerational consequences of Canada’s first national internment operations.

The Spirituality Revolution addresses the major social issue of spirituality which requires immediate attention if we are to creatively respond to spiralling outbreaks of depression, suicide, addiction and psychological suffering.

Chaucer's writings (the 'Canterbury Tales', lyrics and dream poems and Troilus) are here freshly examined in relation to the religions, the religious traditions and the religious controversies of his era.

THE TREE OF LIFE WHICH YOU WERE DEPRIVED OF IS THE WORD OF GOD, THE TEACHING OF GOD. If Adam and Eve had received these types of teachings when they were in the Garden of Eden, they would not have died. THE FRUIT OF LIFE IS THE WORD OF GOD. This is explained in John 15:1-6. THE TREE OF LIFE IS THE WORD OF GOD WHICH YOU MUST EAT. MAN SHOULD ENDEAVOR TO GAIN ETERNAL LIFE THROUGH THE WORD OF GOD. John 12:48-50. Do you know that my teachings will give you everlasting life? THE FRUIT OF LIFE IS NO OTHER THING THAN THE GOSPEL WHICH I GIVE YOU. EVERYTHING YOU NEED IS EMBEDDED IN THESE TEACHINGS. MY TEACHINGS HAVE TWELVE DIFFERENT TYPES OF FRUIT WHICH STAND FOR THE TWELVE POWERS OF MAN. (ByLeader Olumba Olumba Obu)

The present volume makes a unique contribution to the study of dying in ancient cultures by focusing on what happens in the critical moments before death. Employing a wide range of literary sources, the essays in this volume focus exclusively on the moment of death and practices associated with the transition from this world to the next. Five of the essays deal with Asian religions, primarily Buddhism in India, Tibet, China, and Japan. The other five essays deal with the moment of death in the West, old Norse-Icelandic, Old English, and the Judeo-Christian tradition. The authors explore the many ways in which the good death was envisioned. Remarkable parallels emerge between the good death in religious texts and in heroic sagas . Despite the diversity of cultures, time periods and religious traditions represented in these essays, this volume vividly illustrates the fundamental human need to see in the inevitable moment of death a possibility of choice and a promise of hope.

DigiCat presents to you the meticulously edited collection of the greatest historical romance novels: Uarda: A Romance of Ancient Egypt (Georg Ebers) The New Abelard: Love in the Times of Cathedrals (Robert Williams Buchanan) Hildebrand: The Days of Queen Elizabeth (Anonymous) Love-at-Arms (Rafael Sabatini) The Making Of A Saint (W. Somerset Maugham) The Cloister and the Hearth (Charles Reade) The Princess of Cleves (Madame de La Fayette) The Forest Lovers (Maurice Hewlett) Malcolm (George MacDonald) Scarlet Letter: Love in the Colonial Period (Nathaniel Hawthorne) The Wild Irish Girl (Lady Sydney Morgan) Sophia (Stanley John Weyman) Paul and Virginia (Bernardin de Saint-Pierre) Memoirs of Emma Courtney (Mary Hays) Powder and Patch (Georgette Heyer) The History of Miss Betsy Thoughtless (Eliza Haywood) Fantomina (Eliza Haywood) Olinda's Adventures (Catharine Trotter Cockburn) Belinda (Maria Edgeworth) Dangerous Liaisons (Pierre Choderlos de Laclos) Evelina (Fanny Burney) Pamela Trilogy Mary (Mary Wollstonecraft) Jane Austen: Pride & Prejudice Sense & Sensibility Mansfield Park Emma Persuasion Miss Marjoribanks & Phoebe, Junior (Mrs. Olifant) Vanity Fair (Thackeray) Mr. Rowl (D. K. Broster) The Battle of the Strong (Gilbert Parker) Kitty Alone (Sabine Baring-Gould) Sentimental Education (Gustave Flaubert) Lady Anna (Anthony Trollope) The Manoeuvring Mother (Lady Charlotte Bury) Ramona (Helen Hunt Jackson) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) The Tenant of Wildfell Hall (Anne Brontë) The Lady of the Camellias (Alexandre Dumas) The Portrait of a Lady & The Wings of the Dove (Henry James) Anna Karenina (Leo Tolstoy) The Age of Innocence (Edith Wharton) Tess of the d'Urbervilles (Thomas Hardy) Bel Ami (Guy de Maupassant) The Squatter and the Don (María Ruiz de Burton) Maria Chapdelaine (Louis Hémon) The Four Feathers (A. E. W. Mason) The Miranda Trilogy (Grace Livingston Hill) The Great Gatsby (F. Scott Fitzgerald)