The volume presents an innovative approach to studies in Late Modern English by giving attention to variation and change in varieties of English on both sides of the Atlantic. As new corpora become available, scholarly interests broaden their horizons to encompass varieties, the history of which has only just begun to be investigated, and which are likely to yield significant findings. The contributors, whose long experience in the field of English historical linguistics ensures in-depth investigations, employ state-of-the-art tools for the analysis of specific phenomena and to set these in the light of a more encompassing framework concerning different text types and sociolinguistic considerations. While usage guides and dictionaries prove remarkable in their contribution to the definition of what is (not) acceptable in specific social circles, the language of ordinary users also takes centre stage in studies of correspondence, journals and travelogues. The volume is expected to appeal to scholars and students interested in the linguistic history of English as seen in contexts on which – until now – relatively little light has been shed.

The past few decades have witnessed an unprecedented surge of interest in the language of the Late Modern English period. Late Modern English: Novel Encounters covers a broad range of topics addressed by international experts in fields such as phonology, morphology, syntax, lexis, spelling and pragmatics; this makes the collection attractive to any scholar or student interested in the history of English. Each of the four thematic sections in the book represents a core area of Late Modern English studies. This division makes it easy for specialists to access the chapters that are of immediate relevance to their own work. An introductory chapter establishes connections between chapters within as well as between the four sections. The volume highlights recent advances in research methodology such as spelling normalization and other areas of corpus linguistics; several contributions also shed light on the interplay of internal and external factors in language change.

American lexicography has a distinguished and familiar tradition. Elwyn (1859) is intended as a corrective response to the excessive identification of Americanisms, but in fact represents what one might term the ‘traditionalist’ position. Fallows (1883) is significant as a treatment of Americanisms and Briticisms for a general audience. Norton (1890) is a specific application to American political life.

What makes somebody a Loser, a person doomed to unfulfilled dreams and humiliation? Nobody is born to lose, and yet failure embodies our worst fears. The Loser is our national bogeyman, and his history over the past two hundred years reveals the dark side of success, how economic striving reshaped the self and soul of America. From colonial days to the Columbine tragedy, Scott Sandage explores how failure evolved from a business loss into a personality deficit, from a career setback to a gauge of our self-worth. From hundreds of private diaries, family letters, business records, and even early credit reports, Sandage reconstructs the dramas of real-life Willy Lomans. He unearths their confessions and denials, foolish hopes and lost faith, sticking places and changing times. Dreamers, suckers, and nobodies come to life in the major scenes of American history, like the Civil War and the approach of big business, showing how the national quest for success remade the individual ordeal of failure. Born Losers is a pioneering work of American cultural history, which connects everyday attitudes and anxieties about failure to lofty ideals of individualism and salesmanship of self. Sandage's storytelling will resonate with all of us as it brings to life forgotten men and women who wrestled with The Loser--the label and the experience--in the days when American capitalism was building a nation of winners.