A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. Volume II opens with a character study of medieval Ireland and a panoramic view of the country c.1169, followed by nineteen chapters of narrative history, with a survey of `Land and People, c.1300'. There are further chapters on Gaelic and colonial society, economy and trade, literature in Irish, French, and English, architecture and sculpture, manuscripts and illuminations, and coinage.

A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. The third volume opens with a character study of early modern Ireland and a panoramic survey of Ireland in 1534, followed by twelve chapters of narrative history. There are further chapters on the economy, the coinage, languages and literature, and the Irish abroad. Two surveys, `Land and People', c.1600 and c.1685, are included.

A wide range of national and international scholars, in every field of study, have produced studies of the archaeology, art, culture, geography, geology, history, language, law, literature, music and related topics to produce a comprehensive and authoritative account of Irish history.

The origins and evolution of Irish American identity, from colonial times through the twentieth century "Subtly provocative. . . . [Meagher] traces the making and remaking of Irish America through several iterations and shows the impact of religion on each."--Terry Golway, Wall Street Journal As millions of Irish immigrants and their descendants created community in the United States over the centuries, they neither remained Irish nor simply became American. Instead, they created a culture and defined an identity that was unique to their circumstances, a new people that they would continually reinvent: Irish Americans. Historian Timothy J. Meagher traces the Irish American experience from the first Irishman to step ashore at Roanoke in 1585 to John F. Kennedy's election as president in 1960. As he chronicles how Irish American culture evolved, Meagher looks at how various groups adapted and thrived--Protestants and Catholics, immigrants and American born, those located in different geographic corners of the country. He describes how Irish Americans made a living, where they worshiped, and when they married, and how Irish American politicians found particular success, from ward bosses on the streets of New York, Boston, and Chicago to the presidency. In this sweeping history, Meagher reveals how the Irish American identity was forged, how it has transformed, and how it has held lasting influence on American culture.

Irish immigrants – although despised as inferior on racial and religious grounds and feared as a threat to national security – were one of modern Australia’s most influential founding peoples. In his landmark 1986 book The Irish in Australia, Patrick O’Farrell argued that the Irish were central to the evolution of Australia’s national character through their refusal to accept a British identity. A New History of the Irish in Australia takes a fresh approach. It draws on source materials not used until now and focuses on topics previously neglected, such as race, stereotypes, gender, popular culture, employment discrimination, immigration restriction, eugenics, crime and mental health. This important book also considers the Irish in Australia within the worldwide Irish diaspora. Elizabeth Malcolm and Dianne Hall reveal what Irish Australians shared with Irish communities elsewhere, while reminding us that the Irish–Australian experience was – and is – unique. ‘A necessary corrective to the false unity of the term “Anglo-Celtic”, this beautifully controlled and clear-sighted intervention is timely and welcome. It gives us not just a history of the Irish in Australia, but a skilful account of how identity is formed relationally, often through sectarian, class, ethnic and racial divisions. A masterful book.’ — Professor Rónán McDonald, University of Melbourne

This edited volume provides a cross-section of the cutting-edge ways in which archaeologists are developing new approaches to their work with communities and other stakeholder groups who have special interest in the uses in the past.

Over the past fifty years, Francoise Henry has been the leading authority on the history of early Irish art. A pupil of Henri Focillon, she united two traditions of scholarship, one French and one Irish, and her understanding of the European context within which the art of early Christian Ireland developed has had a profound influence on subsequent research. These three volumes bring together the articles that Dr. Henry published on Irish art and its European links. The first volume is concerned with enamel and metalwork, a field in which the author specialized from the beginning. Emailleurs d'Occident looks at Western enamels, among which the Irish examples figure prominently, and the development of Irish enamelling is treated separately in the following study. Metalwork is also featured, in the form of a number of Dr. Henry's important studies on hanging-bowls, croziers, and chalices. The second volume deals with Irish manuscript illumination. Since a number of the articles reprinted here were published in collaboration with Genevieve Marsh-Micheli, this volume, as Francoise Henry wished, is published as a joint work, and includes an independent article by Mrs. Marsh-Micheli on the Irish manuscripts of St. Gall and Reichenau. The manuscripts dealt with here cover the entire span of Christian Celtic art in Ireland, from the earliest works of the seventh and eighth centuries to the later manuscripts of the period between the Norman Conquest and the final collapse of Gaelic civilisation in Ireland in the late sixteenth century. There are joint studies of Irish manuscripts in Continental and English collections, and a valuable review by Francoise Henry of the facsimile edition of the Book of Lindisfarne. The third volume of Francoise Henry's Studies features her papers on early Christian architecture and sculpture in Ireland. They include one of the author's earliest contributions, Les origines de l'iconographie irlandaise, and the subject of Irish sculpture, particularly the high crosses and cross-slabs, remained one of Francoise Henry's main interests. Her list of dated inscriptions on early Irish graveslabs helps to provide a chronology for this type of monument that is of unique value. The author's studies of the monastic sites represent a particularly valuable contribution to the archaeology of early Christian Ireland. This comprises the results of nearly fifty years of field-work in some of the more inaccessible areas of Ireland. Two of the papers reprinted here carry the study of Irish sculpture into the post-Norman period, with notes on the carved decoration of the Irish Cistercian monasteries, and a figure in Lismore Cathedral.