Time isn’t always on a vampire’s side.... Iolanthe Tennyson has had a very bad year—due in part to the very bad men in her life. So she’s accepted her cousin’s invitation to spend the summer in Austria to indulge her photography hobby. Rumors of a haunted forest there draw Iolanthe into the dark woods—and into the eighteenth century.... Nikola Czerny is a cursed man, forced by his half brothers to live forever as a Dark One. But his miserable existence takes an intriguing turn when a strange, babbling woman is thrown in his path. Iolanthe claims to know Nikola’s daughter—three hundred years in the future. She also knows what fate—in the form of his murderous half brothers—has in store for him. If only she knew the consequences of changing the past to save one good, impossibly sexy vampire...

Experts in the art of stealing time, Travellers live on the edge of both mortal and immortal realms. But a few fight their outlaw instincts.… Gwenhwyfar Byron Owens learned everything she knows about potions and spells from her two Wiccan moms, who are forbidden by Otherworld laws from teaching magic to mortals. But when their latest transgression results in the kidnapping of a mortal woman, Gwen figures the only place to hide them all is in Anwyn, the Welsh afterlife.… But Gregory Faa—a member of the Watch—is hot on their heels. A Traveller who has stolen time, he’s eager to prove himself worthy of the Watch, only he has a past with the dark-eyed Welsh beauty he’s been charged with bringing to justice. He’s tempted to just let Gwen disappear into Anwyn, until he realizes that she’s being pursued by a squad of goons and death’s minions. Gwen is used to taking care of her moms and herself, so she can’t give in to her heart’s demand to trust Gregory, despite the fact that he’s as handsome as the day is long—and the days in Anwyn can last centuries…

Stealing time. Cheating death. Breaking hearts. Gregory Faa is an Otherworldly man on a mission in the new Time Thief short story from New York Times bestselling author Katie MacAlister. Gwenhwyfar Byron Owens is a Wiccan on the edge—of the law. With two mothers who excel on breaking the rules of the Otherworld’s Watch, Gwen is used to dealing with their troublesome situations. But when she’s snatched from the jaws of death itself, it’s not her moms who give her grief, it’s the drop-dead gorgeous man who saved her life. Traveller Gregory Faa may be many things—time stealer, outlier, troublemaker—but there’s one thing he isn’t: hip to the fact that death has very little patience with people who don’t die when they’re supposed to… Includes previews of Time Thief and The Art of Stealing Time.

Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.

If only a broken heart were all she had to deal with… …but there are Viking ghosts, gods, werebeings, and one sexy as sin vampire on Francesca’s case. And her biggest trouble is Loki, the trickster god. When Fran arrives at Goth-Faire to deal with him, things go from bad to worse, for her immortal ex, Benedikt, is there…with a new girlfriend. Shapesifters, Vikings, and a town filled with deranged opera fans…it’s a good thing Fran’s no ordinary mortal…

Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.

In the final book of the trilogy, Hans meets the brother of the man whose body he inhabits, William Cavutino. William learns who his brother really is, and the two men form a relationship as brothers. Hans and William's history is told, and a lasting bond is forged as the two men travel the world together. After beginning a new life with Hans, William changes his name and sets out on a dangerous mission, hunting evil. Hans' loyalty keeps him by his brother's side on each of the hunts. All goes well until a vampire is killed during one of the hunts. This vampire was the companion of Fou-sang Rousseau, a criminally insane vampire from eighteenth-century France. Now Fou-sang hunts for the men who killed his lover.

Outcast due to their ability to manipulate time, shunned by the mortal and immortal worlds alike, a Traveller’s life is anything but easy. Traveller Peter Faa is a member of the Otherworld’s Watch tracking down a murderer, and unfortunately, the clues all seem to point toward his own estranged family. Any of his cousins could be guilty, but finding which one is tricky when they’re all experts in the art of stealing time. After surviving a lightning strike, Kiya Mortenson is determined to get just one thing in her life right. And if that means taking a job as nanny to five pugs who live in a campsite in the Oregon wilderness, then so be it. It doesn’t hurt that the job comes with some pretty spectacular male eye candy, including her new boss’s gorgeous black sheep grandson. If only she didn’t keep having this strange sense of deja vu… When Peter discovers that his own family is stealing time from Kiya, all bets are off. While she may drive him crazy at times, it’s clear to him that it’s not just lightning that’s creating some serious sparks between them. And he’s not going to let secrets, lies, or a devious murderer keep Kiya from where she belongs: at his side.

Before Bella and Edward; Stefan and Damon Salvatore; and Abraham Lincoln, Vampire Hunter, there was Lestat and Louis, The Lost Boys, and Buffy Summers. Before True Blood and Let the Right One In, there was Dark Shadows and Anne Rice’s Vampire Chronicles. And then there is the most prominent of them all: Dracula, immortalized by Bram Stoker in 1897. Whether they’re evil, bloodsucking monsters or sparkling like diamonds in the sunlight, vampires have been capturing our imagination since their modest beginnings in the rustic fantasies of southeastern Europe in the early eighteenth century. Today, they’re everywhere, appearing even in movies in Japan and Korea and in reggae music in Jamaica and South Africa. Why have vampires gone viral in recent years? In The Rise of the Vampire, Erik Butler seeks to explain our enduring fascination with the creatures of the night. Exploring why a being of humble origins has achieved success of such monstrous proportions, Butler considers the vampire in myth, literature, film, journalism, political cartoons, music, television, and video games. He describes how and why they have come to give expression to the darker side of human life—though vampires evoke age-old mystery, they also embody many of the uncertainties of the modern world. Butler also ponders the role global markets and digital technology have played in making vampires a worldwide phenomenon. Whether you’re a fan of classic vampire tales or new additions to the mythology, The Rise of the Vampire is a fascinating look at our collective obsession with the undead.

Our fascination with the vampire myth has scarcely diminished since Bram Stoker’s publication of the classic Dracula tale in 1897, but how much of the lore is based in fact and can science explain the origins of horror’s most famous fiend? Vampirology charts the murky waters of the vampire myth – from stories found in many cultures across the globe to our sympathetic pop-culture renditions today – to investigate how a scientific interpretation may shed light on the fears and phenomena of the vampire myth.