David Norton re-edited the King James Bible for Cambridge, and this 2005 book arose from his intensive work on that project. Here he shows how the text of the most important Bible in the English language was made, and how, for better and for worse, it changed in the hands of printers and editors until, in 1769, it became the text we know today. Using evidence as diverse as the manuscript work of the original translators, and the results of extensive computer collation of electronically held texts, Norton has produced a scholarly edition of the King James Bible for the new century that will restore the authority of the 1611 translation. This book describes this fascinating background, explains Norton's editorial principles and provides substantial lists and tables of variant readings. It will be indispensable to scholars of the English Bible, literature, and publishing history.

In this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated

This unique edition of the Gospels presents the Authorized King James text in modernized spelling with invaluable Introduction and Notes, which provide historical and critical context, highlighting how each Gospel offers its own distinctive and memorable portrait of Jesus.

Winner of the Sixteenth Century Society's Roland H. Bainton Prize for History or Theology Paul C. H. Lim offers an insightful examination of the polemical debates about the doctrine of the Trinity in seventeenth-century England, showing that the philosophical and theological re-configuration of this doctrine had a significant impact on the politics of religion in the early modern period. Lim's analysis of these heated polemics shows how Trinitarian God-talk became untenable in many ecclesiastical and philosophical circles, leading to the emergence of Unitarianism. He demonstrates that those who continued to uphold Trinitarian doctrine articulated their piety and theological perspectives in an increasingly secularized culture of discourse. Drawing on both unexplored manuscripts and well-known treatises of Continental and English provenance, he uncovers the complex layers of the polemic: from biblical exegesis to reception history of patristic authorities, from popular religious radicalism during the Civil War to Puritan spirituality, from Continental Socinians to English anti-Trinitarians who claimed an independent theological identity, from the notion of the Platonic captivity of primitive Christianity to that of Plato as "Moses Atticus." Among this book's surprising findings are that Anti-Trinitarian sentiment arose in a Puritan ambience in which biblical literalism overrode rationalistic presuppositions, and that theology and philosophy were more closely connected during this period than previously thought. Mystery Unveiled fills a significant lacuna in early modern English intellectual history.

A fascinating, in-depth history of the King James Bible (KJV)—the best-selling book in the world—and its lasting impact on language, literature, politics, and religion The King James Bible has often been called the “Book of Books,” both in itself and in what it stands for. Since its publication in 1611, it has been the best–selling book in the world, and many believe, it has had the greatest impact. The King James Bible has spread the Protestant faith. It has also been the greatest influence on the enrichment of the English language and its literature. It has been the Bible of wars from the British Civil War in the 17th century to the American Civil War two centuries later, and it has been carried into battle in innumerable conflicts since then. Its influence on social movements—particularly involving women in the 19th and 20th centuries—and politics was profound. It was crucial to the growth of democracy. It was integral to the abolition of slavery, and it defined attitudes to modern science, education, and sex. As Lord Melvyn Bragg's The Adventure of English explored the history of our language, so The Book of Books reveals the extraordinary and still–felt impact of a work created 400 years ago.

The Bible was, by any measure, the most important book in early modern England. It preoccupied the scholarship of the era, and suffused the idioms of literature and speech. Political ideas rode on its interpretation and deployed its terms. It was intricately related to the project of natural philosophy. And it was central to daily life at all levels of society from parliamentarian to preacher, from the 'boy that driveth the plough', famously invoked by Tyndale, to women across the social scale. It circulated in texts ranging from elaborate folios to cheap catechisms; it was mediated in numerous forms, as pictures, songs, and embroideries, and as proverbs, commonplaces, and quotations. Bringing together leading scholars from a range of fields, The Oxford Handbook of the Bible in Early Modern England, 1530-1700 explores how the scriptures served as a generative motor for ideas, and a resource for creative and political thought, as well as for domestic and devotional life. Sections tackle the knotty issues of translation, the rich range of early modern biblical scholarship, Bible dissemination and circulation, the changing political uses of the Bible, literary appropriations and responses, and the reception of the text across a range of contexts and media. Where existing scholarship focuses, typically, on Tyndale and the King James Bible of 1611, The Oxford Handbook of the Bible in England, 1530-1700 goes further, tracing the vibrant and shifting landscape of biblical culture in the two centuries following the Reformation.

Where did the Bible come from? How do we know the right books are in the Bible? Does the Bible contain errors? What are the oldest copies we have of the Bible? How do we know that the Bible hasn't been changed over the years? Why are there so many translations of the Bible, and which one should I use? These are just some of the important questions about the Bible that are discussed in this book. Understanding basic facts about the origin of the Bible is essential for every Christian, but it can also be confusing and difficult. Here, two well-known scholars, authors of a more technical book, A General Introduction to the Bible, explain simply and clearly these basic facts. Inspiration, the biblical canon, major manuscripts, textual criticism, early translations, and modern versions are some of the major topics discussed. Careful explanations of important points are given throughout, as the entire field of biblical introduction is covered. Completely updated and revised edition of the 1974 work (more than 78,000 copies sold). Helpful charts have been added, along with an index of subjects, persons, and Scripture. This book is ideally suited for Bible students, pastors, and professors. While writing for readers without previous training, the authors do not gloss over difficult and complex issues when they arise. The nature of inspiration, the extent of the canon, and the usefulness of modern versions are all clearly discussed. The authors write: "The chain of communication from God to us is strong. It has several solid links: inspiration, collection, transmission, and translations. The strength of these links provide the contemporary Christian with the moral certitude that the Spirit-inspired original text of Scripture has been providentially preserved by God so that for all practical purposes the Bible in our hands is the infallible and inerrant word of God."

Translations of the Bible take place in the midst of tension between politics, ideology and power. With the theological authority of the book as God’s Word, not focusing on the process of translating is stating the obvious. Inclinations, fluency and zeitgeist play as serious a role as translators’ person, faith and worldview, as do their vocabulary, poetics and linguistic capacity. History has seen countless retranslations of the Bible. What are the considerations according to which Biblical retranslations are being produced in current, 21st century, contexts? From retranslations of the Hebrew Bible to those of the Old and New Testaments, to mutual influences of Christian and Jewish translational traditions – the papers collected here all deal with the question of what is to be [re]gained with the production of a new translation where, at times, many a previous one has already existed.

"Would there have been a Renaissance without translation?" Karen Newman and Jane Tylus ask in their Introduction to this wide-ranging group of essays on the uses of translation in an era formative for the modern age. The early modern period saw cross-cultural translation on a massive scale. Humanists negotiated status by means of their literary skills as translators of culturally prestigious Greek and Latin texts, as teachers of those same languages, and as purveyors of the new technologies for the dissemination of writing. Indeed, with the emergence of new vernaculars and new literatures came a sense of the necessary interactions of languages in a moment that can truly be defined as "after Babel." As they take their starting point from a wide range of primary sources—the poems of Louise Labé, the first Catalan dictionary, early printed versions of the Ptolemy world map, the King James Bible, and Roger Williams's Key to the Language of America—the contributors to this volume provide a sense of the political, religious, and cultural stakes for translators, their patrons, and their readers. They also vividly show how the very instabilities engendered by unprecedented linguistic and technological change resulted in a far more capacious understanding of translation than what we have today. A genuinely interdisciplinary volume, Early Modern Cultures of Translation looks both east and west while at the same time telling a story that continues to the present about the slow, uncertain rise of English as a major European and, eventually, world language. Contributors: Gordon Braden, Peter Burke, Anne Coldiron, Line Cottegnies, Margaret Ferguson, Edith Grossman, Ann Rosalind Jones, Lázló Kontler, Jacques Lezra, Carla Nappi, Karen Newman, Katharina N. Piechocki, Sarah Rivett, Naomi Tadmor, Jane Tylus.

Volume 1: Translations of the Bible take place in the midst of tension between politics, ideology and power. With the theological authority of the book as God’s Word, not focusing on the process of translating is stating the obvious. Inclinations, fluency and zeitgeist play as serious a role as translators’ person, faith and worldview, as do their vocabulary, poetics and linguistic capacity. History has seen countless retranslations of the Bible. What are the considerations according to which Biblical retranslations are being produced in current, 21st century, contexts? From retranslations of the Hebrew Bible to those of the Old and New Testaments, to mutual influences of Christian and Jewish translational traditions – the papers collected here all deal with the question of what is to be [re]gained with the production of a new translation where, at times, many a previous one has already existed. Volume 2: Times are changing, and with them, the norms and notions of correctness. Despite a wide-spread belief that the Bible, as a “sacred original,” only allows one translation, if any, new translations are constantly produced and published for all kinds of audiences and purposes. The various paradigms marked by the theological, political, and historical correctness of the time, group, and identity and bound to certain ethics and axiomatic norms are reflected in almost every current translation project. Like its predecessor, the current volume brings together scholars working at the intersection of Translation Studies, Bible Studies, and Theology, all of which share a special point of interest concerning the status of the Scriptures as texts fundamentally based on the act of translation and its recurring character. It aims to breathe new life into Bible translation studies, unlock new perspectives and vistas of the field, and present a bigger picture of how Bible [re]translation works in society today.