Millionaire rancher Zeke Travers always separates emotion from work, until a woman tempts him to break all the rules.

Focuses on the five-tiered representational structure in which the hermit's conflict and vindication present themselves through Hindemith's opera. Bruhn argues that the opera presents something akin to a confession of the composer's inner conflicts and his decision not to become involved in the Nazi confrontation. Three sections discuss: the dilemma of social responsibility vs. the eremitic quest in the lives of Saint Antony of Egypt, the fictional painter Mathis, and Paul Hindemith; hermits, anchorites, and ascetics as portrayed in literature, art, and music; and the form, content, and interpretation of Mathis der Maler. Appendices include synopses and translations of several operas by Hindemith. Annotation copyrighted by Book News, Inc., Portland, OR

American national trade bibliography.

Navy SEAL Lucky was used to women swooning at his feet. So how could it be that feisty journalist Sydney seems immune to his charms? Working a dangerous case together, Lucky’s determined to turn her frosty attitude around – and make her fall head over heels for him. Protecting the innocent is Navy SEAL Bobby’s passion.

Goldie skillfully reveals the ambivalence of white writers to indigenous culture through an examination of the stereotyping involved in the creation of the image of the "Other." The treacherous "redskin" and the "Indian maiden," embodiments of violence and sex, also evoke emotional signs of fear and temptation, of white repulsion from and attraction to the indigene and the land. Goldie suggests that white culture, deeply attracted to the impossible idea of becoming indigenous, either rejects native land claims and denies recognition of the original indigenes, or incorporates these claims into white assertions of native status. After comparing the works of Canadian author Rudy Wiebe and Australian author Patrick White, Goldie concludes by linking the results of his literary analysis to wider cultural concerns, particularly land rights. He shows that literary views of natives, both positive and negative, emphasize the same charac-teristics and he suggests that escape from this limited vision may open the door to solving the problems of native sovereignty.

WILL HE HELP PROTECT HER OR DRAW A KILLER FROM THE SHADOWS? Carrie Ward understands dangerous men, and she’s got the scars to prove it. These days, the Special Investigations Group detective saves her risk taking for the job. But when she’s asked to pursue a high-profile serial killer, she’ll have to join forces with the last man she wants to depend on—Jase Tyler, an ace senior detective who’s as reckless as she is cautious. And despite her best intentions, the sparks begin to fly. As Carrie and Jase race to try to save the next victim, the passion that simmers between them ignites. But a cunning killer at the top of his game is challenging Carrie to play to the very end. Now all she can count on are her instincts—and Jase, the one man daring enough to keep her safe….