Long before people could turn to books for instruction and amusement, they relied upon storytellers for answers to their questions about life. Africa boasts a particularly rich oral tradition, in which the griot — village historian — preserved and passed along cultural beliefs and experiences from one generation to the next. This collection of 30 timeless fables comes from the storytellers of Nigeria, whose memorable narratives tell of promises kept and broken, virtue rewarded, and treachery punished. Ajapa the Tortoise — a trickster, or animal with human qualities — makes frequent appearances among the colorful cast of talking animals. In "Tortoise Goes Wooing," he learns a valuable lesson in friendship and sharing. Ajapa's further adventures describe how, among other things, he became a chief, acquired all of the world's wisdom, saved the king, tricked the lion, and came to be bald. Recounted in simple but evocative language, these ancient tales continue to enchant readers and listeners of all ages.

Yoruba legend and culture were the source of much of Amos Tutuola's writing and the stories collected here are no exception. They feature characters from folklore, archetypal figures from Yoruba society, supernatural or magical happenings, acute human observation and often a moral point. Their very titles - from 'The Duckling Brothers and their Disobedient Sister' to 'Don't Pay Bad for Bad' - are evocative of a unique blend of tradition and imagination, which belongs to the same universal culture as Aesop and the Brothers Grimm.

Chronicling the story of the last Africans brought illegally to America in 1860, African Town is a powerful and stunning novel-in-verse. Cover may vary. In 1860, long after the United States outlawed the importation of enslaved laborers, 110 men, women and children from Benin and Nigeria were captured and brought to Mobile, Alabama aboard a ship called Clotilda. Their journey includes the savage Middle Passage and being hidden in the swamplands along the Alabama River before being secretly parceled out to various plantations, where they made desperate attempts to maintain both their culture and also fit into the place of captivity to which they'd been delivered. At the end of the Civil War, the survivors created a community for themselves they called African Town, which still exists to this day. Told in 14 distinct voices, including that of the ship that brought them to the American shores and the founder of African Town, this powerfully affecting historical novel-in-verse recreates a pivotal moment in US and world history, the impacts of which we still feel today.

Several hundred A-Z entries cover Achebe's major works, important characters and settings, key concepts and issues, and more. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology. Nigerian writer Chinua Achebe is widely regarded as the most important of the numerous African novelists who gained global attention in the second half of the 20th century. Achebe is certainly the African writer best known in the West, and his first novel, Things Fall Apart, is a founding text of postcolonial African literature and regarded as one of the central works of world literature of the last 50 years. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Other topics include all of his major fictional characters and settings, important concepts and issues central to his writings, historical persons, places, and events relevant to his works, and influential texts by other writers. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology.

This book examines vital intersections of narration, linguistic innovation, and political insight that distinguish Chinua Achebe’s fiction as well as his non-fiction commentaries. Each chapter focuses on a different aspect of these intersections: Achebe’s narrative response to Western authors who have written on Africa, his integration of Igbo folklore, the political implications of writing African literature in English, his use of Nigerian Pidgin, and the Nigerian Civil War. It also addresses the teaching of Achebe’s works. Achebe drew on diverse resources to offer searching psychological and political insights that contribute not only a decidedly African political viewpoint to the modern novel, but also a more inclusive narrative consciousness. Achebe’s adaptations of Igbo oral art are intrinsic to his writing’s political engagement because they assert the integrity and authority of the African voice in a global order defined by colonialism. This book reveals how his work has helped to restructure a global vision of Africa.

A NEW AGE emerges in Yorubaland as the nineteenth century comes to an end. It is a time for new heroes—pioneers in various fields of endeavor like Herbert Macaulay, Israel Ransome-Kuti, Obafemi Awolowo, and Tai Solarin. New frontiers are blazed in art, music, and education as told in stories about Candido Da Rocha, D. O. Fagunwa, Col. Victor Banjo, Susanne Wenger—Austrian artist turned priestess of the goddess Osun—and the trail-blazing musicians, Bobby Benson, Roy Chicago, and Fela. These modern heroes of the new age, as well as the author’s grandmother and parents, devise new ways of philosophy, religion, and thought to claim their future in a new country tested by disparate forces and competing interests.

A collection of twenty-three tales involving Aj'ap'a, a tortoise with human traits who has relationships with an assortment of animal and human characters

This comprehensive collection of folk hero tales builds on the success of the first edition by providing readers with expanded contextual information on story characters from the Americas to Zanzibar. Despite the tremendous differences between cultures and ethnicities across the world, all of them have folk heroes and heroines—real and imagined—that have been represented in tales, legends, songs, and verse. These stories persist through time and space, over generations, even through migrations to new countries and languages. This encyclopedia is a one-stop source for broad coverage of the world's folk hero tales. Geared toward high school and early college readers, the book opens with an overview of folk heroes and heroines that provides invaluable context and then presents a chronology. The book is divided into two main sections: the first provides entries on the major types and themes; the second addresses specific folk tale characters organized by continent with folk hero entries organized alphabetically. Each entry provides cross references as well as a list of further readings. Continent sections include a bibliography for additional research. The book concludes with an alphabetical list of heroes and an index of hero types.

Studies in Theology and Religion,11 Polemics, as “the art or practice of disputation or controversy”, is a living issue in matters of religion, and is a major object of research for scholars in religious studies and theology. The second international conference of the Leiden Institute for the Study of Religions (LISOR), held at Leiden in April 2000, was devoted to the subject of Religious Polemics in Context, aiming at a further exploration of the notion of religious polemics, together with the unfolding of a wide variety of case-studies from various religious traditions. The volume contains most of the papers read at the conference, and offers contributions on general issues (e.g., by M. Dascal), as well as on particular topics in the fields of history of religion (e.g., Islam), ancient Israel and early Christianity, the history of Christianity, and the social sciences of religion. An annotated bibliography is added to this collection, which may stimulate a further study of the topic.

These Treatises of the Odu of Ifá in volumes, are very complete, since In addition to treating the Afro-Cuban Odu de Ifá, they also contain Traditional African Ifá treatises. Both gather thousands of Pataki or Histories, thousands of Eboses and works, which will make it easier for you to deepen your study and solve any situation that arises in the religious field of consulting the Ifa oracle. The Synthesis of the Treaties of the Odu of Ifá already published by me previously, is nothing more than as its name indicates, a synthesis of these treaties, whose objective was always to support to the Babalawo as a handy pocket reminder, based on the fact that it has been studied and deepened before in the study of these volumes which will lead you to have the most complete knowledge about Ifá. For these reasons, it is highly recommended to have this valuable information in your library. We have grouped only two Odu per book, to make it as cheap as possible and facilitate its acquisition.