Using both canonical and underappreciated texts, Alien Albion argues that early modern England was far less unified and xenophobic than literary critics have previously suggested. Juxtaposing literary texts from the period with legal, religious, and economic documents, Scott Oldenburg uncovers how immigrants to England forged ties with their English hosts and how those relationships were reflected in literature that imagined inclusive, multicultural communities. Through discussions of civic pageantry, the plays of dramatists including William Shakespeare, Thomas Dekker, and Thomas Middleton, the poetry of Anne Dowriche, and the prose of Thomas Deloney, Alien Albion challenges assumptions about the origins of English national identity and the importance of religious, class, and local identities in the early modern era.

The first comprehensive history of the Elizabethan libel, this interdisciplinary account traces a viral and often virulent media ecosystem.

Immigrants from the Low Countries constituted the largest population of resident aliens in early modern England. Possessing superior technology in a number of fields and enjoying governmental protection, the Flemish were charged by many native artisans with unfair economic competition. With xenophobic sentiments running so high that riots and disorders occurred throughout the sixteenth century, Elizabeth I directed her dramatic censor to suppress material that might incite further disorder, forcing playwrights to develop strategies to address the alien problem indirectly. Representations of Flemish Immigrants on the Early Modern Stage describes the immigrant community during this period and explores the consistently negative representations of Flemish immigrants in Tudor interludes, the impact of censorship, the playwrighting strategies that eluded it, and the continuation of these methods until the closing of the theatres in 1642.

Dictionary: A book with a Beginning, a Middle and an End - but not in that order. This Septic Isle is a dictionary that re-defines 21st Century Britain in the wickedest and wittiest way imaginable. In an age where Spin is King, this super-cynical, irreverant reference book finally tells it like it is, not like it isn't and never will be. With 2,000 entries, ranging from razor-sharp satire to the downright silly, This Septic Isle is the perfect antidote to our irascible era. Politics, pop culture, sport, the Internet, TV, food, the environment, journalism, sex, PR, consumerism, war, religion, Royalty, terrorism, traffic - no subject is safe. No sacred cow is spared a jaunt to the slaughterhouse. Conservation - Process by which dwindling areas of natural beauty are preserved for future generations to build Dead - Not answering one's mobile phone or responding to emails Empathy - The shared understanding between two people on the same pay grade Epidemic - The rapid and uncontrollable spread of anything contagious through newspapers Part-time employee - Full-time employee with a smoking habit, a FaceBook page and an ebay account Refrigerator - Device for keeping salad and vegetables chilled before throwing them away unused Threatening letters - MRSA, ASBO, OHMS, GBH, HIV, etc. Wendy House - Play home now banned from schools for giving children unrealistic expectations of future home ownership Xenophobia - The Englishman's hatred of foreigners - from the Latin words 'xenos' and 'phobos' Mike Barfield's updated definitions put the spin in the bin and prove there's one area in which beleaguered Britons can still proudly claim to lead the world: laughing at their problems.

In the fifteenth and sixteenth centuries, the linguistic situation in Europe was one of remarkable fluidity. Latin, the great scholarly lingua franca of the medieval period, was beginning to crack as the tectonic plates shifted beneath it, but the vernaculars had not yet crystallized into the national languages that they would later become, and multilingualism was rife. Meanwhile, elsewhere in the world, languages were coming into contact with an intensity that they had never had before, influencing each other and throwing up all manner of hybrids and pidgins as peoples tried to communicate using the semiotic resources they had available. Of interest to linguists, literary scholars and historians, amongst others, this interdisciplinary volume explores the linguistic dynamics operating in Europe and beyond in the crucial centuries between 1400 and 1800. Assuming a state of individual, societal and functional multilingualism, when codeswitching was the norm, and languages themselves were fluid, unbounded and porous, it explores the shifting relationships that existed between various tongues in different geographical contexts, as well as some of the myths and theories that arose to make sense of them.

Gives readers a sharp new critical understanding of how racial whiteness in Shakespeare begets anti-Blackness and sustains white supremacy.