After the Spanish victories over the Inca claimed Tawantinsuyu for Charles V in the 1530s, native Andeans undertook a series of perilous trips from Peru to the royal court in Spain. Ranging from an indigenous commoner entrusted with delivering birds of prey for courtly entertainment to an Inca prince who spent his days amid titles, pensions, and other royal favors, these sojourners were both exceptional and paradigmatic. Together, they shared a conviction that the sovereign's absolute authority would guarantee that justice would be done and service would receive its due reward. As they negotiated their claims with imperial officials, Amerindian peoples helped forge the connections that sustained the expanding Habsburg realm's imaginary and gave the modern global age its defining character. Andean Cosmopolitans recovers these travelers' dramatic experiences, while simultaneously highlighting their profound influences on the making and remaking of the colonial world. While Spain's American possessions became Spanish in many ways, the Andean travelers (in their cosmopolitan lives and journeys) also helped to shape Spain in the image and likeness of Peru. De la Puente brings remarkable insights to a narrative showing how previously unknown peoples and ideas created new power structures and institutions, as well as novel ways of being urban, Indian, elite, and subject. As indigenous people articulated and defended their own views regarding the legal and political character of the "Republic of the Indians," they became state-builders of a special kind, cocreating the colonial order.

An adventurous, dazzling and original history that brings South America’s epic past and fascinating present to life 'A magnificent contribution to the Latin American canon' MARIE ARANA, author of Silver, Sword and Stone 'Erudite, pacy and brilliant' SOPHY ROBERTS, author of The Lost Pianos of Siberia Patria tells an alternative history of South America, spanning thousands of miles and five centuries to the present. Looking beyond modern borders, Laurence Blair takes as his waymarks nine countries that can’t be found on a map: vanished realms, half-imagined utopias and dismembered homelands. Blair’s journey ranges from ancient Amazonian city-states and a rebel Inca dynasty in the jungle – via a Brazilian Wakanda that defied slavery, Bolivia’s landlocked navy, and the Patagonian power that defeated the Spanish – to fall in with the African freedom fighters who marched over the Andes, and the New World Napoleon who led Paraguay to its ruin. Groundbreaking recent scholarship, striking archaeological discoveries and vivid eyewitness reporting – including encounters with drug lords, Indigenous leaders, refugees and former guerrillas – weave a story of survival, resistance and revolution, restoring South America to the centre of world history. 'An unputdownable delight' JON LEE ANDERSON 'Constantly surprising and always enticing' HARRIET RIX

Music in the Andes is one of the first books to offer a comprehensive overview of the uniquely rich and diverse musical crossroads of southern Peru and Bolivia. It explores the ways in which modern styles meet and interact with older, indigenous music to create a continuously evolving musical heritage. The book examines the major contemporary indigenous, mestizo, and urban musical traditions of the region through a series of case studies. Throughout the book, author Thomas Turino underscores the dynamic interplay between musical/cultural continuity and innovation. He also emphasizes the exceptional communicative potential of music, dance, and festivals to express ethnic, class, regional, national, and gendered identities. In addition, he considers the ethical and stylistic differences between "participatory" and "presentational" modes of making music.

Meisch looks at how participation in the global economy has affected Otavalo identity and culture since the 1970s.

′In the globalization ′game′ there are no absolute winners and losers. Neither homogenisation nor diversity can capture its contradictory movement and character. The essays and papers collected here offer, from a variety of perspectives, a rich exploration of creativity and innovation, cultural expressions and globalization. This volume of essays, in all their diversity of contents and theoretical perspectives, demonstrates the rich value of this paradoxical, oxymoronic approach′ - Stuart Hall, Emeritus Professor of Sociology at the Open University Volume 3 of the Cultures & Globalization series, Creativity and Innovations, explores the interactions between globalization and the forms of cultural expression that are their basic resource. Bringing together over 25 high-profile authors from around the world, this volume addresses such questions as: What impacts does globalization have on cultural creativity and innovation? How is the evolving world ′map′ of creativity related to the drivers and patterns of globalization? What are the relationships between creative acts, clusters, genres or institutions and cultural diversity? The volume is an indispensable reference tool for all scholars and students of contemporary arts and culture.