Historian and photographer Williams (Germanic studies, U. of New South Wales) looks at how the media during World War I glorified the prowess and exaggerated the successes of the Australian and New Zealand Army Corp as part of the country's war effort, and how later historians and the public have mistaken the propaganda for journalism. US distribution by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR

The course of events of the Great War has been told many times, spurred by an endless desire to understand 'the war to end all wars'. However, this book moves beyond military narrative to offer a much fuller analysis of of the conflict's strategic, political, economic, social and cultural impact. Starting with the context and origins of the war, including assasination, misunderstanding and differing national war aims, it then covers the treacherous course of the conflict and its social consequences for both soldiers and civilians, for science and technology, for national politics and for pan-European revolution. The war left a long-term legacy for victors and vanquished alike. It created new frontiers, changed the balance of power and influenced the arts, national memory and political thought. The reach of this acount is global, showing how a conflict among European powers came to involve their colonial empires, and embraced Japan, China, the Ottoman Empire, Latin America and the United States.

Traditionally, in general studies of the First World War, the Middle East is an arena of combat that has been portrayed in romanticised terms, in stark contrast to the mud, blood, and presumed futility of the Western Front. Battles fought in Egypt, Palestine, Mesopotamia, and Arabia offered a different narrative on the Great War, one in which the agency of individual figures was less neutered by heavy artillery. As with the historiography of the Western Front, which has been the focus of sustained inquiry since the mid-1960s, such assumptions about the Middle East have come under revision in the last two decades – a reflection of an emerging ‘global turn’ in the history of the First World War. The ‘sideshow’ theatres of the Great War – Africa, the Middle East, Eastern Europe, and the Pacific – have come under much greater scrutiny from historians. The fifteen chapters in this volume cover a broad range of perspectives on the First World War in the Middle East, from strategic planning issues wrestled with by statesmen through to the experience of religious communities trying to survive in war zones. The chapter authors look at their specific topics through a global lens, relating their areas of research to wider arguments on the history of the First World War.

Raise a glass for an Anzac. Run for an Anzac. Camp under the stars for an Anzac. Is there anything Australians won’t do to keep the Anzac legend at the centre of our national story? But standing firm on the other side of the Anzac enthusiasts is a chorus of critics claiming that the appetite for Anzac is militarising our history and indoctrinating our children. So how are we to make sense of this struggle over how we remember the Great War? Anzac, the Unauthorised Biography cuts through the clamour to provide a much-needed historical perspective on the battle over Anzac. It traces how, since 1915, Australia’s memory of the Great War has declined and surged, reflecting the varied and complex history of the Australian nation itself. Most importantly, it asks why so many Australians persist with the fiction that the nation was born on 25 April 1915.

Entertainments and popular cultures played a major part in the lives of those experiencing the First World War. This collection of studies spans the role of newspapers, films, posters and music and much more, looking at the different ways, different media entertainments were produced and consumed during the war.

Captive Anzacs explores the experiences of the 198 Australians who became prisoners of the Ottomans during the First World War. Kate Ariotti intertwines rich detail from letters, diaries and other personal papers with official records to provide a comprehensive, nuanced account of this aspect of Australian war history.

Nearly a century has passed since the assassination of Austria-Hungary's Archduke Ferdinand, yet the repercussions of the devastating global conflict that followed echo still. In this provocative book, historian Ian Beckett turns the spotlight on twelve particular events of the First World War that continue to shape the world today. Focusing on episodes both well known and scarcely remembered, Beckett tells the story of the Great War from a new perspective, stressing accident as much as strategy, the small as well as the great, the social as well as the military, and the long term as much as the short term. The Making of the First World War is global in scope. The book travels from the deliberately flooded fields of Belgium to the picture palaces of Britain's cinema, from the idealism of Wilson's Washington to the catastrophic German Lys offensive of 1918. While war is itself an agent of change, Beckett shows, the most significant developments occur not only on the battlefields or in the corridors of power, but also in hearts and minds. Nor may the decisive turning points during years of conflict be those that were thought to be so at the time. With its wide reach and unexpected conclusions, this book revises—and expands—our understanding of the legacy of the First World War.

Witnesses to War is a landmark history of Australian war journalism covering the regional conflicts of the nineteenth century to the major conflicts of the twentieth: World War I, World War II, Vietnam and Bosnia through to recent and ongoing wars in Iraq and Afghanistan. Fay Anderson and Richard Trembath look at how journalists reported the horrors and politics of war, the rise of the celebrity journalist, issues of censorship and the ethics of ‘embedding’. Interviews with over 40 leading journalists and photographers reveal the challenges of covering wars and the impact of the violence they witness, the fear and exhilaration, the regrets and successes, the private costs and personal dangers. Witnesses to War examines issues with continued and contemporary relevance, including the genesis of the Anzac ideal and its continued use; the representation of enemy and race and how technology has changed the nature of conflict reporting.

It has long been acknowledged that the study of war and warfare demands careful consideration of technology, institutions, social organization, and more. But, for some, the so-called "war and society" approach increasingly included everything but explained nothing, because it all too often seemed to ignore the events on the battlefield itself. The military historians in Warfare and Culture in World History return us to the battlefield, but they do so through a deep examination of the role of culture in shaping military institutions and military choices. Collected here are some of the most provocative recent efforts to analyze warfare through a cultural lens, drawing on and aggressively expanding traditional scholarship on war and society through sophisticated cultural analysis. With chapters ranging from an organizational analysis of American Civil War field armies to the soldiers' culture of late Republican Rome and debates within Ming Chinese officialdom over extermination versus pacification, this one volume provides a full range of case studies of how culture, whether societal, strategic, organizational, or military, could shape not only military institutions but also actual battlefield choices.

An expanded edition of the leading text on military history and the role of culture on the battlefield Ideas matter in warfare. Guns may kill, but ideas determine when, where, and how they are used. Traditionally, military historians attempted to explain the ideas behind warfare in strictly rational terms, but over the past few decades, a stronger focus has been placed on how societies conceptualize war, weapons, violence, and military service, to determine how culture informs the battlefield. Warfare and Culture in World History, Second Edition, is a collection of some of the most compelling recent efforts to analyze warfare through a cultural lens. These curated essays draw on, and aggressively expand, traditional scholarship on war and society through sophisticated cultural analysis. Chapters range from an organizational analysis of American Civil War field armies, to an exploration of military culture in late Republican Rome, to debates within Ming Chinese officialdom over extermination versus pacification. In addition to a revised and expanded introduction, the second edition of Warfare and Culture in World History now adds new chapters on the role of herding in shaping Mongol strategies, Spanish military culture and its effects on the conquest of the New World, and the blending of German and East African military cultures among the Africans who served in the German colonial army. This volume provides a full range of case studies of how culture, whether societal, strategic, organizational, or military, could shape not only military institutions but also actual battlefield choices.