This volume is unique in bringing together representatives of many different approaches to Heidegger's philosophy.

This book is at once a deeply learned and original reading of Heidegger and a primary text in its own right. It demonstrates the relevance of Heidegger’s thought in responding to the moral and religious challenges of 21st century existence. It shows that Heidegger’s project can be defended against many criticisms once its existential character is taken seriously. What emerges is a powerful exercise in thinking, not about Heidegger, but with and against him. As such, Atkins engages Heidegger as a means of advancing a defense of spirituality in the modern world that holds spirituality itself accountable for its lapses into the mundane. Addressing the most influential figures in recent Continental philosophy, such as Emmanuel Levinas and Theodor W. Adorno, this is a work that will be of timely use to philosophers, theologians, artists, and seekers.

Heidegger and Happiness offers an original interpretation of Heidegger's later thought, within the context of his philosophy as a whole, to develop a new conception of human happiness. The book redeems the essential content of the Greek notion of eudaimonia and transcends recent debates concerning the 'objectivity' or 'subjectivity' of happiness. The author shows that Heidegger's thinking of being is far from arcane and abstract, and is crucially important in understanding the deepest sources of human well-being. An etymological examination of the word 'happiness' frees the word from the constraints of utilitarian ways of thinking, which suggest that 'happiness' is only peripherally related to eudaimonia. King demonstrates that a sense of fittingness is essential both to 'happiness' and to eudaimonia, and shows how deep happiness, conceived as dwelling in our fitting-together with being, can serve as a 'grounding attunement' for the thinking of being.

In Speaking of Silence in Heidegger, Wanda Torres Gregory critically analyzes Heidegger’sthoughts on silence. Arguing that silence about silence is a guiding principle in his sparse and often reticent words, Torres Gregory sets out to decipher their elusive meanings. Charting the trajectory of Heidegger’s reflections, from Being and Time to On the Way to Language, she shows that he develops his ideas of silence in increasingly closer relations to his also evolving ideas of truth as the unconcealedness of being/beyng and language as disclosive sonorous saying. Torres Gregory distinguishes between human, primordial, and primeval forms of silence, and the linguistic, pre-linguistic, and proto-linguistic levels at which silence can occur in relation to sonorous speech. While the book focuses on these inner conceptual dynamics, the author remains mindful of Heidegger’s ties to National Socialism and clarifies how his theoretical assumptions allow for oppressive silencing. The book concludes with critical reflections on the later Heidegger’s thinking of silence and proposes alternatives to his claims concerning the sound beyond sounds, the metaphysics of mystical silence, the uniquely linguistic essence of the mortals, and the loud idle talk in the age of modern technology.

Martin Heidegger's philosophical works devoted themselves to challenging previously held ontological notions of what constitutes "being," and much of his work focused on how beings interact within particular spatial locations. Frequently, Heidegger used the motifs of homelessness and homecoming in order to express such spatial interactions, and despite early and continued recognition of the importance of homelessness and homecoming, this is the first sustained study of these motifs in his later works. Utilizing both literary and philosophical analysis, Heidegger and Homecoming reveals the deep figural unity of the German philosopher's writings, by exploring not only these homecoming and homelessness motifs, but also the six distinctive voices that structure the apparent disorder of his works. In this illuminating and comprehensive study, Robert Mugerauer argues that these motifs and Heidegger's many voices are required to overcome and replace conventional and linear methods of logic and representation. Making use of material that has been both neglected and yet to be translated into English, Heidegger and Homecoming explains the elaborate means with which Heidegger proposed that humans are able to open themselves to others, while at the same time preserve their self-identity.

Heidegger's Hidden Sources documents for the first time Heidegger's remarkable debt to East Asian philosophy. In this groundbreaking study, Reinhard May shows conclusively that Martin Heidegger borrowed some of the major ideas of his philosophy - on occasion almost word for word - from German translations of Chinese Daoist and Zen Buddhist classics. The discovery of this astonishing appropriation of non-Western sources will have important consequences for future interpretations of Heidegger's work. Moreover, it shows Heidegger as a pioneer of comparative philosophy and transcultural thinking.

This important new book offers an introduction to Heidegger’s phenomenology of perception, interpreting and explaining five key words, ‘Sein’, ‘Dasein’, ‘Ereignis’, ‘Lichtung’, and ‘Geschick’. David Kleinberg-Levin argues that, besides preparing the ground for a major critique of metaphysics and the Western world, Heidegger’s phenomenology of perception lays the groundwork for understanding perception—in particular, seeing and hearing, as capacities the historical character of which is capable of overcoming and significantly ameliorating the most menacing, most devastating features of the Western world that Heidegger subjected to critique. He proposes that the development of these capacities is not only a question of learning certain skills, but also a question of learning new character and that Heidegger’s critique of the Western world suggests ways in which we might learn and develop new, more sensitive, poetic and mindful ways of relating to the perceived world.

This volume offers insights into a unique philosophical landscape and enriches current Heidegger studies by offering fresh perspectives on his philosophy that are based on the traditions of Arabic and Persian Islamic philosophy

Although philosophers have examined and commented on music for centuries, Martin Heidegger, one of the greatest philosophers of the 20th century, had frustratingly little to say about music—directly, at least. This volume, the first to tackle Heidegger and music, features contributions from philosophers, musicians, educators, and musicologists from many countries throughout the world, aims to utilize Heidegger’s philosophy to shed light on the place of music in different contexts and fields of practice. Heidegger’s thought is applied to a wide range of musical spheres, including improvisation, classical music, electronic music, African music, ancient Chinese music, jazz, rock n’ roll, composition, and musical performance. The volume also features a wide range of philosophical insights on the essence of music, music’s place in society, and the promise of music’s ability to open up new ways of understanding the world with the onset of the technological and digital musical age. Heidegger and Music breaks new philosophical ground by showcasing creative vignettes that not only push Heidegger’s concepts in new directions, but also get us to question the meaning of music in various contexts.

In this groundbreaking new work, Dillard makes a powerful case for bringing contemporary Christian theology into critical dialogue with Martin Heidegger’s Contributions to Philosophy (Of the Event). Following his initial receptivity to theology in his early writings, Heidegger becomes increasingly agnostic and even atheistic in the 1930s until the sudden resurgence of religious discourse in Contributions. Dillard shows that there are good reasons for Heidegger’s striking reversal. Key philosophical concepts from Contributions enable Heidegger to overcome earlier theological conundrums left unresolved in his earlier engagements with themes in St. Paul and Luther, while the need to make a fateful decision regarding “the last god” prevents the central philosophical task of Contributions from collapsing into empty tautology or relapsing into objectionable metaphysics. Nevertheless, Heidegger leaves us in the predicament of having no clear idea of how we are to make the crucial decision about divinity. After considering several unsuccessful proposals for escaping the dilemma, Dillard develops a christological solution based on Heidegger’s engagement with the poetry of Georg Trakl. The resulting theological perspective is defended from some possible criticisms and situated within the broader context of contemporary postmetaphysical Heideggerian theology.