This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Fifteen years in the making, a landmark reinterpretation of the life of a pivotal figure in British and European history In this magisterial addition to the Yale English Monarchs series, David Bates combines biography and a multidisciplinary approach to examine the life of a major figure in British and European history. Using a framework derived from studies of early medieval kingship, he assesses each phase of William’s life to establish why so many trusted William to invade England in 1066 and the consequences of this on the history of the so-called Norman Conquest after the Battle of Hastings and for generations to come. A leading historian of the period, Bates is notable for having worked extensively in the archives of northern France and discovered many eleventh- and twelfth-century charters largely unnoticed by English-language scholars. Taking an innovative approach, he argues for a move away from old perceptions and controversies associated with William’s life and the Norman Conquest. This deeply researched volume is the scholarly biography for our generation.

Reproduction of the original: The Cathedral Church of York by A. Clutton-Brock

In 2010, David Bates presented the Ford Lectures in British History at the University of Oxford, and The Normans and Empire is the book which was born from these lectures. It provides an interpretative analysis of the history of the cross-Channel empire created by William the Conqueror in 1066 to its end in 1204 when the duchy of Normandy was conquered by the French king, Philip Augustus, the so-called 'Loss of Normandy'. This volume emphasizes the cross-Channel and Continental dimensions of the subject, and uses modern approaches to suggest new interpretations. Bates proposes that historians of the Normans can learn from the methods of social scientists and historians of other periods of history - such as making use of such tools as life-stories and biographies - and he employs such methods to offer an interpretative history of the Normans, as well as a broader history of England, the British Isles, and Northern France in the eleventh and twelfth centuries.

The true importance of cathedrals during the Anglo-Norman period is here brought out, through an examination of the most important aspects of their history. Cathedrals dominated the ecclesiastical (and physical) landscape of the British Isles and Normandy in the middle ages; yet, in comparison with the history of monasteries, theirs has received significantly less attention. This volume helps to redress the balance by examining major themes in their development between the eleventh and thirteenth centuries. These include the composition, life, corporate identity and memory of cathedral communities; the relationships, sometimes supportive, sometimes conflicting, that they had with kings (e.g. King John), aristocracies, and neighbouring urban and religious communities; the importance of cathedrals as centres of lordship and patronage; their role in promoting and utilizing saints' cults (e.g. that of St Thomas Becket); episcopal relations; and the involvement of cathedrals in religious and political conflicts, and in the settlement of disputes. A critical introduction locates medieval cathedrals in space and time, and against a backdrop of wider ecclesiastical change in the period. Contributors: Paul Dalton, Charles Insley, Louise J. Wilkinson, Ann Williams, C.P. Lewis, RichardAllen, John Reuben Davies, Thomas Roche, Stephen Marritt, Michael Staunton, Sheila Sweetinburgh, Paul Webster, Nicholas Vincent

The first full-scale biography of Robert Willis, the "founding father" of architectural history.