This book collects essays by international scholars who engage with Roman-period architecture outside Rome and the Italian Peninsula, looking at the regions that formed part of the Roman Empire over a broad time frame: from the second century BCE to the third century CE. Moving beyond traditional views of ‘Roman provincial architecture’, the aim is to highlight the multi-faceted features of these architectures, their function, impact and significance within the local cultures, and the dynamic discourse between periphery and center. Architecture is intended in the broad sense of the term, encompassing the buildings’ technological components as well as their ornamental and epigraphic apparatuses. The geographic framework under examination is a broad one: along with well-documented areas of the ancient Mediterranean, attention is also paid to the territories of north-west Europe. The discussion throughout the volume focuses on three interrelated themes – models, agency, and reception. The broader scope of these essays is to give a reinvigorated impetus to the scholarly debate on the role and influence of ancient architectures beyond the center of Empire. The book has a strong interdisciplinary character, which reflects the authors’ diverse expertise in the fields of archaeology, architecture, ancient history, art and architectural history.

In less than fifty-three years, Rome subjected most of the known world to its rule. This authoritative and compelling work tells the story of the rise of Rome from its origins as a cluster of villages to the foundation of the Roman Empire by Augustus, to its consolidation in the first two centuries CE. It also discusses aspects of the later Empire and its influence on Western civilization, not least of which was the adoption of Christianity. Packed with fascinating detail and written by acknowledged experts in Roman history, the book expertly interweaves chapters on social and political history, the Emperors, art and architecture, and the works of leading Roman poets, historians, and philosophers. Reinforcing the book's historical framework are maps, diagrams, a useful chronology, and a full bibliography. Taken as a whole, this rich work offers an indispensable resource on the history of one of the world's greatest empires.

Not much has happened in the Roman Empire since 1994 that required the first edition to be updated, but Bunson, a prolific reference and history author, has revised it, incorporated new findings and thinking, and changed the dating style to C.E. (Common Era) and B.C.E. (Before Common Era). For the 500 years from Julius Caesar and the Gallic Wars in 59-51 B.C.E. to the fall of the empire in the west in 476 C.E, he discusses personalities, terms, sites, and events. There is very little cross-referencing.

The Romans succeeded in less than fifty-three years in subjecting almost the whole inhabited world of their rule. This book tells the story of the rise of Rome from its origins as a cluster of villages to the foundation of the Roman Empire by Augustus and its consolidation in the first two centuries AD. It also discusses some aspects of the later Empire and its influence on western civilizations, not least through the adoption of Christianity. Chapters dealing with social and political history are interspersed with chapters on literature, philosophy, and the arts: the conquests of Rome; Roman Emperors; Plautus, Terence, Virgil and Roman literature; Roman historians such as Tacitus and Livy; Stoicism and Scepticism; and Roman art and architecture are among the topics dealt with. The historical framework of the book is reinforced by maps and chronological charts; there are bibliographies and a full index; and the book is profusely and aptly illustrated with colour and black-and-white illustrations.

In a fascinating study of ancient Roman architecture, classics scholar Alexander McKay examines simple houses, mansions, estates and palatial buildings, interior furnishings, and gardens--revealing that Roman civilization was astonishingly similar to our own. He also discusses the conditions of life in the Roman provinces. 153 illustrations.

Michael Grant has specially selected some of the most significant examples of painting, portraits, architecture, mosaic, jewellery and silverware, to give a unique insight into the functions and manifestations of art in the Roman Empire. Art in the Roman Empire shows how many of the most impressive masterpieces were produced outside Rome, on the frontiers of its enormous empire.

This volume investigates how urban growth and prosperity transformed the cities of the Roman Mediterranean in the last centuries BCE and the fi rst centuries CE, integrating debates about Roman urban space with discourse on Roman urban history. The contributions explore how these cities developed landscapes full of civic memory and ritual, saw commercial priorities transforming the urban environment, and began to expand signifi cantly beyond their wall circuits. These interrelated developments not only changed how cities looked and could be experienced, but they also affected the functioning of the urban community and together contributed to keeping increasingly complex urban communities socially cohesive. By focusing on the transformation of urban landscapes in the Late Republican and Imperial periods, the volume adds a new, explicitly historical angle to current debates about urban space in Roman studies. Confronting archaeological and historical approaches, the volume presents developments in Italy, Africa, Greece, and Asia Minor, thus significantly broadening the geographical scope of the discussion and offering novel theoretical perspectives alongside well- documented, thematic case studies. Urban Space and Urban History in the Roman World will be of interest to anyone working on Roman urbanism or Roman history in the Late Republic and early Empire.

Drawing on archaeology, literary and epigraphic evidence, professional and technical literature, and descriptions of cities by travellers and geographers, the author traces the developments of town planning, revealing the importance of the city to political, religious, and social life in the Greek and Roman world.

New history richly illustrated in colour and aimed at the general reader.

The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.