An introduction to percussion instruments.

Can a drum tell the news? How do you play a carrot? Can you turn a cave's stalactites into an organ? (Spoiler alert: yes, you can!) Including a stunning central gatefold that opens out to reveal the family tree of musical instruments, Around the World in 80 Musical Instruments is a visual celebration of the huge variety of instruments played across the world, from those you know to those you almost certainly don't. Discover traditional instruments from various cultures, such as the gamelan and mbira, as well as the creations of modern artists and musicians, such as the Wintergatan Marble Machine and the eerie-sounding Earth harp. Feel inspired to make some noise? Explore the 'make your own' sections to create your own instruments from things around the home.

Highlights twenty-five musical instruments from around the world, arranged according to the way in which they produce sound, including aerophones, chordophones, electrophones, idiophones, and membranophones.

Percussion instruments may be our oldest musical instruments, but only recently have they become the subject of extensive scientific study. This book focuses on how percussion instruments vibrate and produce sound and how these sounds are perceived by listeners.

Music programs have been scaled back or eliminated altogether from the curricula of many schools. Luckily, storytimes offer ideal opportunities for music and songs. In this collection of easy-to-use, easy-to-adapt library programs for children in grades K-3, Brown connects songs and musical activities directly to books kids love to read. Offering several thematic programs, complete with stories, songs, and flannelboard and other activities, her book includes Music activities, lists of music-related books, mix-and-match activities, and additional web resources Terrific tips on how to teach songs to young children Ways to develop original songs and rhythms to enliven children’s books Even if you can’t carry a tune in a bushel basket, this handy resource has everything you need to start the music in your storytimes.

Thousands of festivals take place around the world every year. Some have cult followings with tickets that sell out instantly–forty thousand Burning Man tickets sold out in a manner of minutes—some are thrown in little-known faraway places—cities in Benin or San Marino. In this unique volume, Steve Davey, author of the 300,000+ selling book Unforgettable Places to See Before You Die, has created the ultimate, unparalleled book on the subject, showcasing a whopping 500 festivals in 121 countries—far and away more than any other book of its kind. To make it, he traveled the world, comprehensively researched its most dynamic events, and carefully selected the festivals with the most extraordinary highs, a life-affirming buzz. The result is scene-setting descriptions and 270 complementary jaw-dropping photographs—colorful images on every page. It’s an energetic celebration of events from Carnival in Rio to the Full Moon Party in Thailand, from the most brilliant Day of the Dead celebrations to the gooiest food fights, the most over-the-top costumes to the most daring displays of bravado. For ease of reference, the festivals are organized by continent, by region, then alphabetically by country. With dates and locations, they’re made accessible to those looking to enhance upcoming trips and those looking for their next big adventure. The compilation is also an instant thrill for the armchair traveler—immediate access to the world’s most joyful events. Around the World in 500 Festivals was published in a limited print-run in 2013. It’s now being given a comprehensive update and new packaging—a thrilling new offering for readers looking to experience new places and cultures when they’re most alive.

First emerging in North America and Europe in the late 1920s, contemporary percussion practices have transitioned from the fringes of contemporary music to the forefront over the past 90 years. In the 1960s contemporary percussion practices reached Australian shores and a new generation of artists added their voices to this narrative. The role of Australian activity is not yet embedded in the wider narrative of international contemporary percussion, nor is the significance of developments in contemporary percussion practices fully realised in the context of Australian music history. In this monograph, political, social and cultural influences on this art form will be examined for the first time in a historical survey of contemporary percussion music in Australia over a 50-year period, from 1960 to 2010. The rise of the percussion ensemble in the twentieth century to a standard chamber music ensemble is now recognised as one of the major advances in western art music practice internationally. A focus will be placed on ensemble activity via definitive documentation and analysis of ensembles that are amongst the most pioneering and longest established of Australian contemporary music organisations, including the Australian Percussion Ensemble, Synergy Percussion, Adelaide Percussions, Nova Ensemble, Tetrafide Percussion, Taikoz, Clocked Out and Speak Percussion amongst others. Closing with a discussion of influences and identity, this historical narrative will expand our understanding of the impact of Australian contributions to the international contemporary music scene while simultaneously examining how developments in contemporary percussion have contributed to Australia’s cultural identity.

The Encyclopedia of Percussion is an extensive guide to percussion instruments, organized for research as well as general knowledge. Focusing on idiophones and membranophones, it covers in detail both Western and non-Western percussive instruments. These include not only instruments whose usual sound is produced percussively (like snare drums and triangles), but those whose usual sound is produced concussively (like castanets and claves) or by friction (like the cuíca and the lion’s roar). The expertise of contributors have been used to produce a wide-ranging list of percussion topics. The volume includes: (1) an alphabetical listing of percussion instruments and terms from around the world; (2) an extensive section of illustrations of percussion instruments; (3) thirty-five articles covering topics from Basel drumming to the xylophone; (4) a list of percussion symbols; (5) a table of percussion instruments and terms in English, French, German, and Italian; and (6) an updated section of published writings on methods for percussion.

The karaoke machine is much more than an instrument which allows us to be a star for three minutes. The contributors to this lively collection address the importance of karaoke within Japanese culture and its spread to other parts of the world, exploring the influence of karaoke in such different societies as the United Kingdom, North America, Italy, Sweden, Korea and Brazil. They also consider the nature of the karaoke experience, which involves people as singers, co-singers and listeners.

Making Music for Modern Dance traces the collaborative approaches, working procedures, and aesthetic views of the artists who forged a new and distinctly American art form during the first half of the 20th century. The book offers riveting first-hand accounts from innovative artists in the throes of their creative careers and provides a cross-section of the challenges faced by modern choreographers and composers in America. These articles are complemented by excerpts from astute observers of the music and dance scene as well as by retrospective evaluations of past collaborative practices. Beginning with the careers of pioneers Isadora Duncan, Ruth St. Denis, and Ted Shawn, and continuing through the avant-garde work of John Cage for Merce Cunningham, the book offers insights into the development of modern dance in relation to its music. Editor Katherine Teck's introductions and afterword offer historical context and tie the artists' essays in with collaborative practices in our own time. The substantive notes suggest further materials of interest to students, practicing dance artists and musicians, dance and music history scholars, and to all who appreciate dance.