Art, Pottery, and the Clay-Human Connection Understanding the Prophet Whom God Has Set in the Church! Dr. Alvin Haywood, Ed.D. Calling all faithful and committed men and women of God whose number one priority is to walk unapologetically in their God-given calling and purpose for their life. This book is for any dedicated servant of God but is especially geared toward those who are single and walking in a prophetic calling. Married folks, and others walking in any calling from God, can also benefit from this book--those who want to further review the clay-human connection and understand more about the trials and triumphs of a prophet of God. Like clay in a potter's hand, God's people are molded and shaped in his hands. Nestled in a beautiful narrative setting of art, history, and pottery, Art, Pottery, and the Clay-Human Connection: Understanding the Prophet Whom God Has Set in the Church is based on and embedded in relevant and applicable scriptures as it validates and encourages any servant of God to concentrate on what the Word of God is saying about them in their walk with God. Jeremiah the prophet is used as a focal point as he was singularly called by God to go down to the potter's house to receive a prophetic message about this clay-human connection for the church or the people of God.

Indigenous Research Design is an interdisciplinary text that explores how researchers reimagine research paradigms, frameworks, designs, and methods. Building upon the theories and research teachings presented by Indigenous Peoples in Indigenous Knowledge Systems and Research Methodologies, editors Elizabeth Sumida Huaman and Nathan D. Martin present practical formations and applications of Indigenous research for a variety of community, student, professional, and educational projects. With contributions from a broad selection of Indigenous scholars across disciplines and continents, this collection shares research stories and innovations directly linked to Indigenous Peoples’ lived experiences. The contributors ask researchers to rethink how their work is gathered, interpreted, and presented while providing guidance for how Indigenous knowledges and critiques inform each element and stage of the research process. This volume aims to inspire new and Indigenous-led ways of thoughtfully developing research questions, conceptualizing qualitative research paradigms, and collecting, analyzing, and disseminating data. Equipped with chapter learning objectives, critical reflection questions, chapter glossaries, and featuring a foreword written by Manulani Aluli Meyer, this engaging text is a vital addition to the field of research methods and essential reading for any aspiring and established researchers, including university and college students who encounter qualitative and mixed-methods research in their respective disciplines. FEATURES - Centres Indigenous experiences and knowledges in rethinking research methodologies and practices along with offering guidance for recognizing and practicing Indigenous worldviews and epistemologies throughout each stage of the research process - A practical complementary text to the theoretical Indigenous Knowledge Systems and Research Methodologies

Innovative ideas designed so care partners can engage and connect with people living with dementia. On the dementia journey, each quality moment of connection is priceless. Deborah Shouse and dozens of experts in the field of dementia share ideas that engage the creative spirit so you can continue to experience those meaningful moments of connecting. These easy and adaptable projects--music, art, movies, cooking, storytelling, gardening, movement, and many more--can foster stronger relationships, renew hope, and ignite a sense of purpose for people who are living with dementia and their care partners. You don't need special skills to enjoy these expressive activities. Simply incorporate them into your daily routine and you'll enrich your time together. Deborah Shouse is a writer, speaker, editor, creativity catalyst, and dementia advocate. She has an MBA but uses it only in emergencies. Her writing has appeared in a variety of publications including The Washington Post, The Huffington Post, Natural Awakenings, Reader’s Digest, Newsweek, Woman’s Day, Spirituality & Health, The Chicago Tribune and Unity Magazine. Deborah has been featured in many anthologies, including more than four-dozen Chicken Soup books. She has written a number of business books and for years Deborah wrote a love story column for the Kansas City Star.

Max Swanson presents a clear, concise and comprehensive description of communication, from primitive pheromones to sophisticated social networks to future breakthroughs. He answers many questions about the social, cultural and political implications of communication. How do pheromones and the five senses work? In what clever ways do animals and insects communicate? How did languages develop? Why is education so important? Who were the great scientists, and what were their discoveries? How was wireless communication invented? What led to the development of computers, the Internet and smart phones? Why did television become dominant? How do the visual arts inspire people? Why do humans celebrate music and dancing? What are the secrets of effective socializing? When and why did democracies become popular? Why is organized religion losing support in favor of spirituality? How can miscommunication be controlled? In the future, can biofeedback be the answer to overmedication? Why was mapping the human genome such a breakthrough? Will gene therapy and stem cell organ replacement become commonplace? How will mapping the human microbiome improve health? Can nanotechnology do miracles? Will artificial intelligence be realized? Will we communicate with extraterrestrials? When will world government become a reality? These questions and many more are answered here.

Where Is All My Relation? presents the first sustained academic discussion of the poetry, pottery, and culture of David Drake, an antebellum slave who distinguished himself by composing verse on the ceramics he produced in the years leading up to the Civil War. During the 1830s, 40s, and 50s, he incised couplets and signatures (a singular "Dave") onto the incredibly large storage vessels that he made. In fact, his stoneware pots and jars are among the largest made in North America during the antebellum era, and craft enthusiasts and appraisers are still proclaiming their precision and ambitious volume. Rich with biblical allusions, historical facts, and personal opinions, his art provides unique insights into the lives of slaves, craftsmen, and the culture of the American South in the first half of the nineteenth century. The essays here engage with the historical context and major issues that Drake's work provokes, among them: prohibitions against slave literacy; Drake's privileged status compared to other slaves at the time; the interpretive status of his material craft objects; the influence of contemporary African American poet George Moses Horton; and Drake's ability to sell his pottery despite the fact that slaves were not officially permitted to participate in a cash economy. Featuring essays by literary critics, art-historians, archaeologists, and curators, Where Is All My Relation? provides a window into the world of nineteenth century material culture and expands our traditional understanding of the slave-narrative genre.

This book discusses the cultural importance of spirits, what spirits want, and how humans interact with them, using examples from around the world and through time. Examples range from the vengeful spirits of the Zulu that cast lightning bolts from clear skies to punish wrongdoers, to the benevolent Puebloan Kachina that encourage prosperity, safety, and rain in the arid American Southwest. The case studies illustrate how humans seek to cooperate (or counteract) spirits to heal the physical and spiritual ailments of their people, to divine the truth, or to gain resources. Building from their cross-cultural analyses, the authors further discuss how our physiology and psychology impact our interaction with the spirits. Readers will come away with an appreciation of the beauty and power of the spirits that continue to shape the lives of people around the world.

This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate-level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion, and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodied, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; and collaboration, consultation, and mentorship.

Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline

Talalay reports on a small body of figurines (24 figurines and 21 fragments) recovered during excavations at Franchthi Cave and at the nearby open-air settlement along the present shoreline. She also reexamines the theoretical and methodological foundations of scholarship in the field of figurine studies. A thorough and pathfinding study of the most important body of figurines from southern Greece, this book will be especially valuable to specialists in prehistoric Greece and to all scholars interested in early representations of the human figure in prehistoric art and in the significance of these representations to the members of early human communities. The book also makes a contribution to the growing body of literature on gender in early societies with a critical evaluation of the uses of evidence in addressing gender issues.

This book is a celebration of tactile beauty and a tribute to human ingenuity. In-depth profiles tell the stories of 20 artisans who have devoted their lives to preserving traditional techniques. Gorgeous photographs reveal these craftspeople's studios, from Oaxaca to Kyoto and from Milan to Tennessee. Two essays explore the challenges and rewards of engaging deeply with the past. With an elegant three-piece case and foil stamping, this rich volume will be an inspiration to makers, collectors, and history lovers.