The three archetypal representations of woman in the middle ages, as mother, as whore and as 'wise woman', are all clearly present in the writings of Julian of Norwich and Margery Kempe; in examining the ways in which both writers make use of these female categories, Dr. McAvoy establishes the extent of their success in resolving the tension between society's expectations of them and their own lived experiences as women and writers."--Jacket.

Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean by authorship? How can studying medieval writing contribute to our understanding of women's literary history? Diane Watt argues that female patrons, audiences, readers, and even subjects contributed to the production of texts and their meanings, whether written by men or women. Only an understanding of textual production as collaborative enables us to grasp fully women's engagement with literary culture. This radical rethinking of early womens literary history has major implications for all scholars working on medieval literature, on ideas of authorship, and on women's writing in later periods. The book will become standard reading for all students of these debates.

Tekla Bude starts from a simple premise--that music requires a body to perform it--to rethink the relationship between music, matter, and the body in the late medieval period. Sonic Bodies argues that writers thought of "music" and "the body" as mutually dependent and historically determined processes that called each other into being.

'Alas that I ever did sin! It is so merry in Heaven!' The Book of Margery Kempe (c. 1436-8) is the extraordinary account of a medieval wife, mother, and mystic. Known as the earliest autobiography written in the English language, Kempe's Book describes the dramatic transformation of its heroine from failed businesswoman and lustful young wife to devout and chaste pilgrim. She vividly describes her prayers and visions, as well as the temptations in daily life to which she succumbed before dedicating herself to her spiritual calling. She travelled to the most holy sites of the medieval world, including Rome and Jerusalem. In her life and her boisterous devotion, Kempe antagonized many of those around her; yet she also garnered friends and supporters who helped to record her experiences. Her Book opens a window on to the medieval world, and provides a fascinating portrait of one woman's life, aspirations, and prayers. This new translation preserves the forceful narrative voice of Kempe's Book and includes a wide-ranging introduction and useful notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

What strange transactions take place in the mobile spaces between loci? How does the flow of forces between fixed points enliven texts, suggest new connections, and map out the dizzying motion of myriad interactions? The essays in this volume were first presented at the 2014 New Chaucer Society Congress in Reykjavik, Iceland where a meeting of minds in a shared intermediate space initiated dialogue from diverse perspectives and wended its way through the invisible spaces between concrete categories, objects, and entities. The resulting volume asks a core question: what can we learn by tarrying at the nexus points and hubs through which things move in and out of texts, attempting to trace not the things themselves or their supposedly stable significations, but rather their forms of emergence and retreat, of disorder and disequilibrium? The answer is complex and intermediate, for we ourselves are emerging and retreating within our own systems of transit and experiencing our own disequilibrium. Scholarship, like transit, is never complete and yet never congeals into inertia. Through the manifold explorations of the dynamic transit, transports, scapes, and flows found within literary-and Chaucerian-thought-worlds, new vistas of motion and motivation emerge. Following John Urry's mobile sociology, the volume advances the notion that we can no longer view either social worlds or textual worlds as uniform surfaces upon which one can trace or write a history of the horizontal movements of humans and human mentalities; rather, everything is in constant motion: objects, images, information/ideas, and mobility is thus also vertical, involving human and non-human actants. The essays in this volume consider, then, how medieval literary texts in Chaucer's period rewarp time and space by the means of sophisticated transit and transport structures, which might be traced within specific works but also across works, such as in text networks. Motive entities within literature twist and turn, interact and collide, and destabilise predictable trajectories with unpredictable vigor. TABLE OF CONTENTS // James L. Smith, "Introduction: Transport, Scape, Flow: Medieval Transit Systems" - Christopher Roman, "Bios in The Prik of Conscience: The Apophatic Body and the Sensuous Soul" - Jennie Friedrich, "Concordia discors: The Traveling Heart as Foreign Object in Chaucer's Troilus and Criseyde" - Robert Stanton, "Whan I schal passyn hens: Moving With/In The Book of Margery Kempe" - Carolynn Van Dyke, "Animal Vehicles: Mobility beyond Metaphor" - Sarah Breckenridge Wright, "Building Bridges to Canterbury" - Thomas R. Schneider, "Chaucer's Physics: Motion in The House of Fame"

Miller argues that one incarnation of monstrosity in the Middle Ages—the female body—exists in special relation to medieval conceptualizations of the monstrous. Because female corporeality is pervasive, proximate, and necessary, it illustrates the supreme allure and danger of the monster, thereby highlighting the powers and problems of teratology.

Intro -- Contents -- List of Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. The English Lives of Mary -- 2. John of Garland, Gram/Marian -- 3. The Musical Mother Tongue in Anglo-Latin Poetry for Meditation -- 4. Chaucer and Dame School -- 5. Mary's Mild Voice in the Middle English Lyrics -- 6. Margery Kempe and the Virgin Birth of Her Book -- Conclusion -- Selected Bibliography -- Index.

Over the course of her career, Elizabeth Robertson has pursued innovative scholarship that investigates the overlapping domains of medieval philosophy, literature, and gender studies. This collection of essays, dedicated to her work, examines gender as a construct of language, a mode of embodiment, and a critical framework for thinking about the past. Its eleven contributors approach the figure of the gendered body in medieval English writing along several axes: poetic, philosophical, material-textual, and historical. The volume focuses on the ways that the medieval body becomes a site of inquiry and agency, whether in the form of the idealized feminine body of secular and religious lyric, the sexually permissive and permeable body of fabliau, or the intercessory body of religious devotional writing. The essays span a broad range of medieval literary works, from the lais of Marie de France to Pearl to Piers Plowman and the poetry of Geoffrey Chaucer, and a broad range of methodological approaches, from philosophy to affect and manuscript studies. Taken together, they celebrate the scholarly career of Elizabeth Robertson while also presenting a coherent and multifaceted investigation of the intersections of gender and medieval literary practice.

The book will equip the reader with a stronger understanding of the religious and historical background to these late medieval texts. It will provide insight into the influence of the biblical Apocalypse upon the literature of the period in a systematic way. Importantly, by treating the writings of Julian of Norwich and William Langland as contemporaneous the book balances the female and male approaches to and engagement with the biblical Apocalypse.

An examination of the growth and different varieties of anchoritism throughout medieval Europe.