Worship is dialogue. It is more than that, but it is not less than that. The way Baptists have worshiped for three and a half centuries demonstrates this consistently, in spite of their penchant for freedom and autonomy. No one tells Baptists how to order their worship services. They don’t have a common liturgy that they must follow, and yet their services look remarkably similar. This is largely due to two controlling factors in their worship: The Bible that they embrace as inspired, inerrant, authoritative, and sufficient; and the Christ-revealing gospel that is contained within its pages. When the word of God is followed closely, a shape for worship order begins to emerge. It is the same “gospel-shape” that is found throughout the Bible. When the word of God is applied to a worship service in which God and his people are engaged in a worship conversation, a consistent contour of gospel elements and content begins to emerge that reveals the glory of the Christ we gather to worship. He is so glorious that when we behold him, we are transformed into the same image from one degree to another. This is the power of corporate worship (2 Cor 3).

In Baptists and the Emerging Church Movement, David Rathel examines the major ecclesiological proposals of the emerging church movement. Though many theologians argue that the emerging church movement emphasizes epistemology, Rathel contends that its primary concern is ecclesiology. Emerging church leaders offer a number of important ecclesiological proposals, including restructuring traditional church leadership models to accommodate the rise of postmodernity, changing the mission of the church so that the church may strike a more "missional" tone in contemporary culture, removing the categories of "in" or "out" within the church body, and adopting the multi-site church model. In assessing these proposals, Rathel draws upon historic Baptist convictions about the nature of the church, using Baptists' ecclesiological distinctives and long history of ecclesiological thought as a helpful reference point. This book will not only serve as a guide for those who wish to learn of emerging church ecclesiology, it will also be an aid to Baptists who wish to evaluate recent trends in ecclesiology in light of their denominational distinctives.

"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.

This reference work incorporates the insights and expertise of leading liturgists and scholars of liturgy at work today, comprising 200 entries on important topics in the field, from vestments and offertories to ordination and divine unction. It is systematically organized and alphabetically arranged for ease of use. It also includes comprehensive bibliographies and reading lists, to bring the work fully up to date and to encourage further reading and research.

The history of Western music is intimately tied to the worship of Christians and Jews. It was the Church and synagogue that provided the context for the development of Gregorian chant, the motet, the cantana, and virtually every important theorist, composer, and performer from Ambrose to Zwingli. Worship Music provides concise information on the people, terms, places, and elements of this worship. Ecumenical in scope and cross-cultural in its perspective, Worship Music focuses on the worship music of English-speaking North Americans. Its over 2,500 entries range across every major denomination within Western Christianity, the Byzantine/Slav tradition, and Judaism. Over 60 contributors represent the traditions addressed in the dictionary, providing authenticity in representing the tradition and an insider's perspective on contemporary practices. The dictionary is shaped through the lens of "ritual music which focuses on the function of music in worship (or asks the question of the function of music in worship. It includes brief descriptions, histories, and explanations of musical-liturgical terms and personnel. Bibliographies and extensive cross-referencing can be found throughout the volume. Designed not just for pastoral musicians but all musicians?amateurs, students and professionals?as well as liturgists, Worship Music is an indispensable guide to the musical aspects of worship. Contributors include: Allen Barthel James Brauer Michael Driscoll Rosemary Dubowchik John Foley Virgil Funk Victor Gebauer Fred Graham Joan Halmo Robert Hawkins Lawrence Heiman Paul Jacobson Martin Jean Michael Joncas Columba Kelly Martha Kirk James Kosnik Robin Leaver , Austin Lovelace Mary McGann Nathan Mitchell Fred Moleck Charles Pottie Todd Ridder Anthony Ruff Carl Schalk Rebecca Slough Gordon Truitt J. Kevin Waters John Weaver Paul Westermeyer Carlton Young , Edward Foley, Capuchin, is professor of liturgy and music at Catholic Theological Union in Chicago. He is the author of numerous books including Foundations of Christian Music and Music and the Eucharistic Prayer from the American Essays in Liturgy series for which he is the editor.

An alternative to the controversial New Baptist Covenant, Southern Baptist Consensus and Renewal calls Southern Baptists to boldly unite and renew their commitment to the gospel, biblical authority, and their confessional heritage. Endorsements "Finally, Southern Baptists of the twenty-first century are shown the way back home. David Dockery, in the convincing and studied manner so typical of all his writings, calls for a fresh return to our theological, educational, and missiological roots . . . (providing) a compass by which to steer us out of our doldrums and onto the high seas of effectiveness." —Tom Eliff, senior vice president, International Mission Board, and former president, Southern Baptist Convention. "A comprehensive and challenging mandate . . . It calls our denomination to nothing less than a Great Commission resurgence rooted in the great biblical and theological truths that we hold in common. It is my prayer that this book will not only be read, but that its vision will be embraced." —Daniel L. Akin, president, Southeastern Baptist Theological Seminary "Southern Baptists stand at a crossroads today . . . David Dockery, one of our finest scholar-statesmen, points the way toward a more constructive future for a denomination called to reclaim its founding purpose of ‘eliciting, combining, and directing’ its energies in sharing the message of Jesus Christ with all the world." —Timothy George, founding dean, Beeson Divinity School "These are turbulent days in the Southern Baptist Convention . . . Our churches are struggling to reach people in a postmodern culture. Dockery reminds us that we cannot yield the gains the Convention has made in its commitment to truth and doctrinal fidelity. Yet, he offers a plan for renewal and consensus within our confessional heritage." —Thom S. Rainer, president, Lifeway Christian Resources; coauthor of Simple Church "A skillful analysis of the forces and factors which have made us who we are; a masterful discussion of theological issues that should pull us together and point us toward unity." —Frank S. Page, president, Southern Baptist Convention

Christian Worship (revised and expanded in this third edition) is the complete reference handbook on the meaning, expression, and conducting of worship, from its foundational elements to the very latest contemporary issues. Taking into account cultural and denominational differences, this broad resource clearly directs all church members in the number one priority of worshipping God. Among the subjects addressed are: Banners and Symbolism (Do they have a place in worship?); Children in Worship; Copyright Laws (Does your church comply?); Drama; and Elements of Worship (What are the specific roles of music, prayer, Scripture reading, baptism, preaching, and the Lord's Supper?).

Baptists are not often thought of as leading theologians and practitioners of worship. But forgotten in history is one crucial fact: the Baptist tradition formed out of a desire to worship God purely. Early Baptists devoted immense energy to questions of worship and drew conclusions of even contemporary value. Through the seismic liturgical shifts of English society in the seventeenth century, worship was both their most galvanizing and disintegrating impulse. As time passed and terminology changed and Baptists shied away from this divisive topic, this emphasis was lost. No one today considers worship a Baptist distinctive. Pure Worship re-creates the fascinating historical context of the early years of the English Baptists. Examining many thousands of manuscript pages, Matthew Ward pieces together an entire theology of worship that not only guided the early Baptists but also attracted the attention of many elements of English Christianity. Baptist thoughts on worship were neither minor nor tangential but the very heart of what distinguished them from the rest of England. Pure Worship offers a complete reenvisioning of what it meant to be an early Baptist and reveals their overwhelming desire to be known as pure worshippers of God.

In Baptists and the Christian Tradition, editors Matthew Emerson, Christopher Morgan and Lucas Stamps compile a series of essays advocating "Baptist catholicity." This approach presupposes a critical, but charitable, engagement with the whole church, both past and present, along with the desire to move beyond the false polarities of an Enlightenment-based individualism on the one hand and a pastiche of postmodern relativism on the other.

Christian worship emerges from and speaks back into human relationships that are necessarily shaped by power and authority. Free Churches structure and negotiate power in relation to worship in ways that reflect the decentralization, local diversity, and personal agency that characterize many aspects of Free Church theology and practice. This volume models how dialogue among scholars and practitioners of Free Church worship, as well as dialogue with the wider church, can be mutually enriching as Christians strive together to worship in ways that are faithful and just.