"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.

This unique volume brings together wide-ranging research that could only be written by someone singularly expert in the full range of Christian worship and music from ancient to modern. These essays by Wendy Porter span eras and areas of study from the New Testament to the present and encompass an expansive view of worship, music, and liturgy. Some focus on what is known (or not) about early Christian worship, including the early creeds and hymns in the New Testament and whether music originated in Jewish or Greco-Roman contexts. Some introduce firsthand work on ancient liturgical manuscripts, such as a sixth-century manuscript by hymnwriter and preacher Romanos Melodus or a tenth-century ekphonetic liturgical manuscript. Extending her research on sixteenth-century English composers as musical interpreters, Porter includes several papers on how musicians have functioned as theological interpreters in worship and music. One chapter engages theological comparisons between well-known compositions by Bach, Beethoven, and Stravinsky, another creatively explores what contemporary worship leaders can learn from sixteenth-century songwriter and worship leader William Byrd, while others invite thoughtful reflection on what we can all learn if we stop to consider how Christians have functioned and fared in their worship through the centuries.

The spirit of the Reformation is often expressed in the well-known slogan that Reformed churches are always being reformed according to God’s Word, ecclesia reformata semper reformanda secundum verbum Dei. Over the last century, the spirit of this slogan motivated someone like Dietrich Bonhoeffer to argue that the visible form and life of the church should reflect the truth and message of the church. Already in his doctoral dissertation called Sanctorum Communio, the communion of the saints, the young Bonhoeffer combined theological claims and traditions with social theory and analysis, in this spirit, in an innovative way, to study the nature and integrity and witness of the church. At the time, this was a radical claim, with major consequences and challenges for Protestant churches. Their life – which meant their order, structure, actions, statements, convictions, public presence and role – was to be measured by their gospel – which meant their message, proclamation, convictions, claims. They could no longer proclaim one truth yet live a different life. It was this spirit which led to the well-known Theological Declaration of Barmen in 1934 and to the formation of the Confessing Church in Nazi Germany. Many called this a moment of truth, a status confessionis. It was this same spirit which later inspired the struggle in South Africa for the integrity and faithfulness of the church and for the credibility of its message, proclamation and witness. The contributions in this volume – 52 papers, essays, sermons, studies – were all produced in this spirit. Most of them have not been published before. They were all occasional pieces, written over several decades, in different contexts and for different purposes and audiences, yet they all breathe this self-critical spirit of the Reformation, considering whether the real church – the concrete, every day, actual, living church that people know and experience and perhaps belong to – truly strives to embody the gospel itself, the message which it claims and proclaims. They all inquire, under different circumstances and in diverse ways, about different social forms of the real church – from worship to congregation, from denomination to ecumenical church, from individual believers to movements and organisations – whether and how they embody the truth of the church, or not. Together, these contributions tell a story – the story of this spirit, in South African circles, over several decades, but also in the ecumenical church in our globalizing world. They offer one small glimpse into different concrete moments in the story of this spirit in the life of this tradition and community of faith. Hopefully, some of these accounts may resonate with others who also shared the same spirit – and still share it today, in new and ongoing ways.

The connection between Christian ethics and liturgy has been on the research agenda for some decades now. Liturgy and Ethics addresses this issue departing from the particularity of the Reformed tradition and its potential for contributing to the discussion. The volume offers in-depth studies of how to understand God’s acting in worship, the centrality of justice, and the formative meaning of the liturgy, and relates these reflections to various moral issues and contemporary liturgical practices. In combining a specific theological approach with a broad disciplinary treatment of the topics this volume aims to push forward the scholarly discussion on liturgy and ethics in significant ways.

Written by leading scholars from around the world, the articles in this volume range from sin, Sufism and terrorism to theology in the 19th and 20th centuries, Vatican I and II and the virgin birth.

Historic changes are occurring in the convergence of worship styles throughout the Christian church. Christians across the theological spectrum are seeking to learn from their own tradition's roots and from the liturgical expressions of believers in other times and places. Here worship expert Clayton Schmit examines worship in church settings around the globe and provides a practical manual for shaping liturgies that are informed by and relevant to contemporary missional contexts. The book broadens current ecumenical worship conversations, reveals insights drawn from the church at worship in the world, and argues for a common understanding of a theology of worship.

In the decades following the Second Vatican Council, Catholic liturgy became an area of considerable interest and debate, if not controversy, in the West. Mid-late 20th century liturgical scholarship, upon which the liturgical reforms of the Second Vatican Council were predicated and implemented, no longer stands unquestioned. The liturgical and ecclesial springtime the reforms of Paul VI were expected to facilitate has failed to emerge, leaving many questions as to their wisdom and value. Quo vadis Catholic liturgy? This Companion brings together a variety of scholars who consider this question at the beginning of the 21st century in the light of advances in liturgical scholarship, decades of post-Vatican II experience and the critical re-examination in the West of the question of the liturgy promoted by Benedict XVI. The contributors, each eminent in their field, have distinct takes on how to answer this question, but each makes a significant contribution to contemporary debate, making this Companion an essential reference for the study of Western Catholic liturgy in history and in the light of contemporary scholarship and debate.

Captures John's unique perspective and voice in the wider field of Jesus studies In this volume Stanley Porter tackles a variety of important and often highly contentious topics within the Gospel of John as a means of defining and capturing the distinctive Johannine voice. Subjects discussed include John in relation to competing Gospels, the public proclamation of Jesus in John, the sources of John's Gospel, John's prologue, the "I Am" sayings, the notion of truth, the Passover theme, and the ending of the book. Each chapter, besides surveying representative research, puts forward new and insightful proposals regarding the topics concerned. Porter does not shy away from matters that have often perplexed Johannine scholars, and he confronts some of the viewpoints that have led to confusion in the field. In exploring John's unique perspective and voice, Porter makes a significant contribution to the wider fields of Jesus studies and New Testament investigation.

Perspectives on Christian Worship presents in counterpoint form five basic common beliefs on Christian worship that have developed over the course of church history with a view toward determining which is most faithful to Scripture. Each chapter is written by a prominent person within each tradition, and each writer has the opportunity to respond to each differing view.

This volume surveys the state of the discipline on topics of greatest importance to evangelical theology. The authors critically assess the state of the question, from both classical and evangelical traditions, and propose a future direction for evangelical thinking on the subject.--[Résumé de l'éditeur].