Mr. Hiroshi Tsuyuki, the Japanese authority on Jewelry Wax Modeling, uses an innovative approach to teaching the technique of wax modeling. Often a process is easier shown than described in so many words. This book was conceived through the author's teaching experience -- more photos and sketches and less text resulting in less over-the-shoulder supervision. By introducing new techniques in each project, his students were able to progress more rapidly towards independence in design concepts. While preparing a model for casting and the actual casting process are adequately explained in most casting books, very little space is devoted to the design and creation of wax models. Mr. Tsuyuki presents 11 basic projects in this book, each one designed to teach the use of certain tools and types of waxes in a progressive manner as one's skills improve. Each step of every project is accompanied by a photo and text and in some cases supplementary sketches and notes are provided to clarify those particular processes. Paying careful attention to the photos, noting the demonstrator's hand position and the type of tool being used, eliminates any confusion which may result from the text. After each basic model is completed the author offers a number of sketches suggesting design possibilities using the techniques learned in the construction of the basic model. Mr. Tsyuki states that by conscientiously completing each project, the student should be well on the way to becoming a designer/modeler. This book is 112 pages and has 283 photos and illustrations.

"I highly recommend this book of technical information and procedures for anyone wanting to learn wax modeling techniques? this book is clear and well organized. Good large step-by-step explanatory black and white photos illustrate the points made in the concise, strictly informational text. This is the second in a series of books on professional wax working for lost wax casting. It might be useful to have read the first volume - 'Basic Wax Modeling' before this volume but it is still a good stand-alone text". - Charles Lewton-Brain (internationally known lecturer, author, designer, inventor of Fold-Forming) from his review on Ganoksin. DESCRIPTIONIn this book jewelry wax modeling techniques are introduced and explained in detail, illustrated with step-by-step photographs.Some special features of Practical Wax Modeling include:a) Practical applications when using a variety of waxesb) Mitsuro and its usesc) Demonstrations of a variety of texturesd) Methodology of finishing castings.Practical Wax Modeling was written as an applied compilation of projects for the authors' introductory book Basic Wax Modeling.

ワックスモデリングの実際新装版(ISBN978-4-904850-02-2)の英文版。

This book introduces the craftsman and the artist to an exciting new method for producing their work. Traditionally, the jeweler has been bound to making original models for lost-wax casting in metal, while the artist who works in wax has been limited to melting the material over an armature. Modeling directly in wax frees both artist and craftsman from these cumbersome and restrictive methods. A highly spontaneous approach, wax modeling combines speed with ease of execution to produce pieces whose grace and beauty can be attained in no other way.

The art of wax modelling or ceroplastics has an ancient origin, from early Egyptian, Greek and Roman times. It was re-discovered between the 13th - 14th centuries in Florence with the cult of votive offerings; with the advent of Neoclassicism it extended into a more scientific environment, flourishing in the study of normal and pathological anatomy, obstetrics, zoology and botany. On the 7th and 8th June 2019, the 2nd edition of the International Congress on Wax Modelling took place in the University of Padua. The meeting followed that held in September 2017 at the Gordon Museum of Pathology, King's College London. In June 2019, the major institutions related to the art of Wax Modelling met again in Padua; the congress was divided into two study days dedicated to the history, conservation, restoration and technique of this ancient art, which has recently come back into vogue. The event was organised by the University of Padua, under the patronage of CAM - University Centre for Museums, the Academy of Fine Arts of Venice and the National Association of Scientific Museums (ANMS). This conference proceedings: "The Science of Wax" offers a comprehensive overview of many different aspects of wax modelling, including: History (Major Collections), Anatomy and Science (Anatomical/botanical models), Art and Portraiture (Effigies, Portraits, Waxworks, Funeral Masks, Votive Offerings), Conservation and Restoration (maintaining, cleaning, repairing), Techniques and Contemporary Art.