This book introduces the craftsman and the artist to an exciting new method for producing their work. Traditionally, the jeweler has been bound to making original models for lost-wax casting in metal, while the artist who works in wax has been limited to melting the material over an armature. Modeling directly in wax frees both artist and craftsman from these cumbersome and restrictive methods. A highly spontaneous approach, wax modeling combines speed with ease of execution to produce pieces whose grace and beauty can be attained in no other way.

This vintage book is a complete and beginner-friendly guide to modelling with clay and wax, including directions for bronze and silver chasing and embossing, carving in marble and alabaster, and moulding and casting in plaster of Paris. Written in simple, plain language and profusely illustrated, this volume is ideal for the beginner, and would make for a worthy addition to collections of related literature. Contents include: “Antiquity of Sculpture”, “Egyptian Art”, “Ancient Pottery”, “Rock Statues”, “Tinted Statuary”, “Sculpture Previous to the Great Exhibition of 1851”, “Photographs of Sculptures”, “Modelling by Ladies”, “Studio Appliances”, “Most Suitable Light”, “Necessary Tools &c.”, “The First Work”, “Mask on Face”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction. This book was first published in 1879.

Mr. Hiroshi Tsuyuki, the Japanese authority on Jewelry Wax Modeling, uses an innovative approach to teaching the technique of wax modeling. Often a process is easier shown than described in so many words. This book was conceived through the author's teaching experience -- more photos and sketches and less text resulting in less over-the-shoulder supervision. By introducing new techniques in each project, his students were able to progress more rapidly towards independence in design concepts. While preparing a model for casting and the actual casting process are adequately explained in most casting books, very little space is devoted to the design and creation of wax models. Mr. Tsuyuki presents 11 basic projects in this book, each one designed to teach the use of certain tools and types of waxes in a progressive manner as one's skills improve. Each step of every project is accompanied by a photo and text and in some cases supplementary sketches and notes are provided to clarify those particular processes. Paying careful attention to the photos, noting the demonstrator's hand position and the type of tool being used, eliminates any confusion which may result from the text. After each basic model is completed the author offers a number of sketches suggesting design possibilities using the techniques learned in the construction of the basic model. Mr. Tsyuki states that by conscientiously completing each project, the student should be well on the way to becoming a designer/modeler. This book is 112 pages and has 283 photos and illustrations.

Expanded edition of this excellent textbook about lost wax models, investing, burnout and other procedures. Clear descriptions with hundreds of drawings of small scale casting.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.