This book explores the history of wildlife television in post-war Britain. It revolves around the role of David Attenborough, whose career as a broadcaster and natural history filmmaker has shaped British wildlife television. The book discusses aspects of Attenborough’s professional biography and also explores elements of the institutional history of the BBC—from the early 1960s, when it was at its most powerful, to the 2000s, when its future is uncertain. It focuses primarily on the wildlife ‘making-of’ documentary genre, which is used to trace how television progressively became a participant in the production of knowledge about nature. With the inclusion of analysis of television programmes, first-hand accounts, BBC archival material and, most notably, interviews with David Attenborough, this volume follows the development of the professional culture of wildlife broadcasting as it has been portrayed in public. It will be of interest to wildlife television amateurs, historians of British television and students in science communication.

100 Animals to See Before They Die is inspired by the Zoological Society of London's recently launched conservation project EDGE - Evolutionarily Distinct and Globally Endangered. EDGE targets some of the world's most bizarre and unusual creatures, animals which are extremely distinct in the way they look, live and behave. They have few or no close relatives and require immediate action to save them from extinction. If they disappear there will be nothing like them left on the planet. Amazingly, many of these species are ignored by existing conservation plans. 100 Animals fights this ignorance by highlighting the danger these species are in and will encourage greater involvement in the fight to save them. Some EDGE species, such as tigers, elephants and pandas are well known, but 100 Animals features dozens of lesser known and extraordinary animals such as the Yangtze River Dolphin (the world's rarest cetacean), the Bumblebee Bat (the smallest mammal on earth) and the egg-laying Long-beaked Echidna. Organised by world regions (Eurasia, Australasia, Africa, New World, South East Asia, the Oceans) and with a whole section devoted to Madagascar, 100 Animals is inspirational and packed with information about each animal and where to find it. Each animal is illustrated in colour and accompanied by a distribution map and information about its key characteristics and the specific threats it faces, plus details about any conservation work taking place.

Making Animals Public: television, animality and political engagement focuses on the proliferation of animal content on television and how this has transformed how animals are known and encountered, generating unique modes of televisual animality. The book examines the multiplicity of public realities and knowledges that animals on TV have constituted: from scientific objectivity, to the unique Australian environment, to controversial victims of gross exploitation. Just as television has made animals public in very particular ways, it has also made new publics that have learnt to be affected by them. Thanks to extraordinary access to the ABC’s Natural History and general archives, the authors are able to investigate the dynamic relation between making animals public and making publics over time.

Crammed with expert advice taken from the world's leading wildlife photographers, this resource takes a contemporary and innovative approach to revealing the day-to-day habits of the world's most successful wildlife, landscape, and macro photographers, who divulge their core skills and techniques.

1001 Natural Wonders You Must See Before You Die explores every continent and ocean on the planet for a once-in-a-lifetime experiences that you can revisit time and time again.

After decades of operating off-the-backfoot and protecting and conserving nature perceived as under threat, conservationists are becoming proactive and creative in the face of habitat loss, agricultural intensification and climate change. Beyond Conservation offers a revolutionary agenda for both managing existing wildlands in Britain and for expanding and connecting such lands. Central to this strategy is the imperative to 'rewild' or restore and repair damaged habitat and ecosystems, promote existing biodiversity and reintroduce vanished plant and animal species, while working to reconcile human needs and livelihoods and the needs of nature.

Packed with information and advice acquired over years of teaching wildlife filmmaking, Warren guides readers through all aspects of making a wildlife film from choosing a camcorder to editing the final product.

Cynthia Moss has studied the elephants in Kenya's Amboseli National Park for over twenty-seven years. Her long-term research has revealed much of what we now know about these complex and intelligent animals. Here she chronicles the lives of the members of the T families led by matriarchs Teresia, Slit Ear, Torn Ear, Tania, and Tuskless. With a new afterword catching up on the families and covering current conservation issues, Moss's story will continue to fascinate animal lovers. "One is soon swept away by this 'Babar' for adults. By the end, one even begins to feel an aversion for people. One wants to curse human civilization and cry out, 'Now God stand up for the elephants!'"—Christopher Lehmann-Haupt, New York Times "Moss speaks to the general reader, with charm as well as scientific authority. . . . [An] elegantly written and ingeniously structured account." —Raymond Sokolov, Wall Street Journal "Moss tells the story in a style so conversational . . . that I felt like a privileged visitor riding beside her in her rickety Land-Rover as she showed me around the park." —Sarah Blaffer Hrdy, New York Times Book Review "A prose-poem celebrating a species from which we could learn some moral as well as zoological lessons." —Chicago Tribune