This story, based on a true story, is a must for animal lovers and especially dog-lovers. Beautiful Joe is a rescued dog who has been horribly mutilated by his previous owner in a fit of rage. The dog is the storyteller in this book.

A dog describes being mistreated by a cruel master but then later being taken in by a kind family.

DigiCat Publishing presents to you this special edition of "Beautiful Joe: An Autobiography" by Marshall Saunders. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism. Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to describe the narrative technique of novels, such as Saunders’s Beautiful Joe, written in the first person from the perspective of an animal. She connects this voice to contemporary political issues, revealing how animal fiction such as Saunders’s reanimates nineteenth-century writing about both feminism and slavery. Highlighting the prominence of taxidermy in the late nineteenth century, she suggests that Saunders transforms taxidermic techniques in surprising ways that provide new forms of authority for women. Young adapts Freud to analyze literary representations of mourning by and for animals, and she examines how Canadian writers, including Saunders, use animals to explore race, ethnicity, and national identity. Her wide-ranging investigation incorporates twenty-first as well as nineteenth-century works of literature and culture, including recent art using taxidermy and contemporary film. Throughout, she reflects on the tools she uses to craft her analyses, examining the state of scholarly fields from feminist criticism to animal studies. With a lively, first-person voice that highlights experiences usually concealed in academic studies by scholarly discourse—such as detours, zigzags, roadblocks, and personal experience—this unique and innovative book will delight animal enthusiasts and academics in the fields of animal studies, gender studies, American studies, and Canadian studies.

Beautiful Ontario Towns captures the unique heritage preserved in southwestern Ontario's small towns and villages. Fred Dahms has selected ten prosperous, picturesque communities that offer a welcome respite for city dwellers looking for a pleasant outing -- or a new place to live. Some, like St. Jacobs, Elora and St. Marys, are already well known. Others, like Neustadt or Thornbury, are an unexpected surprise. Each of these settlements would make a comfortable and enjoyable day's outing for residents of Toronto, Hamilton, Kitchener-Waterloo or the other large cities of southwestern Ontario. Fred Dahms, who has made a special study of small towns in the province, shares his knowledge of each place's history, its amenities and the reasons for its success. Lavishly illustrated with full-colour photographs, Beautiful Ontario Towns also includes maps and key statistical information for each place.

Nineteenth-century scholars, children's literature specialists, and historians of science and childhood will engage with Tess Cosslett's examination of nineteenth-century debates about the human and animal in children's stories such as Black Beauty, Beaut

This second of three volumes in theHistory of the Book in Canada demonstrates the same research and editorial standards established with Volume One by book history specialists from across the nation.