One of the first animal viewpoint novels published in North America, Margaret Marshall Saunders’s Beautiful Joe tells the story of an abused dog and his rescue by a humane family. The novel, based on the true story of a dog in the author’s home province of Ontario, fuelled humane sentiments worldwide. This annotated, illustrated edition draws on archival collections to trace the novel’s impact on the nineteenth-century animal protection movement. The introduction also highlights some of the important social issues surrounding the substantive revisions and omissions in ensuing editions of the text. The historical appendices place the novel in its rich milieu as an international bestseller that taught a generation of children to practice kindness towards animals. Documents include animal training manuals, lesson plans for teaching humane education, legal records of prosecutions for cruelty, and contemporary writings on the psychology of pet-keeping.

This book examines animal welfare themes in fiction, and considers how authors of the last two centuries undermine dominative attitudes toward the nonhuman. Appearing alongside the emerging humane movements of the nineteenth century and beyond is a kind of storytelling sympathetic to protectionist efforts well-described as a literature of protest. Compassion-inclined tales like the Dolittle adventures by Hugh Lofting educate readers on a wide range of ethical questions, empathize with the vulnerable, and envision peaceful coexistence with other species. Memorable characters like Black Beauty and Beautiful Joe, Ivan the gorilla and Louis the trumpeter swan, Hazel and Cheeta, Mr. Bultitude and Doctor Rat do not merely amuse. They are voices from the margins who speak with moral urgency to those with ears to hear. This broad survey of ethical themes in animal fiction highlights the unique contributions creative writers make toward animal welfare efforts.

On April 23, 1943, the seventy-man crew of the USS Grenadier scrambled to save their submarine—and themselves—after a Japanese aerial torpedo sent it crashing to the ocean floor. Miraculously, the men were able to bring the sub back to the surface, only to be captured by the Japanese. No Ordinary Joes tells the harrowing story of four of the Grenadier’s crew: Bob Palmer of Medford, Oregon; Chuck Vervalin of Dundee, New York; Tim McCoy of Dallas, Texas; and Gordy Cox of Yakima, Washington. All were enlistees from families that struggled through the Great Depression. The lure of service and duty to country were not their primary motivations—they were more compelled by the promise of a job that provided “three hots and a cot” and a steady paycheck. On the day they were captured, all four were still teenagers. Together, the men faced unimaginable brutality at the hands of their captors in a prisoner of war camp. With no training in how to respond in the face of relentless interrogations and with less than a cup of rice per day for sustenance, each man created his own strategy for survival. When the liberation finally came, all four anticipated a triumphant homecoming to waiting families, loved ones, and wives, but instead were forced to find a new kind of strength as they struggled to resume their lives in a world that had given them up for dead, and with the aftershocks of an experience that haunted and colored the rest of their days. Author Larry Colton brings the lives of these four “ordinary” heroes into brilliant focus. Theirs is a story of tragedy and courage, romance and war, loss and endurance, failure and redemption. With a scope both panoramic and disarmingly intimate, No Ordinary Joes is a powerful look at the atrocities of war, the reality of its aftermath, and the restorative power of love.

Since this book is sort of semiautobiographical, I guess the first thing I need to do is to introduce myself and give y’all a little history of how I came to be a big-time, bucks-up tycoon and sorta semi-infamous in the world of professional rodeo, which by the way was the direct result of what I have come to refer to as “The Cataclysmic Mind-Wrenching, Brain-Warping Event of 8:55 p.m., Saturday, July 15, 1988.”

In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism. Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to describe the narrative technique of novels, such as Saunders’s Beautiful Joe, written in the first person from the perspective of an animal. She connects this voice to contemporary political issues, revealing how animal fiction such as Saunders’s reanimates nineteenth-century writing about both feminism and slavery. Highlighting the prominence of taxidermy in the late nineteenth century, she suggests that Saunders transforms taxidermic techniques in surprising ways that provide new forms of authority for women. Young adapts Freud to analyze literary representations of mourning by and for animals, and she examines how Canadian writers, including Saunders, use animals to explore race, ethnicity, and national identity. Her wide-ranging investigation incorporates twenty-first as well as nineteenth-century works of literature and culture, including recent art using taxidermy and contemporary film. Throughout, she reflects on the tools she uses to craft her analyses, examining the state of scholarly fields from feminist criticism to animal studies. With a lively, first-person voice that highlights experiences usually concealed in academic studies by scholarly discourse—such as detours, zigzags, roadblocks, and personal experience—this unique and innovative book will delight animal enthusiasts and academics in the fields of animal studies, gender studies, American studies, and Canadian studies.

This story is about a young daring black boy growing to man hood in the 50th through 60. 'When time came for him to start school, he was so proud of himself. But that pertilay day to go to school, his mother told him Son, you will start school in the First Baptist Church in Woodbine. In those days back in the 50th and 60th in the state of Georgia, everything was segregated for blacks, that meant they black people were not allowed to go in any public places to get even a piece of bread. But that did not worried Melvin much, the reason, he was a clever young boy, he learned good in school and sport. He was confidence that he will make in life, why because his mother pearl was her name taught him in very tender ages to show all people respect, regardless what race, and that what he did. He always had a smile on his dark face that makes him many friends in Woodbine with all citizens. His character helped him to full his dream, yes it was not always smooth for him but his paradise he found in his life, not in woodbine Georgia, but in Germany, where he had his own business for many years, and his home. There is where he lives until this day. It is the story of a young black boy from Woodbine who grew to a young man, went there to Ralph J Bunch high school for a while, then he left Woodbine on his journey to seek his paradise.