This provocative book interrogates the ideology of capitalism as the "default" narrative underpinning various mainstream ideologies in the contemporary world. The book explores the genesis, structure and functioning of this ideological narrative, provides its critical assessment and outlines a possible alternative, beyond the logic of capitalism and toward a truly free and democratic society. The book takes a broad view of the major global challenges, including the COVID-19 pandemic, and persuasively argue that, in order to resolve any of the major global problems, from the ongoing ecological crisis to economic and geopolitical issues, we need to confront the capitalist system. To unpack the logic of contemporary capitalist ideology, and the way it structures our inter-personal and political relations, the book gives an analysis of the "end of ideology" narrative and offers a critical assessment of the ideas behind the widely used but fundamentally flawed concept of "Liberal democracy." The book revisits metaphysical foundations behind the ideology of capitalism, exposing their secular-religious dimension, and their immanent oppressiveness. Based on this deconstruction of the metaphysical foundations implicit in (Neo)Liberalism and capitalism, the book offers a way in which alternative metaphysical foundations can be constructed to allow for different socio-political and economic models that would be based on a radical affirmation of freedom and democracy, as well as human responsibility for the natural environment. Beyond Capitalist Dystopia: Reclaiming Freedom and Democracy in the Age of Global Crises will be of great interest to anyone searching for alternatives to the pervasive ideology of capitalism as well as students and researchers active in various fields in the humanities and social sciences.

This book offers a new perspective on the financialisation of the economy and its profound technological transformation in an increasingly interdependent and globalised world. A deterioration of capitalist property has led to the reactivation of pre-capitalist social phenomena such as slavery. Meanwhile secular deflation and international destruction of the social state have wrought havoc with all familiar modern welfare infrastructure. Yet, Sapelli argues, there is still hope in the form of the gradual evolution of a community-based socialism based on diverse forms of ownership, co-operative living and working, and sustainable capitalist property. Sapelli presents a severe and dramatic look at the present world, where there is still a light at the end of the tunnel.

Featuring readings of contemporary utopian poetry and fiction from authors such as Juliana Spahr, Mohsin Hamid, Bong Joon-ho, Kim Stanley Robinson, Lidia Yukavitch, and Cory Doctorow, this book investigates the commons - a form of organisation based on collectivity, communalism and sharing - as a type of transition between capitalist precarity and crisis and anti-capitalist futures. Each of the texts under examination was written in opposition to a particular crisis of the capitalist present - inequality, political representation, mobility, and climate change - and develops a particular mode of utopian 'commoning'. Through its examination of these writers, crises and texts, this book reaffirms the use of utopianism as a tool for generating and representing alternative futures for a world in the midst of ongoing planetary crisis.

Essays that explore new ways of living with technological change Every year since 1964, the Socialist Register has offered a fascinating survey of movements and ideas from the independent new left. This year's edition asks readers to explore just how we need to live with new technologies. Essays in this 57th Socialist Register reveal the contradictions and dislocations of technological change in the twenty-first century. And they explore alternative ways of living: from artificial intelligence (AI) to the arts, from transportation to fashion, from environmental science to economic planning. Greg Albo - Post-capitalism: Alternatives or detours? Nicole Aschoff and Pankaj Mahta - AI-deology: Science, capitalism and the dream of a ‘people’s AI’ Hugo Radice - There is nothing artificial about AI: Labour, class, utopia, socialism Larry Lohman - Interpretation machines: Contradictions of digital mechanization in twenty-first century capitalism Robin Hahnel - Democratic socialist planning: Against, with and beyond the new technologies Tanner Mirrlees - Platform socialists in the age of digital capitalism Derek Hrynyshyn – Imagining information socialism Bryan Palmer - Capitalism and the clock: Time’s meaning in the struggle for socialism Sean Sweeney and John Treat - Shifting gears: Labour strategies for low-carbon public transit mobility Adam Greenfield - Smart cities, technological traps, democratic possibilities Christoph Hermann - The consequences of commodification: Contours of a post-capitalist society Joan Sangster – The surveillance of service labour: Conditions and possibilities of resistance Jeronimo Montero Bressan - Beyond neoliberal fashion: Imagining clothing production as a human need Massimiliano Mollona - Art/Commons: Art collectives and the post-capitalist imagination Ingar Solty – The world of tomorrow: Scenarios for our future between demise and hope

Essays which aim to create a world of agency and justice How can we build a future with better health and homes, respecting people and the environment? The 2020 edition of the Socialist Register, Beyond Market Dystopia, contains a wealth of incisive essays that entice readers to do just that: to wake up to the cynical, implicitly market-driven concept of human society we have come to accept as everyday reality. Intellectuals and activists such as Michelle Chin, Nancy Fraser, Arun Gupta, and Jeremy Brecher connect with and go beyond classical socialist themes, to combine an analysis of how we are living now with visions and plans for new strategic, programmatic, manifesto-oriented alternative ways of living.

Intersectional Automations explores a range of situations where robotics, biotechnological enhancement, artificial intelligence (AI), and algorithmic culture collide with intersectional social justice issues such as race, class, gender, sexuality, ability, and citizenship. As robots, machine learning applications, and human augmentics are artifacts of human culture, they sometimes carry stereotypes, biases, exclusions, and other forms of privilege into their computational logics, platforms, and/or embodiments. The essays in this multidisciplinary collection consider how questions of equity and social justice impact our understanding of these developments, analyzing not only the artifacts themselves, but also the discourses and practices surrounding them, including societal understandings, design choices, law and policy approaches, and their uses and abuses.

Beyond Dystopia! is a criticism of life in our current time, the postmodern Anthropocene, and what I am seeking is nothing less than humanity's apotheosis, or, as Voltaire's Candide had it, "le meilleur des mondes possibles," which does not have to be a world without humans, only one with a limited number of humans, doing less.

The book situates itself in the fields of philosophy, political theory, aesthetics and theories of art, linking its discussions of fictional dystopias to debates on ongoing crises. It asks: Are dystopias a useful tool for imagining ways out of sombre situations or do they prevent us from engaging in transformative action? The book consists of a thorough introduction and three major sections: 1. Dystopias of Meaninglessness, 2. Techno-Euphoria vs. Terror of Technology, and 3. Dystopias Come True? The individual chapters discuss, among other things, liberalism and conservatism, “luxury communism”, pandemics, technology-induced anxiety, empty speech, ethics, film, literature, architecture and music.

The Bioshock series looms large in the industry and culture of video games for its ambitious incorporation of high-minded philosophical questions and retro-futuristic aesthetics into the ultraviolent first-person shooter genre. Beyond the Sea marks ten years since the release of the original game with an interdisciplinary collection of essays on Bioshock, Bioshock 2, and Bioshock Infinite. Simultaneously lauded as landmarks in the artistic growth of the medium and criticized for their compromised vision and politics, the Bioshock games have been the subject of significant scholarly and critical discussion. Moving past well-trodden debates, Beyond the Sea broadens the conversation by putting video games in dialogue with a diverse range of other disciplines and cultural forms, from parenting psychology to post-humanism, from Thomas Pynchon to German expressionist cinema. Offering bold new perspectives on a canonical series, Beyond the Sea is a timely contribution to our understanding of the aesthetics, the industry, and the culture of video games. Contributors include Daniel Ante-Contreras (Miracosta), Luke Arnott (Western Ontario), Betsy Brey (Waterloo), Patrick Brown (Iowa), Michael Fuchs (Graz), Jamie Henthorn (Catawba), Brendan Keogh (Queensland), Cameron Kunzelman (Georgia), Cody Mejeur (Michigan State), Matthew Thomas Payne (Notre Dame), Gareth Schott (Waikato), Karen Schrier (Marist), Sarah Stang (York/Ryerson), Sarah Thorne (Carleton), John Vanderhoef (California State, Dominguez Hills), Matthew Wysocki (Flagler), Jordan R. Youngblood (Eastern Connecticut State), and Sarah Zaidan (Emerson).

This book offers an insightful history of dystopian literature, integrating it within the conceptual schemas of Deleuze and Guattari. Unlike earlier examples of dystopia which depict representations of a possible future that is remarkably worse than present society, contemporary dystopia often tends to portray an almost allegorical re-presentation of present society. Tracing dystopia’s shift from transcendence towards immanence with the rise of late neoliberal capitalism and control-societies, Çokay Nebioğlu skilfully constructs a new taxonomy of dystopian fiction to address this changing dynamic. Accompanied by a subtle exploration of earlier and later examples of the genre by George Orwell, Aldous Huxley, Suzanne Collins, Veronica Roth, William Gibson, Max Barry, Dave Eggers, Cindy Pon, and Tahsin Yücel along with rich and nuanced analysis of China Mieville’s Perdido Street Station and Margaret Atwood’s MaddAddam trilogy, the book seeks not only to track the transformation of dystopia in light of worldwide cultural, political and economic transformation, but also to conduct a schizoanalytic reading of dystopia, thus opening up an exciting field of enquiry for Deleuzian scholars.