This desk reference provides biodata, biographical sketches, and source material for approximately 500 men and women who have played a major role in Egypt's national life.

Egypt’s was the first non-Western country to undergo an industrial revolution. It was a major commercial center during the 19th and early 20th centuries. It was one of the first countries to have (albeit briefly) a constitutional government. Its struggle for independence was among the earliest in the non-Western world. Its capital, Cairo, has served as a headquarters and a meeting place for nationalist leaders. Its schools and universities attracted students from many other African and Asian countries. For the Arab world, its educational and legal institutions set the pattern that most other Arabic-speaking countries have followed. Its books, magazines, and newspapers circulate widely. Its radio and television broadcasting became the model for other Arab states. The leadership of Jamal Abd al-Nasir and Anwar al-Sadat profoundly influenced other Arab and Third World leaders. And the demonstrations in Cairo’s Tahrir Square became the iconic movement for the so-called “Arab Spring” in the rest of the Middle East. This fourth edition of Historical Dictionary of Egypt covers its history from its emergence as an independent actor during the reign of Ali Bey (1760-1772) up to and including the first two years of the Arab Spring (February 2013). This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on of persons, events, institutions, political groups, economic and social conditions, policies, relationships with other countries, ideas, religions, ideologies, and commodities relevant to the modern history of Egypt. This book is an excellent access point for students, researchers, and anyone wanting to know more about Egypt.

This second edition of scholar Arthur Goldschmidt presents a concise survey of Egyptian history since the mid-eighteenth century. It focuses on Egypt's evolution as a nation-state, dispelling common misconceptions about Egypt's modern history. Professor Goldschmidt calls upon recent Egyptian and Western scholarship to document pivotal points, such as the 1952 revolution, and to illuminate controversies, such as those surrounding Sadat's role in the 1973 war with Israel. Modern Egypt is anecdotal as well as authoritative, covering social history, religion, politics, economics, military history, geography, and even the psychology of selected leaders. Faruq's impotence, Nasir's paranoia, and Sadat's glamour are all presented as they relate to policy motivations and outcomes. Modern Egypt paves the way to a clear understanding of events leading up to the Camp David accords of 1978 and then points beyond them to the emergent Muslim opposition, Sadat's assassination, and Mubarak's regime. This book is directed to students, journalists, diplomats, foreign visitors and long-term residents, and businesspeople who need to be familiar with Egypt, its role in Middle East affairs, and its involvement with the nations of the world.

The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.

Ultimately these cross purposes brought disaster, pulling a fatally weak and woefully unprepared Ottoman state into a global war, and unleashing vicious, internal ethnic repression that brought it defeat and dismemberment. The diaries and official reports of German spy and propagandist Curt Prufer - translated here into English in their entirety for the first time - chronicle the complexities of the fragile Ottoman-German alliance from the perspective of a participant. Much like fellow soldier-scholar T.E. Lawrence, Prufer and his colleagues tried to steal the loyalties of the Muslim subjects of the opposing sides. The book explores these episodes of sabotage, subversion and subterfuge - from managing spies to preparing for the attack on the Suez Canal in 1915 - and in the process sheds light onto the ways World War I played out across the Middle East. Complemented throughout by in-depth and meticulously researched footnotes, this primary source collection is an invaluable addition to the extant corpus of late Ottoman and World War I historical documents.

The profusion of literature on Muḥammad ʿAlī's Egypt (1805–1849) makes the Bāshā’s epoch significantly well-documented; however, one facet is perceptibly brushed out or rather overlooked. Published in 1945, Gaston Wiet’s Mohammed Ali et Les Beaux-Arts has been the only book deliberating the visual and artistic aspects of Muḥammad ʿAlī’s reign, and while it offers an extended survey of the Ottoman governor’s iconography and visual relics, the book wants the rudiments of critical analysis. The trivial number of works covering this facet of the Bāshā’s sovereignty has made it barely examined, rendering the research field with a significant epistemological gap, namely regarding art and historiography patronage for political triggers. Embarking from where Wiet's work has halted, this book attempts to critically analyze the artistic component of Muḥammad ʿAlī’s reign by dealing with the pictorial crops of the nineteenth century’s orientalist-travelers, assessing their role within the context of contemporaneous trends in Ottoman and European diplomacy and tracing Muḥammad ʿAlī’s early attempts for using pictorial propaganda and historiography in order to claim political legitimacy and to attain European recognition. The book conducts an in-depth analysis of the Bāshā’s historiographic making process with a focus on how text worked art and visual politics. The book takes an innovative and interdisciplinary approach, which commingles tools of visual analysis and contextual investigation, in its consideration of the aspects of Muḥammad ʿAlī Bāshā’s foreign policy, this book closely examines topics associated with cultural systems, modernization, traditionalism, and changeability in Egypt of the nineteenth century, while assessing the impact of global connectedness not only on Muslim cultures and societies but also on European public opinion through highlighting how Muslim rulers had adapted appealing themes and employed cultural magnets in their visual propaganda to fit within the pervasive international diplomatic trends.

Muhammad Abduh (1849-1905) is widely regarded as the founder of Islamic modernism. Egyptian jurist, religious scholar and political activist, he sought to synthesise Western and Islamic cultural values. Arguing that Islam is essentially rational and fluid, Abduh maintained that it had been stifled by the rigid structures implemented in the generations since Muhammad and his immediate followers. In this absorbing biography, Mark Sedgwick examines whether Abduh revived true Islam or instigated its corruption.