Published in 1910, this classic of imperialist writing by the former Consul General explains and justifies British involvement in Egypt.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This second edition of scholar Arthur Goldschmidt presents a concise survey of Egyptian history since the mid-eighteenth century. It focuses on Egypt's evolution as a nation-state, dispelling common misconceptions about Egypt's modern history. Professor Goldschmidt calls upon recent Egyptian and Western scholarship to document pivotal points, such as the 1952 revolution, and to illuminate controversies, such as those surrounding Sadat's role in the 1973 war with Israel. Modern Egypt is anecdotal as well as authoritative, covering social history, religion, politics, economics, military history, geography, and even the psychology of selected leaders. Faruq's impotence, Nasir's paranoia, and Sadat's glamour are all presented as they relate to policy motivations and outcomes. Modern Egypt paves the way to a clear understanding of events leading up to the Camp David accords of 1978 and then points beyond them to the emergent Muslim opposition, Sadat's assassination, and Mubarak's regime. This book is directed to students, journalists, diplomats, foreign visitors and long-term residents, and businesspeople who need to be familiar with Egypt, its role in Middle East affairs, and its involvement with the nations of the world.

This desk reference provides biodata, biographical sketches, and source material for approximately 500 men and women who have played a major role in Egypt's national life.

Examines the influence of Islam, as a religion, a practice, and a tradition, on Egypt's visual and literary modernity.

Cairo is a city obsessed with honor and respectability—and love affairs. Sara, a working-class woman, has an affair with a married man and becomes pregnant, only to be abandoned by him; Ayah and Zeid, a respectably engaged couple, argue over whether Ayah’s friend is a prostitute or a virgin; Malak, a European belly dancer who sometimes gets paid for sex, wants to be loved by a man who won’t treat her like a whore just because she’s a dancer; and Alia, a Christian banker who left her abusive husband, is the mistress of a wealthy Muslim man, Haroun, who encourages business by hosting risqué parties for other men and their mistresses. Set in transnational Cairo over two decades, Love, Sex, and Desire in Modern Egypt is an ethnography that explores female respectability, male honor, and Western theories and fantasies about Arab society. L. L. Wynn uses stories of love affairs to interrogate three areas of classic anthropological theory: mimesis, kinship, and gift. She develops a broad picture of how individuals love and desire within a cultural and political system that structures the possibilities of, and penalties for, going against sexual and gender norms. Wynn demonstrates that love is at once a moral horizon, an attribute that “naturally” inheres in particular social relations, a social phenomenon strengthened through cultural concepts of gift and kinship, and an emotion deeply felt and desired by individuals.

Focussing on nationalist discourse before, during and after the revolution of 2011, Reem Bassiouney explores the two-way relationship between language in Egyptian public discourse and Egyptian identity. Her sources include newspaper articles, caricatures, blogs, patriotic songs, films, school textbooks, TV talk-shows, poetry and novels.

This volume explores the recent decision by Egypt to constitutionalize sharīʿa and analyzes the Egyptian judiciary’s attempts to argue that sharī‘a is consistent with human rights. It will interest anyone studying Islamic law, constitutional thought in the Middle East, or Islam and human rights.

This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers Oriental dance, known as belly dance or danse du ventre, regional or group-specific dances and rituals, sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals.

What does it mean to be an intellectual in Egypt today? What is expected from an 'authentic scholar'? Hatsuki Aishima explores these questions byexamining educated, urban Egyptians and their perceptions of what it means to be 'cultured' and 'middle class' - something that, as a result of the neoliberal policies of Egyptian government, is widely thought to be a shrinking sector of society. Through an analysis of the media representations of 'Abd al-Halim Mahmud (1910-78), the French-trained Sufi scholar and the Grand Imam of al-Azhar under president Anwar al-Sadat, Aishima discusses the connection of Islam to these middle-class considerations and makes an original contribution to the debate on the commodification of religious teaching and knowledge. Public Culture and Islam in Modern Egypt is thereby aunique addition to the fields of anthropology, Middle East and media studies.