Seminar paper from the year 2022 in the subject Communications - Movies and Television, grade: 1,0, University of Bonn (Department of English, American, and Celtic Studies), course: What's Happened Since Stonewall?: Queer US-American Experiences of the Last 50 Years, language: English, abstract: This analysis takes an in-depth look at Barry Jenkins's film "Moonlight," celebrated for its portrayal of black masculinities and same-sex love. The study aims to explore both the unique intersection of masculinity, blackness, and sexuality, as well as the stereotypical depictions found within the film, following the protagonist Chiron's development across different stages of life. "Moonlight" offers a compelling exploration of black masculinity by tracing the life of Chiron, an African American boy from Miami's poorer suburbs. Set in the 1980s at the onset of the Crack epidemic in the US, the film divides Chiron's life into three chapters: childhood, adolescence, and adulthood. In each stage, Chiron grapples with themes of masculinity, sexuality, and love, influenced by his mother, surrogate family, and school peers. Theoretical approaches and works by scholars like bell hooks and Trevor B. Milton aid in defining and analyzing the subject of black masculinity, highlighting both stereotypical and redefined versions of black masculinity.

Life for too many African American men is a battle with extreme disadvantage, a fight for survival, and a struggle for dignity in a society which labels them a "problem." For more than 30 years, most of the effort put toward addressing the crisis of Black men has centered on what they must do to improve their condition. Without neglecting that perspective, Are Black men doomed? radically shifts the focus. This urgent intervention explores how a damning portrait of Black men as incorrigibly pernicious has been built and persists, and how the voice of these men themselves has been ignored. It astutely argues that improving the prospects for Black men requires that society fully come to terms with the narrow and incomplete vision it has sustained about these men. It then shows us the means to hear, understand, and value them, offering a new vision rooted in reinterpretation and redemption.

This book helps readers understand Moonlight’s profound political and social importance, the innovative technical choices adopted by director Barry Jenkins and the film’s adoption and disruption of traditional coming-of-age themes through the specific prism of Chiron’s childhood and youth. Moonlight (2016) is an intensely moving and poetically rendered coming-of-age story about a young gay Black boy, Chiron. Highly praised by both critics and audiences internationally, it garnered a surprise Best Picture win at the 2017 Academy Awards, enshrining its significance within a global cinematic canon. This book provides an account of how Moonlight can be situated in relation to African American youth films, contemporary queer cinema and its appeal to the youth market and representations of non-normative childhood and adolescence. It analyses the reception of Moonlight in terms of its form and profound emotional impact on spectators offerning new visions of African American boyhoods while also contributing an extended exploration of the social and political context of the film in relation to Obama, Trump and diversity in filmmaking. Highlighting to students and scholars the powerful emotional pull of Moonlight and why it is a highly significant film, this book is ideal for those interested in critical race studies, queer theory, youth cinema, African American cinema and LGBTQ cinema.

Updated and expanded for a new edition, this is the perfect starter text for students of film studies. Packed full of visual examples from all periods of film history up to the present, Film:A Critical Introduction illustrates film concepts in context and in depth, addressing techniques and terminology used in film production and criticism, and emphasising thinking and writing critically and effectively. With reference to 450 new and existing images, the authors discuss contemporary films and film studies scholarship, as well as recent developments in film production and exhibition, such as digital technologies and new modes of screen media. New features in the fourth edition: Expanded discussion of changing cultural and political contexts for film and media industries, including #MeToo, #TimesUp, and #OscarsSoWhite Updated examples drawing from both contemporary and classic films in every chapter highlight that film studies is a vibrant and growing field New closing chapter expands the book's theoretical framework, linking foundational concepts in cinema studies to innovative new scholarship in media and screen studies Thoroughly revised and updated discussions of auteur theory, the long-take aesthetic, ideology in the superhero film and more

This book analyzes popular American films that point to the need for father atonement, ego-decentering, and the resurrection of the lost feminine to heal gendered cultural wounds, while affirming the role of meaningful suffering, compassion, self-sacrifice and transcendence as an antidote to the inevitable woundedness of the human condition.

How portrayals of anti-Blackness in literature and film challenge myths about South Florida history and culture In this book, Tatiana McInnis examines literary and cultural representations of Miami alongside the city’s material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable “melting pot” narrative depends on the obfuscation of racialized violence against people of African descent.  Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami’s diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness.  To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami’s Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami’s political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions.  Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Celebrate the remarkable stories, events, and landmarks of the global LGBTQ+ movement with this inspirational and empowering infographic guide to the path toward equality throughout history. There have been many ups and downs during the long and arduous fight for LGBTQ+ rights all over the world, but it helps to have a visual and joyful timeline of events to see just how far the movement has come. Queerstory is an accessible infographic of the global LGBTQ+ movement over the past 100 years that provides the perfect overview of all the significant people and events that changed the course of history. Telling a visual story through graphically represented statistics, key dates and events, quotes, and facts about rights, campaigns, and queer pioneers, this easy-to-read and inspiring guide is sure to provide a jolt of empowerment for the next generation of LGBTQ+ activists and allies.

In Poor Queer Studies Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy.

Sociology of Sexualities is an insightful exploration of sexuality through a sociological lens, offering a comprehensive understanding of sexualities and gender identities. The Third Edition brings to light the current societal challenges faced by LGBTQ+ and reproductive rights, the influence of technology on sexuality, and the impact of the COVID-19 pandemic on sexual behaviors.