Compiles information and interpretations on the past 500 years of African American history, containing essays on historical research aids, bibliographies, resources for womens' issues, and an accompanying CD-ROM providing bibliographical entries.

"Black slave ownership is a neglected area in the annals of American history. This work illustrates and traces the pattern that black slave ownership took in New York City, from its documented inception in 1661 to its demise after 1830. In New York City the phenomena of black slave ownership may be understood in the classic sense as "benevolent" slave holdings as defined by Carter G. Woodson. The social and material culture histories included in this work provide a unique view of colonial New Amsterdam and New York City." (Publisher description).

When William Henry Hunt married Ida Alexander Gibbs in the spring of 1904, their wedding was a dazzling Washington social event that joined an Oberlin-educated diplomat's daughter and a Wall Street veteran who could trace his lineage to Jamestown. Their union took place in a world of refinement and privilege, but both William and Ida had mixed-race backgrounds, and their country therefore placed severe restrictions on their lives because at that time, "one drop of colored blood" classified anyone as a Negro. This "stain" of melanin pushed the couple's achievements to the margins of American society. Nonetheless, as William followed a career in the foreign service, Ida (whose grandfather was probably Richard Malcolm Johnson, a vice president of the United States) moved in intellectual and political circles that included the likes of Frederick Douglass, J. Pierpont Morgan, Booker T. Washington, Paul Laurence Dunbar, and Mary Church Terrell. Born into slavery, William had an adventurous youth, including a brief career as a jockey and an interlude at Williams College; ultimately he succeeded Ida's father as consul. The diplomat's "expatriate" life provided him with a distinguished career and a stage on which to showcase his talents throughout the world, as well as an escape from racial stigmas back home. Free of the diplomatic hindrances her husband faced, Ida advocated openly against race and gender inequities, and was a major participant in W. E. B. Du Bois's post-World-War I Pan-African Congresses which took her to stimulating European capitals that were largely free of racial oppression. In this, William and Ida's unique dual biography, Adele Logan Alexander gracefully traces an extraordinary partnership with a historian's skills and insights. She also presents a nuanced account of the complex impact of race in the early twentieth-century world.

"[This work] will be useful to librarians, to genealogists, and to persons searching American Indian, Asian-American, black American, and Hispanic-American ancestries. . . . Family researchers or librarians will find this comprehensive, user-friendly work invaluable." Reference Books Bulletin

One hundred twenty years ago, the Independent Order of Good Templars was the world's largest, most militant, and most evangelical organization hostile to alcoholic drink. Standing in the forefront of the international temperance movement, it was recognized worldwide as a potent social and moral force. Temperance and Racism restores the Templars, now an almost forgotten footnote in American and British social history, to a position of prominence within the temperance movement. The group's ideology of universal membership made it unique among fraternal organizations in the late nineteenth century and led to pioneering efforts on behalf of equal rights for women. Its policy toward African Americans was more ambiguous. Though a great many white Templars, especially those in Great Britain, rejected the extreme racism prevalent in the late nineteenth century, members in the American South did not. The decision to allow state lodges to rule on their membership eligibility led to the great schism of 1876-87. The break was mended only after British leaders compromised their ideals of universal brotherhood and sisterhood for the sake of the organization's international unity. Drawing on previously unused primary sources, David Fahey reveals much about racial attitudes and behavior in the late nineteenth century on both sides of the Mason-Dixon line, and on both sides of the Atlantic.

Born into an educated free black family in Portland, Maine, Pauline Elizabeth Hopkins (1859-1930) was a pioneering playwright, journalist, novelist, feminist, and public intellectual, best known for her 1900 novel Contending Forces: A Romance of Negro Life North and South. In this critical biography, Lois Brown documents for the first time Hopkins's early family life and her ancestral connections to eighteenth-century New England, the African slave trade, and twentieth-century race activism in the North. Brown includes detailed descriptions of Hopkins's earliest known performances as a singer and actress; textual analysis of her major and minor literary works; information about her most influential mentors, colleagues, and professional affiliations; and details of her battles with Booker T. Washington, which ultimately led to her professional demise as a journalist. Richly grounded in archival sources, Brown's work offers a definitive study that clarifies a number of inconsistencies in earlier writing about Hopkins. Brown re-creates the life of a remarkable woman in the context of her times, revealing Hopkins as the descendant of a family comprising many distinguished individuals, an active participant and supporter of the arts, a woman of stature among professional peers and clubwomen, and a gracious and outspoken crusader for African American rights.

Sketches of the Higher Classes of Colored Society in Philadelphia, first published in 1841, was written by Joseph Willson, a southern black man who had moved to Philadelphia. He wrote this book to convince whites that the African-American community in his adopted city did indeed have a class structure, and he offers advice to his black readers about how they should use their privileged status. The significance of Willson's account lies in its sophisticated analysis of the issues of class and race in Philadelphia. It is all the more important in that it predates W. E. B. Du Bois's The Philadelphia Negro by more than half a century. Julie Winch has written a substantial introduction and prepared extensive annotation. She identifies the people Willson wrote about and gives readers a sense of Philadelphia's multifaceted and richly textured African American community. The Elite of Our People will interest urban, antebellum, and African-American historians, as well as individuals with a general interest in African-American history. This volume has withstood the test of time. It remains readable. Joseph Willson was well read, articulate, and had a keen eye for detail. His message is as timely today as it was in 1841. The people he wrote about were remarkable individuals whose lives were as complex as his own.

This volume seeks to critically review the contemporary state of maritime historiography, as it stands at the volume’s publication date of 1995. The volume is comprised of thirteen essays, each focused on the recent research into the maritime concerns of a particular geographical location, listed as follows: Australia; Canada; China; Denmark; Germany; Greece; Ibero-America; India; the Netherlands; the Ottoman Empire; Spain; the United States; and a final chapter concerning historians and maritime labour in Britain, Australia, and New Zealand. One concern made evident by the collection is the lack of stable identity and cohesive aims within maritime history, the subject holds many conflicting definitions and concepts. The purpose of this volume is to explore the recent developments in maritime history, plus the growth of scholarly interest, to provide a ‘beacon and stimulus for future work’ and to clearly direct and define maritime historiography toward a solid position in the field of history.

Peter Linebaugh's groundbreaking history has become an inescapable part of any understanding of the rise of capitalism. In eighteenth-century London the spectacle of a hanging was not simply a form of punishing transgressors. Rather it evidently served the most sinister purpose-for a prvileged ruling class-of forcing the poor population of London to accept the criminalization of customary rights and the new forms of private property. Necessity drove the city's poor into inevitable conflict with the changing property laws, such that all the working-class men and women of London had good reason to fear the example of Tyburn's Triple Tree. In this new edition Peter Linebaugh reinforces his original arguments with responses to his critics based on an impressive array of historical sources. As the trend of capital punishment intensifies with the spread of global capitalism, The London Hanged also gains in contemporary relevance.