In 1978, William Least Heat-Moon made a 14,000-mile journey on the back roads of America, visiting 38 states along the way. In 1982, the popular Blue Highways, which chronicled his adventures, was published. Three decades later, Edgar Ailor III and his son, Edgar IV, retraced and photographed Heat-Moon’s route, culminating in Blue Highways Revisited, released for publication on the thirtieth anniversary of Blue Highways. A foreword by Heat-Moon notes, "The photographs, often with amazing accuracy, capture my verbal images and the spirit of the book. Taking the journey again through these pictures, I have been intrigued and even somewhat reassured that America is changing not quite so fast as we often believe. The photographs, happily, reveal a recognizable continuity – but for how much longer who can say – and I'm glad the Ailors have recorded so many places and people from Blue Highways while they are yet with us." Through illustrative photography and text, Ailor and his son capture once more the local color and beauty of the back roads, cafes, taverns, and people of Heat-Moon’s original trek. Almost every photograph in Blue Highways Revisited is referenced to a page in the original work. With side-by-side photographic comparisons of eleven of Heat-Moon’s characters, this new volume reflects upon and develops the memoir of Heat-Moon’s cross-country study of American culture and spirit. Photographs of Heat-Moon’s logbook entries, original manuscript pages, Olympia typewriter, Ford van, and other artifacts also give readers insight into Heat-Moon’s approach to his trip. Discussions with Heat-Moon about these archival images provide the reader insight into the travels and the writing of Blue Highways that only the perspective of the author could provide. Blue Highways Revisited reaffirms that the "blue highway" serves as a romantic symbol of the free and restless American spirit, as the Ailors lose themselves to the open road as Heat-Moon did thirty years previously. This book reminds readers of the insatiable attraction of the “blue highway”—“But in those brevities just before dawn and a little after dusk—times neither day or night—the old roads return to the sky some of its color. Then, in truth, they carry a mysterious cast of blue, and it's that time when the pull of the blue highway is strongest, when the open road is a beckoning, a strangeness, a place where a man can lose himself” (Introduction to Blue Highways).

Get the Summary of William Least Heat-Moon's Blue Highways in 20 minutes. Please note: This is a summary & not the original book. In "Blue Highways," William Least Heat-Moon sets out on a transformative journey across America after losing his teaching job and separating from his wife. He travels the country's back roads in his truck, Ghost Dancing, seeking the overlooked corners and small towns that evade change. He meets a diverse array of individuals, each offering unique perspectives on life, work, and the American experience...

The Art of Investigation Revisited: Practical Tips from the Experts examines the qual- ities required to be a professional, thorough, and effective investigator and is a follow up to the authors’ highly touted book, The Art of Investigation (2019). This book features a wholly new line-up of investigators, experienced professionals in the field, who delve into the "soft skills" that make an investigator effective. Each chapter examines a specific quality required to be a professional, thorough, and—most importantly—successful in this challenging discipline. The editors, and contributing authors, are all top in their field and bring a wealth of real-world knowledge and experience to the subject. While several publications exist on the procedures and steps of an investigation, few books cover the creative and intuitive skills required. Such traits are necessary to continually question in the face of investigative roadblocks, unique qualities endemic to an inquisitive mind that can be trained to improve an investigator’s professional skill set. Each chapter discusses the applicability of the traits and requirements to the contributor’s own work and experience as an investigator. In doing so, the contributors will provide valuable stories from their personal experience, which demonstrates their use or a given trait and its importance in the course of their investigative work and career. The case examples included throughout are engaging and, as is often the case, surprising. An investigator must keep an open mind above all else and this book seeks to "lift the veil" on the inner workings of an investigation and the thought pro- cess and inner monologue of an investigator as part of that process. The book is a welcome addition to any investigator’s toolkit and is also of interest to students in criminal justice, security and Homeland Security programs, security consultants, corporate and private security professionals, and the legal community.

In this book, Andy Gill assesses the circumstances behind Dylan's most famous songs, tracing the artist's progress from young tyro folkie to acclaimed protest singer, and through the subsequent changes which saw him invent folk-rock and transform rock 'n' roll with symbolist poetry, before retreating into country-tinged conservatism just as his followers were engaged in the great psychedelic freak-show of the late 1960s. Even then, he couldn't help but innovate, introducing the world to another strain of popular music-country-rock-which would come to dominate the American charts through the next decade. Always one step ahead of the crowd, always pushing himself to extend the boundaries of his art, the Dylan of the 1960s remains a beacon of integrity to which fans and fellow musicians keep returning.

In October 2016, the Swedish Academy finally conceded to a quarter-century's worth of clamorous petitions and sustained lobbying enacted by a chorus of poets, novelists, songwriters, and academics. At long last, Bob Dylan was awarded the Nobel Prize in Literature, his vast corpus spread out like Highway 61 behind him. How is a Dylan debutante to make sense of the song and dance man's six decade career? How might a diehard Dylan fanatic stumble upon something they didn't know they didn't know? Why, with award-winning journalist Bruce Pollock's Bob Dylan FAQ, of course! Bob Dylan FAQ, the latest installment in Backbeat's FAQ series, condenses the life and times of America's premier songster into an addictively vivacious 400-page brick jam-packed with critical analysis, minutiae, photographs, ephemera, and period history. Every aspect of Dylan's life and career, from his ever-expanding discography, touring history, fallow periods, literary and visual artistic efforts, peers, influences, and legacy to his devoted fanbase and their, is explored. Best of all, the book's structure invites perusing at any random point, as each chapter serves as a freestanding article on its subject. Dive into Dylanana with Bob Dylan FAQ!

A groundbreaking appreciation of Dylan as a literary practitioner WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.

An exploration of the pervasive influence of jazz on all forms of American music, this work maps the unexpected musical and cultural links between Louis Armstrong, Willie Nelson, Bob Dylan, Herbie Hancock and many others.

In a lively discussion of books written as early as 1903 and as recently as 1994, Kris Lackey reveals the crucial roles the highway and automobile travel have played through generations of American writing.

Southern music historian Michael Buffalo Smith presents a series of interviews with some of country music's biggest stars, assembled from his archive of over 15 years of conversations. From Cowboy Jack Clement to Bobby Bare, Jerry Reed to Shooter Jennings, the volume is filled to the rim with country music history, stories and photographs.

When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.