New York Times Book Review • Editors' Choice Jan Morris delivers her final volume, brimming with reminiscences, meditations on daily life, and mini-essays on everything from maturity to whistling to Princess Diana. Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter—in the style of Lord Chesterfield addressing his son—quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris’s steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris’s telling, even life—the whole conundrum of existence—is one long, majestically impenetrable allegory. Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity (“Maturity! Did ever a heart thrill to the sound of it, still less the meaning?”) and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris’s travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas—where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest—and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another. Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris’s writing is as erudite as ever, conveying a generosity of spirit “flavored by well-earned crankiness” (Vox). Though newly bereft of her company, readers will be reminded what “a good, wise, and witty companion” (Alexander McCall Smith) Morris has been to so many, for so long.

"There is more to Irish than St. Patrick's Day and Guinness. The word Irish conjures an array of images, each with a long history. Who defined Irish? In the twentieth century Ireland, the United States, and Irish America were all invested in representation. Exerting or losing control of an ethnic image had ramifications on both sides of the Atlantic"--

Roman legions rang Celtic Europe's death-knell and orchestrated Celtic Britain's swansong, provoking Queen Boudicea's massive anti-Roman revolt which resulted in "the worst disaster to befall the Roman Empire" — all of which had a huge bearing on the rise of Celtic Ireland. This book presents Turoe's Celtic Royal complex, unprecedented for its size and layout, but akin to Belgic oppida (as named by Caesar) in SE England and NW Europe. It hosts the Turoe Stone, Europe's most celebrated La Tene-decorated stone. No one knew why this classic masterpiece of Celtic stone art was set on Turoe's summit in the West of Ireland. Here its hitherto unrecognized Royal Sanctuary trappings at the centre of a vast Belgic oppidum defensive system of linear embankments uniquely connected to the Celtic invasion of Ireland and its archaic history are unfolded. It is recorded in early dindshenchas (history of the famous places) and associated with the names of archaic kings and queens. The first record of it is by the renowned 1st/2nd century Greek geographer, Ptolemy of Alexandria, who listed 2 capitals in Ireland, the only 2 in his day. One is Emain Macha near Armagh. The other was never definitively identified. He located it roughly in central Co. Galway where Turoe is. He named it REGIA E TERA (Te[mh]ra), the genuine early Celtic name for 'Capital at Turoe' (Cnoc Temhro). It had an acropolis and several necropoli, including those around Athenry cited in archaic texts in the Book of Leinster as ‘Releg na Rí lamh le Cruachain' where members of Turoe's Royal Household (Rígrád Temhróit) were interred, such as Queen Medb and her father, Eochaid Ferach Mhor whose palace, Rath Ferach Mhor, stood beside the Turoe Stone. Part of its sprawling urban-like complex flanking Turoe and Knocknadala (Assembly/­Parliament Hill) is placed under preservation order by The National Monuments Department. Ptolemy renders Knocknadala (early Cnoc na nDál) as NAG-NA-TA[L], "the most illustrious 'city' (polis) in all Britannia, and most considerable in size, located in the west of Ireland." The sole reference to a dense population in early Irish literature points to this area. Ancient roadways, Slí Mhór and Slí Dála, converged on Turoe/Knocknadala. Rót na Ri, Royal Road of the Kings, ran from Turoe to the great seaport of Ath Cliath Magh Rí in Galway Bay. Dindshenchas texts state that "Ath Cliath Magh Rí was the chief seaport of Ireland through which Ireland has most often been invaded." A large segment of the Celtic invasion force landed there and advanced on Turoe, the core of its primary settlement area, as recorded in the Dindshenchas of Cnoc na Dála. Continental and British Belgic tribes are remembered in townland names within this vast Turoe oppidum complex. It was suppressed by pseudo-historians who set the Irish race on the cutting edge of woeful ignorance about its Celtic roots as Armagh's monastic conmen concocted scheming stews of sheer political propaganda to win the patronage of powerful warlords. The enforced Irish exile of King Dagobert II shows the depth of involvement of Armagh-linked Abbots in Frankish politics through whom Pepin's new national Over Kingship of the Franks profoundly impacted the genesis of Ireland's High King-ship/Tara/Patrick myth. As E. Breathnach noted "The culmination of the creation of the medieval myth surrounding Tara ensured Tara would be regarded from the late 10th/11th century as the monument of the Kingship of Ireland. Tara's potency as a political symbol was evoked to the extent that by the 17th century it was depicted as one of the institutions on which the Kingship of Ireland had rested from time immemorial" (Edel Breathnach, 'Cultural Identity of Tara' in Discovery Programme Reports').

This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and immutable but fluctuates with the perceived importance of the collection, which in turn fluctuates with the level of national interest in the Pacific neighbourhood. This cyclical rise and fall of Australian interest in the Pacific Islands means many of the valuable early collections in state and later national repositories and institutions have been rarely exhibited or published. But, as the authors note, enthusiastic museum anthropologists, curators, collection managers and university-based scholars across Australia, and worldwide, have persisted with research on material collected in the Pacific. This volume is a very important one for anyone studying the art and material culture of the Pacific. It focuses on collections now in Australia. Even those well versed in museum collections from the Pacific will learn about many important but little-known collectors as well as better-known figures like the anthropologists F. E. Williams and Thomas Farrell, the husband of Queen Emma. This will be a treat for students and specialist alike. —Professor Robert L. Welsch, University of Dartmouth

"Brands and logos are all around us - from the clothes we wear and the objects we buy, to the advertisements which cover our cities and the celebrities created by the media. We regard the brand as a new phenomenon, something born with the consumer society, but branding was born with civilization, its earliest examples dating to the Roman Empire." "Branding is now a growing industry, applied not only to commodities but to charities, cities, the worlds of sport and entertainment, even government initiatives. Such is the ubiquity and power of branding that it is increasingly taken as a sign of the commodification of everyday life and the rapacity of corporate power." "Examining the brand in history, the growth of national and global brands, the changing approaches of the branding industry and the exploration of new spaces for advertising, The Rise of Brands analyses exactly how brands develop and operate in contemporary society."--BOOK JACKET.

Since their emergence at the start of the 20th century, airports have become one of the most distinctive and important of architectural building types. Often used to symbolize progress, freedom and trade, they offer architects the chance to design on a grand scale. At the beginning of the 21st century, airports are experiencing a new and exciting renaissance as they adapt and evolve into a new type of building; one that is complete, adaptable and catering to a new range of demands. As passengers are held in airports far longer than they used to be, they have also now become destinations in their own right. Airports celebrates the most important airport designs in the world. Beginning with an exploration of the first structures of aviation, and early designs such as the Berlin Tempelhof, the book explores the key airports of the century up to the present day, including Eero Saarinen's TWA Terminal in New York, Renzo Piano's Kansai Airport and Norman Foster's Chek Lap Kok in Hong Kong.

The book draws on the views of leading thinkers in Tourism and considers a broad range of issues from multidisciplinary perspectives facing Tourism industry for the first time in one volume: dwindling energy, new technology, security (like war and terrorism), political economy, sustainability, and human resources. By critically reviewing these social and economic challenges in a global scale, the book helps to create a comprehensive view of future tourism in the unfolding and challenging society of the third millennium.

The field of Irish Studies has undergone a period of great fruitfulness over the last decade. Concurrent with the economic revolution and subsequent financial crash, an immense interest in the island of Ireland and her cultural practices has been apparent from parts of the globe, and academic debate on Irish culture and society has been intense and prosperous. This volume contains a number of essays which approach a variety of issues raised within the framework of post-“Celtic Tiger” Ireland, with contributions from scholars working in Europe. The book is divided into four sections: on Trauma Studies, on the relationship between Ireland with Europe and the rest of the world, on Audiovisual Studies and on Ireland and the Celtic Tiger. The essays reflect a variety of issues which are of great relevance to an understanding of the world of Irish Studies at the end of the first decade of the twenty-first century.