Timeline -- Abbreviations and Acronyms -- List of Figures -- Acknowledgements -- Introduction -- 1. Media Events and South African National Identity -- 2.Events Envy: South Africa's Exclusion from the Media Events of the '60s, '70s and '80s -- 3.The Shamanizing Ayatollah: Mandela and the Dismantling of Apartheid -- 4. Disrupting the Centre: 'Liveness' and the Negotiation of Disaster During the Transition -- 5. The Televised Birth of the Rainbow Nation: The Election and Mandela's Inauguration -- 6.Consolidation: South Africa's Return to the Global Fold and the Making of Madiba -- Conclusion -- References.

South Africa came late to television; when it finally arrived in the late 1970s the rest of the world had already begun to boycott the country because of apartheid. While the ruling National Party feared the integrative effects of television, they did not foresee how exclusion from globally unifying broadcasts would gradually erode their power. South Africa was barred from participating in some of television's greatest global attractions (including sporting events such as the Olympics and contests such as Miss World). With the release of Nelson Mandela from prison came a proliferation of large-scale live broadcasts as the country was permitted to return to international competition, and its re-admittance was played out on television screens across the world. These events were pivotal in shaping and consolidating the country's emerging post-apartheid national identity. Broadcasting the End of Apartheid assesses the socio-political effects of live broadcasting on South Africa's transition to democracy. Martha Evans argues that just as print media had a powerful influence on the development of Afrikaner nationalism, so the 'liveness' of television helped to consolidate the post-apartheid South African national identity.

Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.

Describes the impact apartheid had on South African society and the emergence of the powerful protest movement that sought to combat it.

Few places have felt the weight of colonization and slavery the way South Africa has. The ruling powers of Dutch and British settlers set in place a legal system designed to keep the races separated and unequal. Readers will come to understand these laws, known as apartheid, and the terrible effects they had. They will also learn how the echoes of apartheid still resound in both culture and politics in South Africa. Stark, compelling photographs and intriguing sidebars bring readers face to face with apartheid's harsh reality, while also revealing a nation trying to learn from its difficult past.

In 2 February 1990, FW de Klerk made a speech that changed the history of South Africa. Nine days later, the world watched as Nelson Mandela walked free from the Viktor Verster prison. In the midst of these events was Lord Renwick, Margaret Thatcher's envoy to South Africa, who became a personal friend of Nelson Mandela, FW de Klerk and Chief Mangosuthu Buthelezi, acting as a trusted intermediary between them. He warned PW Botha against military attacks on neighbouring countries, in meetings he likens to 'calling on the führer in his bunker'. He invited Mandela to his first meal in a restaurant for twenty-seven years, rehearsing him for his meeting with Margaret Thatcher - and told Thatcher that she must not interrupt him. Their discussion went on so long that the British press in Downing Street started chanting 'Free Nelson Mandela'.In this extraordinary insider's account, Renwick draws on his diaries of the time, as well as previously unpublished material from the Foreign Office and Downing Street files. He paints a vivid, affectionate, real-life portrait of Mandela as a wily and resourceful political leader bent on out-manoeuvring both adversaries and some of his own colleagues in pursuit of a peaceful outcome.

Through accessible text, a clear chronology, and photos, readers will discover how Nelson Mandela’s personal struggles and great courage spurred the South African revolution that changed the way the world looked at Africa.

This is a compelling study of the origins and trajectory of a legendary black uprising against apartheid - the Alexandra Rebellion of 1986. Using insights from the literature on collective action and social movements, it delves deep into the rebellion's inner workings. It examines how the residents of Alexandra - a poverty-stricken, segregated township in Johannesburg - manipulated and overturned the meanings of space, time and power in their sequestered world; how they used political theatre to convey, stage and dramatise their struggle; and how young and old residents generated differing ideologies and tactics, giving rise to a distinct form of generational politics. Theatres of Struggle asks the reader to enter into the world of the rebels, and to confront the moral complexity and social duress they experienced as they invented new social forms and violently attacked old ones.

Cuba, Africa, and Apartheid’s End: Africa's Children Return! examines the history and impressive dimensions of the Cuban Revolution’s solidarity with Africa. Cuba’s role in the southern African national liberation and anti-colonial struggle was the largest and most consequential manifestation of the island’s commitment to Africa. A key moment was the 1987–1988 battle of Cuito Cuanavale, which involved Cuba and Angola on one side, and South Africa and its allies on the other. Cuito Cuanavale contributed the end of apartheid and has assumed legendary status within the Cuban Revolution and the southern African liberation movement.