Describes the impact apartheid had on South African society and the emergence of the powerful protest movement that sought to combat it.

Few places have felt the weight of colonization and slavery the way South Africa has. The ruling powers of Dutch and British settlers set in place a legal system designed to keep the races separated and unequal. Readers will come to understand these laws, known as apartheid, and the terrible effects they had. They will also learn how the echoes of apartheid still resound in both culture and politics in South Africa. Stark, compelling photographs and intriguing sidebars bring readers face to face with apartheid's harsh reality, while also revealing a nation trying to learn from its difficult past.

In 2 February 1990, FW de Klerk made a speech that changed the history of South Africa. Nine days later, the world watched as Nelson Mandela walked free from the Viktor Verster prison. In the midst of these events was Lord Renwick, Margaret Thatcher's envoy to South Africa, who became a personal friend of Nelson Mandela, FW de Klerk and Chief Mangosuthu Buthelezi, acting as a trusted intermediary between them. He warned PW Botha against military attacks on neighbouring countries, in meetings he likens to 'calling on the führer in his bunker'. He invited Mandela to his first meal in a restaurant for twenty-seven years, rehearsing him for his meeting with Margaret Thatcher - and told Thatcher that she must not interrupt him. Their discussion went on so long that the British press in Downing Street started chanting 'Free Nelson Mandela'.In this extraordinary insider's account, Renwick draws on his diaries of the time, as well as previously unpublished material from the Foreign Office and Downing Street files. He paints a vivid, affectionate, real-life portrait of Mandela as a wily and resourceful political leader bent on out-manoeuvring both adversaries and some of his own colleagues in pursuit of a peaceful outcome.

Through accessible text, a clear chronology, and photos, readers will discover how Nelson Mandela’s personal struggles and great courage spurred the South African revolution that changed the way the world looked at Africa.

South Africa came late to television; when it finally arrived in the late 1970s the rest of the world had already begun to boycott the country because of apartheid. While the ruling National Party feared the integrative effects of television, they did not foresee how exclusion from globally unifying broadcasts would gradually erode their power. South Africa was barred from participating in some of television's greatest global attractions (including sporting events such as the Olympics and contests such as Miss World). With the release of Nelson Mandela from prison came a proliferation of large-scale live broadcasts as the country was permitted to return to international competition, and its re-admittance was played out on television screens across the world. These events were pivotal in shaping and consolidating the country's emerging post-apartheid national identity. Broadcasting the End of Apartheid assesses the socio-political effects of live broadcasting on South Africa's transition to democracy. Martha Evans argues that just as print media had a powerful influence on the development of Afrikaner nationalism, so the 'liveness' of television helped to consolidate the post-apartheid South African national identity.

A collection of twenty-four essays that describe the political and social factors that influenced the beginning and end of apartheid in South Africa, along with personal narratives from those who witnessed it.

Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.

This is a compelling study of the origins and trajectory of a legendary black uprising against apartheid - the Alexandra Rebellion of 1986. Using insights from the literature on collective action and social movements, it delves deep into the rebellion's inner workings. It examines how the residents of Alexandra - a poverty-stricken, segregated township in Johannesburg - manipulated and overturned the meanings of space, time and power in their sequestered world; how they used political theatre to convey, stage and dramatise their struggle; and how young and old residents generated differing ideologies and tactics, giving rise to a distinct form of generational politics. Theatres of Struggle asks the reader to enter into the world of the rebels, and to confront the moral complexity and social duress they experienced as they invented new social forms and violently attacked old ones.

This edited collection examines how Western European countries have responded and been influenced by the apartheid system in South Africa. The debate surrounding apartheid in South Africa underwent a shift in the second half of the 20th century, with long held positive, racist European opinions of white South Africans slowly declining since decolonisation in the 1960s, and the increase in the importance of human rights in international politics. While previous studies have approached this question in the context of national histories, more or less detached from each other, this edited collection offers a broader insight into the transnational and entangled histories of Western European and South African societies. The contributors use exemplary case studies to trace the change of perception, covering a plurality of reactions in different societies and spheres: from the political and social, to the economic and cultural. At the same time, the collection emphasizes the interconnections of those reactions to what has been called the last ‘overtly racist regime’ (George Frederickson) of the twentieth century.

FROM THE WINNER OF THE BAILIE GIFFORD PRIZE THE INSTANT SUNDAY TIMES BESTSELLER 'Should be read by anyone who cares about justice, humanity and human rights' Elif Shafak 'An essential account' Sunday Times 'Powerful and persuasive . . . superb' Abdulrazak Gurnah 'An urgent reminder that Britain's colonial rule isn't our past. It's our present' New Statesman 'An important [book]' Observer 'Elegant, moving and profoundly informative' The Scotsman Through one woman's fight for justice, the award-winning author of East West Street exposes the shocking events that marked the 1965 establishment of the British Indian Ocean Territory. Written with Sands' characteristic expertise, insight and thrilling storytelling, The Last Colony lays bare the brutal legacy of colonial rule, the devastating impact of Britain's grip on its last colony in Africa and the ongoing struggle to right a historic wrong.