A feminist before such a term was created and most famous for The Awakening, the controversial Kate Chopin was also the author of a second novel, At Fault, as well as numerous short stories. This reference book begins with a brief introduction to Kate Chopin's varied background and her fictional work. A chronology traces the main events of her private and professional lives. Hundreds of alphabetically arranged entries follow, summarizing the plots of her novels and short stories, identifying her fictional characters, and relating them to her own experiences, to her family members and to her friends. Many entries include bibliographical citations.

"Introductory essay discusses Kate Chopin's background and extensive body of fictional work. A chronology traces the main events of her private and professional lives. Entries follow, summarizing the plots of her novels and short stories, identifying her fictional characters, and relating them to her own experiences, family members and friends. Many entries include bibliographical citations"--Provided by publisher.

Although she enjoyed only modest success during her lifetime, Kate Chopin is now recognised as a unique voice in American literature. Her seminal novel, The Awakening, published in 1899, explored new and startling territory, and stunned readers with its frank depiction of the limits of marriage and motherhood. Chopin's aesthetic tastes and cultural influences were drawn from both the European and American traditions, and her manipulation of her 'foreignness' contributed to the composition of a complex voice that was strikingly different to that of her contemporaries. The essays in this Companion treat a wide range of Chopin's stories and novels, drawing her relationship with other writers, genres and literary developments, and pay close attention to the transatlantic dimension of her work. The result is a collection that brings a fresh perspective to Chopin's writing, one that will appeal to researchers and students of American, nineteenth-century, and feminist literature.

Welcome to the 3 Books To Know series, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is: Strong Female Character: Pride and Prejudice by Jane Austen Little Women by Louisa May Alcott The Awakening by Kate Chopin Pride and Prejudice is an 1813 romantic novel by Jane Austen. It charts the emotional development of the protagonist Elizabeth Bennet, who learns the error of making hasty judgments and comes to appreciate the difference between the superficial and the essential. The comedy of the writing lies in the depiction of manners, education, marriage and money during the Regency era in Britain. Little Women is a novel by American author Louisa May Alcott (1832–1888), which was originally published in two volumes in 1868 and 1869. Alcott wrote the books over several months at the request of her publisher. Following the lives of the four March sisters—Meg, Jo, Beth and Amy—the novel details their passage from childhood to womanhood and is loosely based on the author and her three sisters. Scholars classify Little Women as an autobiographical or semi-autobiographical novel. The Awakening is a novel by Kate Chopin, first published in 1899. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics. The novel's blend of realistic narrative, incisive social commentary, and psychological complexity makes The Awakening a precursor of American modernist literature; it prefigures the works of American novelists such as William Faulkner and Ernest Hemingway and echoes the works of contemporaries such as Edith Wharton and Henry James. This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics

Fiction - The Art and the Craft is a highly practical exposition of all the major elements of fiction - such as plot, conflict, suspense, the hook, inference, character and dialogue - and how these elements are combined to make a compelling story. Using examples from well-known works of literature and incorporating exercises, research suggestions and activities, this informative, interesting and accessible book is a must-read for any author.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

All of these historical factors energize and enrich the fiction of this important region. The literary context of these volumes is also central to understanding their place in literary history. They are short-story cycles--collections of short fiction that contain unifying settings, recurring characters or character types, and central themes and motifs. They are also examples of the "local color" tradition in fiction, a movement that has been much misunderstood. Nagel maintains that "local color" literature was meant to be the highest form of American writing, not the lowest, and its objective was to capture the locations, folkways, values, dialects, conflicts, and ways of life in the various regions of the country in order to show that the lives of common citizens were sufficiently important to be the subject of serious literature.

In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.

This book explores the Catholic aesthetic and mystical dimensions in Kate Chopin’s fiction within the context of an evolving American Catholicism in the late nineteenth and early twentieth centuries. Through a close reading of her novels and numerous short stories, Kate Chopin and Catholicism looks at the ways Chopin represented Catholicism in her work as a literary device that served on multiple levels: as an aesthetic within local color depictions of Louisiana, as a trope for illuminating the tensions surrounding nineteenth-century women’s struggles for autonomy, as a critique of the Catholic dogma that subordinated authenticity and physical and emotional pleasure, and as it pointed to the distinction between religious doctrine and mystical experience, and enabled the articulation of spirituality beyond the context of the Church. This book reveals Chopin to be not only a literary visionary but a writer who saw divinity in the natural world.